The Van
The Van
R | 16 May 1997 (USA)
The Van Trailers

In a working-class quarter of Dublin, 'Bimbo' Reeves gets laid off from his job and, with his redundancy payout, buys a van and sells fish and chips with his buddy, Larry. Due to Ireland's surprising success at the 1990 FIFA World Cup, their business starts off well, but the relationship between the two friends soon becomes strained as Bimbo behaves more like a typical boss.

Reviews
MamaGravity good back-story, and good acting
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
nifnn As an Irish person I couldn't help but cringe a little whilst watching this film, much as I enjoyed it. Its seems to be the same ''poor us,we've nothing, down on our luck'' story that seems to be the running theme through a zillion other Irish films & in particular, Roddy Doyle stories. We've seen it all before.The film has some quite funny moments, and the stereotypical Irishman, Colm Meaney does his usual business but the storyline is quite weak and simplistic really. I don't think I came away from the film any wiser than before.I think its time Irish film making upgraded with other countries and maybe feature something like casino's, beaches, hot girls, edge of the seat mob thriller instead of war, famine,unemployment, tradgedies, gypseys, priests, and in this case two idiots opening a chip van.
derekparry "The Van" is one of very few novels that have made me laugh out loud, on numerous occasions, whilst reading it. Thus, I feared the movie couldn't possibly live up to the book and I was right. The characters appear nowhere near as appealing as they do in the book -even the lead characters name has changed from Jimmy to Larry. In fact the Rabbite family has been drastically culled. The dialect can be difficult to catch at times (my wife mistook "World Peace" for "Wolf's p**s" during one pun). The "Living Dead" appear from nowhere and........no, I'm not doing any more comparisons.If you want a good laugh read the book.
jthomas7193 I love movies set in Ireland and Colm Meaney is great. This is a fun movie, with humor and an interesting angle on life in Ireland. Colm was in another movie made from this author's work, The Snapper, and that was a howler. This movie is a must for fan's of Irish movies.
pwk-2 After the feel-good THE COMMITMENTS and the real-life THE SNAPPER, the third film in Roddy Doyle's Barrytown trilogy is a shade disappointing. THE VAN isn't a bad film by any means; it's just that it should and could have been better.The screenplay is by Roddy Doyle, which makes it strange that the Rabbitte family has been so radically restructured. Jimmy becomes Larry, Jimmy Jr and the (marvellously funny) twins have gone, Sharon - the unmarried teenage mother of THE SNAPPER - has become Diane. A large measure of the fun of the bustling Rabbitte family life goes with them. Ireland, it seems, is no longer a land of "large families in small houses." The same shrinkage seems to have happened to Jimmy's(no, Larry's)circle of friends.Presumably this has been done to avoid distracting from the core of the story - male friendship, female growth, living with unemployment. Oh, and football. Easily the best parts of the film, though, are those given over to the details of getting and running a dodgy chipper van. The end is handled oddly, though. What comes over in the book as a vindication of friendship over money appears in the film to be no more than a piece of drunken vandalism.But something has been lost - richness, detail - in this stripping down of the story. Budgetary constraints, perhaps?See THE COMMITMENTS for fun, see THE SNAPPER for its gutsy storytelling. Only see THE VAN if you really want to know what happened next.