Kailansorac Clever, believable, and super fun to watch. It totally has replay value.

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Kinley This movie feels like it was made purely to piss off people who want good shows

invisibleunicornninja I have watched this movie many times, and most of those times, I didn't realize that I had already seen it until more than halfway through the movie. This movie does nothing special or interesting with its storytelling, cinematography, character "Development" or scene progression. Most of the actors (especially the child) are really bad. The story is a mess. Scenes drag on way longer than they need to. Its full of plot holes. Most of the characters seem to be written to be as unlikable as possible. I would not recommend watching this movie.

Kirpianuscus it is an oasis. or, maybe, an isle. for memories and emotions and dreams. for a profound portrait of solitude who discovers the friendship as the great sense of expectations. a boy. and an egg. and the myth who becomes a lovely story who redefines CGI as tool, not as axis or purpose/cage. a film who must see. for small gifts. for delicate images. for the powerful emotions . for the return to the inner child. because, like many films for young public, The Water Horse is a film especially for adults. the first scenes are the basic pledge for this. the special end is the second reason . it is real simple. like the real good films. because it mix the flavor of a land, the situation of a modest family and the grow up of a child who discovers the meaning of life .

SnoopyStyle It's the darkest days of WWII. Angus MacMorrow (Alex Etel) is a little boy living in Scotland waiting for the return of his father. He's afraid of the water but he finds an odd rock by the loch. It hatches into a tiny little creature. His sister Kirstie (Priyanka Xi) eventually finds out while they try to hide it from their mother (Emily Watson) who is the housekeeper for an estate. Complicating matters are the British troops under the command of Capt. Hamilton (David Morrissey) and the new hire Lewis Mowbray (Ben Chaplin) who are staying at the estate. Then there is the hunt for Nazi submarines.It's a fine little children's movie with a slightly darker edge. It's not a cartoon or particularly silly. Nobody will look for a stuff animal from this movie for a gift. It's not that cute. Little Alex Etel is the cute one in this movie. Basically this children movie hasn't been Disneyfied for both good and bad. The accents and old manor set may put off the kids if they're not Brits. Also I don't think the modern day storyline is particularly useful.

Roland E. Zwick Directed by Jay Russell, "The Water Horse-Legend of the Deep" is yet another in a long line of "E.T.-The Extraterrestrial"-wannabes (heck, even the two movies' titles sound the same) – only in this case the adorable alien from outer space has been replaced by the only slightly less adorable and certainly far more unwieldy creature known in folklore as the Loch Ness Monster. It's almost as if little Elliot had wandered into "Jurassic Park" instead of the forest near his house.The Elliot of this tale is one Angus MacMorrow (Alex Etel), a lonely lad living with his mother (Emily Watson) and older sister in a lakeside village in 1942 Scotland. Angus' dad is currently off serving in the war and the young boy counts the days till his planned return. One day, while playing in a local tide pool, Angus uncovers a mysterious giant egg which he takes home with him, only to discover that out of it has hatched a strange and heretofore mythological creature known as a water-horse. Angus goes through the requisite routine of making friends with the creature, trying to hide him from the others in the household, frantically trying to save him from the military-industrial-complex forces out to destroy him, becoming all teary-eyed and emotional at their inevitable separation - in short, just about everything Spielberg did so masterfully in "E.T.," and that has been so dishonored in the imitation.Luckily, the movie does improve a bit in the second half, when the script turns away from the "E.T." parallels and towards the wartime aspects of the tale. But even here the military characters are largely two-dimensional in nature, with only Angus' mom and a newly arrived handyman by the name of Lewis Mowbray (Ben Chaplin) providing any real human drama. The script by Robert Nelson Jacobs, based on the book by Dick King-Smith, also employs the cheesiest story-framing device of them all – the now-grownup character spinning the yarn to a spellbound audience in the form of an extended flashback – to tell its tale.The special effects are wildly uneven, with some of the CGI looking mighty convincing and some of it looking like badly processed rear-screen projection from thirty-some-odd years ago. Moreover, one scene, involving Angus' activities with the creature in the water, is so utterly implausible that even a movie as based as this one is on asking the audience to suspend its disbelief can't quite pull it off.Even with an original theme song written and sung by Sinead O'Connor, this aquatic a-boy-and-his-dog story is all wet.