Fluentiama Perfect cast and a good story

GrimPrecise I'll tell you why so serious

SoftInloveRox Horrible, fascist and poorly acted

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Simon Booth I had believed that I had seen this film on a lousy cropped + dubbed DVD some years ago and found it not deserving of the affection/adoration with which it is usually discussed. However, the film seemed so wholly unfamiliar when I watched it tonight that I think I may simply not have seen it before at all - I can't believe that widescreen + original language/subtitles would make _that_ much difference. Then again, my memory is very poor! Regardless, it seems I've finally found my Sonny Chiba groove, and can completely see why this film is loved and revered. It's as ultra-violent, nasty, sleazy a piece of 70's karate-sploitation as you're ever going to see! Chiba plays Tsurugi, a merciless karate master whose moral stance is at best ambiguous - the baddest of asses, if ever an ass was bad! He is quite happy to kill for money, but his real wish seems simply to fight an opponent of equal skill and bloodthirstiness. He volunteers to protect a wealthy heiress, though whether his real motive is to steal her money is never quite resolved. Once the bad guys start sending their karate masters to kill him it's a moot point, though, as he's much more interested in maiming and mutilating them! The film was made only a year or so after Bruce Lee's death, and it's clear that Chiba was being offered as the Japanese replacement for him - but unlike many abortive attempts by the HK studios to produce a "new Bruce Lee", Toei realised from the start that imitation wasn't the right approach... Chiba is in many ways an "anti-Bruce"... rugged, mean, visceral and brutal. He's definitely not a "hero" in any traditional sense... he even warns the heiress' family that he may be worse than the people he's going to protect her from.The film is action packed pretty much from the beginning to the end, with a small army of goons apparently willing to throw themselves on Chiba's lack of mercy - which he rewards with a whole lot of bone cracking, eye gouging and body part ripping violence. Chiba's style is distinctive, and the fights have a rawness that is quite different from the kung fu films of the day. Much of it seems to be full-contact, with Chiba hitting pretty hard. The film piles on the gore gleefully and gruesomely, though obviously the special effects look dated today.The film delivers all that fans of trashy, violent exploitation might be looking for except perhaps for nudity - conspicuously absent given the trends of the times... perhaps they didn't want to distract people's attention. It's easy to see why Chiba became an international icon, and why the film is regarded as a classic of its genre.Highly (but selectively) recommended!

tomgillespie2002 Takuma Tsurugi (Sonny Chiba) is a martial artist for hire, and at the start of the film, helps the soon-to-be-executed Taketi (Masashi Ishibashi) escape by giving him his 'oxygen coma punch' to the back of his head. He is rushed to hospital and is freed by some of Tsurugi's helpers. Later a group of gangsters try to hire him to kidnap the daughter of an oil tycoon, Sarai (Yutaka Nakajima), which he refuses due to them being Yakuza. Instead, he attacks the dojo where she is being held and is eventually beaten by the dojo master, who nevertheless hires Tsurugi to protect her. Soon he and Sarai are being hunted by the Yakuza, who have also hired Taketi to murder Tsurugi.Recently this film and its two sequels were given a new lease of life by Tony Scott's True Romance, where the two leads are watching a Sonny Chiba marathon in the cinema (scriptwriter Tarantino being clearly a fan). But Chiba has been huge in Japan and amongst fans of the martial arts fans for decades, and it's not difficult to see why. Chiba is simply a force of nature on screen, with his monkey-like fighting movements and often terrifying facial expressions. His character here is a nasty piece of work. He isn't all inner peace and fighting for the greater good. He fights for money, and will quite happily rip your cock and balls off to stop a rape. Tsurugi's repulsiveness is refreshing, and Chiba is so fascinating to watch in the role that you can't help cheering for him, even when he's beating up a group of innocent karate apprentices.The plot itself is as convoluted and confusing as a lot of the Japanse Yazuka/martial arts films are, and near to the end I'd forgotten who half the characters were and what their purpose was. But with action scenes this good, I couldn't have cared less. The first film in the US to receive an 'X' rating solely for its violence, The Streetfighter revels in its over-the-top blood letting, and is all the better for it. Mouthfuls of teeth are knocked out, a skull is shattered in X-ray vision, and the aforementioned castration scene has Chiba gleefully holding the prize possession in the air once it's been removed. Big, stupid, and very gory fun.www.the-wrath-of-blog.blogspot.com

Cristi_Ciopron I guess I am not the only one to rank THE STREET FIGHTER with the best action movies ever. I have seen it after its sequel, RETURN OF THE STREET FIGHTER, and found it even better. Well, having liked so much the sequel, you can imagine how I enjoyed the original movie! The characters are many, the settings are picturesque and colorful, the pace is fast. The fights are always interesting and spectacular. In this first installment ,they had the guts to maintain Tsurugi as a genuine anti—hero. Shigehiro Ozawa finds the right tone from the very start, handling well the side plots. The score is so dynamic and cool, it's a pity it was not used more in the movie.Tsurugi is a cruel mercenary, a Ronin who deals with a story of revenge, kidnapping and dirty affairs. Tsurugi is employed by a young man and his sister to rescue their brother from the gallows. Tsurugi does the job; his employers turn up to be penniless ,and Tsurugi insists being paid. The man whom he rescued from the gallows seeks to murder him because Tsurugi has had a fight with the former's brother and the brother did loose his life.

sc8031 The Streetfighter remains one of the defining films of the Japanese martial arts, "grindhouse", "chop-socky" era from the 1970s. It's one of the titles that made Sonny Chiba famous and features really impressive high-level karate.But the film isn't light-hearted, nor is it made humorous by its dub (as is the case with the contemporary Shaw Bros. films of the time). It is violent, gritty, misogynistic, and a bit racist. It explores gritty underworld elements: drug trafficking, sex slavery, contract killing, etc.The plot revolves around Terry, an underground mercenary in modern Japan, who is forced into a life of crime (presumably) for being half-Chinese in a racist, conservative society. He is offered a job to rescue a wealthy oil baron's daughter-heiress after she is kidnapped by Yakuza. The way the events transpire and the plot develops is actually pretty solid for a "B" movie, and here Street Fighter stands far above its sequels or genre contemporaries.Terry as a character is complex and depressing. He is angry and violent and completely unsympathetic to others, but he is the one we are supposed to connect with. Many people who cross his path are perhaps more upstanding people but are killed either because they are in the way of his contract jobs or because they are not as equally driven by hatred.Sure, maybe it's a character study or a commentary on Japanese society in post-World War II. But that's only in hind-sight and even if so, it's just icing. The premise of the movie is to create a situation for Sonny Chiba to kill a bunch of violent criminals while on commission. But this is okay, because the acting is good, the martial arts are real good, the music is catchy funk-inspired rock and enka from the '70s, and the plot maintains your attention throughout.