Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

Fairaher The film makes a home in your brain and the only cure is to see it again.

Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Freeman This film is so real. It treats its characters with so much care and sensitivity.

bsmith5552 Another action packed entry from George O'Brien's RKO series. This one has a ton of extras, beautiful scenery and even tall trees lining the main street of the town.Two "businessmen", Jay Jones (Guy Usher) and Dunlap (Morgan Wallace) have a plan to take the lumber under the ruse of building a railroad, from a stand of trees near the town of Wagon Wheel which just happens to be next to cattle country. Rancher Scott Baylor (O'Brien) is a cattle rancher who becomes suspicious of the venture.Jones and Dunlap along with reporter Anne Carr (Marjorie Reynolds) arrive at Wagon Wheel. Baylor's uncle Henry (Earl Dwyer) is the local newspaper editor who is wise to their scheme. Dunlap buys up Henry's mortgage and forecloses on him. Anne takes over.Scott discovers that the so-called railroad has a 20 mile right of way and that his cattle are being slaughtered on the right of way to feed the lumbermen. The lumberjacks set up their own saloon in town and bar the cowboys. Scott rides his horse through the front window of the saloon in order to confront Jones and Dunlap. They have devised a scheme whereby drifters posing as settlers, register homesteads under the Homestead Act, and sell their timber rights to Dunlap and Jones thereby giving them a monopoly on the timber.Jones and Dunlap hire gunman Matt Chaflin (Robert Fiske in a chilling performance) to back their play. He murders the sheriff (Bob Burns) and takes over as Sheriff. He tries to pin the murder on Scott. He then tries to arrest him and........................................................................................There's plenty of blazing action in this one. Hoards of galloping riders, both good and bad, abound. There's a terrific shoot out and a ride to the rescue at the film's climax.Chill Wills is back as Whopper Hatch, O'Brien's talky sidekick. Curiously enough, Wills played the same character in his appearances while O'Brien's characters always had different names. Unlike many of his contemporaries, O'Brien was able to get the girl and fade out at the end with a romantic embrace.Also appearing are veteran bad guys Bud Osborne, Bob Kortman and Tom London as well as, Hank Worden as a photographer and Billy Benedict as Tiny Tim the newspaper's typesetter.

dougdoepke RKO certainly didn't stint on hiring extras for this horse opera. More crowds emerge here than many A-productions, and the guys do look like roughnecks. It's a better-than-average oater, with towns and countryside not seen in a hundred other matinée westerns. Also, the plot has topical relevance since the baddies use subterfuge to destroy the forest ecosystem for sneaky profit. On the other hand, Scott (O'Brien) and the cowboys want to keep the forest so their cattle have grass to graze. I really like Robert Fiske as gunslinger Matt. His hard-eyed stare and deadpan demeanor are striking to see and bespeak a lifetime of casual cruelty. Chill Wills too does well with comedy relief without being silly, some of his tall tales being a real hoot. Then too O'Brien gets to sport some of the biggest Stetsons on record, at the same time, he's pushing a bit on the waistline, but then he is a middle-aged 40. It hasn't slowed him down, however.All in all, it's a colorful and well-produced programmer with a good positive message.

samgrass-3 George O'Brien stars as Scott Baylor, a cattleman tending his herd in the rich timberlands. (This is certainly one on me. I thought cattlemen raised their herds on the prairie, not in the woods.) Con men Jay Jones (Poverty Row stalwart Guy Usher) and Foss Dunlap (Morgan Wallace) are plotting to strip the town of Wagon Wheel (Another great name!) of the timberland by promising to build a railroad, but in reality they're stripping the land of its trees. In tow with the baddies is reporter Anne Carr (Marjorie Reynolds), whom they duped into glorifying their efforts to "further the progress of the West." When Scott's Uncle Henry (Earl Dwire), who owns the town's newspaper, "The Wagon Wheel Clarion," (Must reading in Wagon Wheel.) publishes articles accusing the railroad of legalized larceny, Jones and Dunlap buy the paper out from under him and install Carr as Editor-In-Chief so she can write flattering articles about the progress the railroad is making. In addition, Jones and Dunlap take over the local saloon and hang a sign out front reading "Cowboys Not Welcome." It doesn't get any more obvious than that. Jones is also paying drifters and his loggers to claim additional acres of land under the Homestead Act and then sign their claims over to him. When the Sheriff Lyman (Bob Burns) investigates, Jones's hired gun Matt Chaflin (Robert Fiske) murders him and then is appointed sheriff by Jones. Anne, for her part, refuses to believe any of Scott's accusations, so he and sidekick Whopper Hatch (Chill Wills) pose as potential homesteaders and snap a photo of Jones paying the drifters. Showing the evidence to Anne, she joins them, and with the help of Uncle Henry, she publishes an edition of the Clarion with the photo and accompanying article exposing the fraud. Chaflin forms a posse to arrest Scott for the murder of Sheriff Lyman, and Scott holds them off at the newspaper office while Whopper rides for help among the other cattlemen. They arrive in time to save Scott's bacon, and Scott outduels Chaflin as well. The town and the forest are saved, and Jones and Dunlap are carted off to the hoosegow. But as Whopper notes, Scott is also going to serve a life sentence, but with Anne. While the plot has the usual holes one would expect in a B movie, the acting is uniformly good and Reynolds stands out as the most beautiful of O'Brien's leading ladies. It was only a matter of time until she would get her big breakthrough. Watch for Billy Benedict in a small role as the printing devil of Uncle Henry.