mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Monique One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

Backlash007 ~Spoiler~ The tagline for The Sleeping Car reads "Forget Freddy, Forget Jason, here comes The Mister!" What are execs thinking? Don't compare your cheesy little movie to icons. It's never true. The Sleeping Car is a movie that could have worked. David Naughton plays a man getting over a hellish marriage and trying to go back to school. He rents a railway passenger car that used to belong to The Mister. The Mister (played by effects man John Carl Beuchler) is a deceased railroad worker with a shady past who doesn't like sex, drugs, or rock and roll. As you probably guessed, he haunts the "sleeping car." Judi Aronson also stars as a saucy, young co-ed and Kevin McCarthy plays Vincent Tuttle, Naughton's bizarre neighbor. The plot is a bit clichéd but when has that ever stopped a horror movie from being good? The main thing holding it back, as others have pointed out, is the humor. There are way too many wisecracks during tense moments in the film. The Naughton character is cracking jokes during the final showdown with the ghost. If he's not scared, how am I supposed to scared for him? It just doesn't work. The special effects, which Beuchler also had a hand in, are really good (I also spied Wayne Toth's name in the credits). One death by couch springs is particularly cool. The Mister himself is also sporting a really creepy and badass look. But he's no Freddy and certainly no Jason. The Sleeping Car is the type of movie that could benefit from a remake.

Claudio Carvalho Jason McCree (David Naughton) has just divorced from his wife and although being over-aged, he decides to study journalism. He rents an old sleeping car of a train for living. However, the car is possessed by the spirit of the husband of his landlady, called "The Mister", who was responsible for the collision of two trains in an horrible accident ten years ago. "The Sleeping Car" is a confused B-movie with a non-sense screenplay full of flaws and bad acting of the lead actor, David Naughton. There are some few good lines, but the story is a complete mess, without explanation for most of the situation. My vote is three.Title (Brazil): "O Expresso Macabro" ("The Macabre Express")

Coventry "The Sleeping Car" is a pretty insignificant and worthless horror film that is made endurable by a couple of nice special effects and a neat supporting role by Kevin McCarthy. The plot revolves on an over-aged journalism student Jason (David McNaughton from "American Werewolf in London) who rents an old, refurnished train carriage to live in. This carriage – the sleeping car – is possessed by the spirit of "the Mister", the landlady's late husband who was responsible for a huge train crash ten years earlier. The screenplay doesn't make that much sense, but you can hardly consider that an obstacle in early 90's horror movies. There's some nice murdering and the female lead Judie Aronson is yummy. What's really annoying about the "the Sleeping Car" are the constant witty remarks of protagonist Jason McCree. He uses a supposedly funny one-liner every time his character does or says something. Even in the climax, when he's fighting (?) the demon, he interrupts the action for a lousy remark...Very annoying.

millennia-2 ''The Sleeping Car' is by no means a good film. It's slow moving, lacks any atmosphere, and gets rather tedious at times, but it still manages to deliver the goods, or at least some of them. The production values are passable, but far from bad, and the script works to a degree, but for some reason the pieces don't fall into place as they should. The body count is only four, making it too tame to be a slasher movie (though it does hint at that, especially during the overlong climax), but too juvenile to be a psychological thriller/horror film.The acting isn't bad, but it sure isn't all that great. It seems like the actors were booked for three or four days for filming, and just wanted to get it over with, so they didn't seem to put a lot of effort into it. No one in particular stands out, and the characters don't make the movie any more interesting. On top of that, none of the characters are very well developed, with the exception of the professor, so that does little to help the cause.Still the movie does have several things working for it, not the least of which is some pretty impressive special effects for a movie of this caliber. Another is the creative and very gruesome death scenes, which may be the best part of this 'not quite there, but close' horror flick6/10