Cathardincu Surprisingly incoherent and boring

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

writers_reign I've no real idea why Alan Ladd shot three films in England in 1953 and 1954 though I guess my speculation is as good as that of the next guy. He shot to stardom in 1942 and, under contract to Paramount, appeared in a string of box-office successes throughout the decade. He was never going to give us his Hamlet, Macbeth, Hotspur etc, but he did have a nice line in effortless charm and knew how to carry a gun authentically. By the early fifties his kind of thick-ear melodrama was on the wane (yet ironically his greatest role, in the finest film with which he was ever associated (Shane) came right after Red Beret. I don't know whether it was written into his contract but his was the highest profile by a country mile and the Producers surrounded him with whatever members of the Second Eleven - Leo Genn, Donald Houson, Stanley Bker, Patrick Doonan, Harry Andrews et al who weren't working at the time and, for good measure, gave him a charisma-free non-actress with all the sex appeal of a wart hog. The plot? Don't ask. A natural leader Ladd consistently refuses to become an officer and the reason is, of course, that he blames himself for the death of a friend whilst both were serving in the US armed forces. Just about passes the time.

Piafredux Somehow 'The Red Beret,' by no measure a fine film, remains one of my sentimental favorites, perhaps because in my teens it aired often on late night TV, under its U.S. title 'Paratrooper.' Alan Ladd, even when he wasn't acting, appeared as the sexy strong stoical silent type, and here he again fills that bill. I also love this film because it's one of the many that carved out for Harry Andrews his reputation for playing tough-tender sergeants and sergeant majors; in 'The Red Beret' his last-words line, "Pity the man who hears the pipes and was na born in Scotland," has stuck pleasantly with me into my sixth decade; he also gives a lovely little take when the red berets are issued to him and his men and his character must part with his beloved regimental headgear. Also very sexy here, in his own astute, urbane way - quite different from Ladd's, is Leo Genn (who, in my experience, never gave a poor screen performance, and who was very good as the psychiatrist in 'The Snake Pit' and as Mr. Starbuck in John Huston's adaptation of 'Moby Dick'). Pert, pretty Susan Stephen - in a curls-and-frizz hairdo that was fifteen years ahead of its time! - doesn't act very well here, but I still find her effort affecting as Ladd's character's love interest.I suppose my affection for 'The Red Beret' is one more proof that "There's no accounting for taste." Which helps to explain, if not to excuse, most of the rubbish studios churn out nowadays for uncritical mass consumption. I wish 'The Red Beret' would release on disc so that once, and many times over, in the wee hours I could snuggle down on the sofa and enjoy it as I did when I was a teenager.

parawright At the time this film was made (1953) many of the men who took part in ww2 wearing the RED BERET were still around and expecting to see a movie depicting what they had accomplished, and the opening text pays tribute to them somewhat, the film then goes on to a disappointing plot about an American leading man Alan Ladd,whose sole purpose seems to be to sell the movie in the U.S. The action depicting the raid on the Bruneval radar installation is o.k. but the later action which I think is supposed to be the fight in Tunisia gives a very seedy type of appearance,amateur,and certainly unconvincing acting and generally cheap looking sets, possibly a gravel-pit somewhere,(I guess most of the budget was spent on the leading star's salary) although the training scenes were very accurate. It was shot at R.A.F. Abingdon,near Oxford, the Parachute Training School at that time, the Guardroom at the rear gate can be recognized, where they are issued with their Red Berets.Considering all the hard fighting that this regiment actually did in fact do in so many places this had the potential to be a great movie. What was required was a good plot,a good script and less of a romantic storyline and some tight direction, sadly this did not happen and no serious attempt at a movie was made about the heroic actions of the Airborne Forces until "A Bridge Too Far". Other movies like The Cruel Sea, Twelve O'Clock High, Bridge on the River Kwai, King Rat and Das Boot etc.depict the sacrifices made by these men accurately I think, the men who wore the Red Beret must have left this screening very disappointed,I certainly did. Worth having a copy in your collection as I have, if only to think of what might have been.

Steve Crook This is the thinly disguised story of real life hero John Frost. Portrayed in this film by Leo Genn and called Maj. Snow (I said the disguise was thin).Lt Col John Frost led the small group of paratroopers who actually got to the bridge in A Bridge Too Far (1977) (where he was played by Anthony Hopkins). Despite only having a few hundred men instead of the whole brigade that they expected to get there, they still held out for four days against an S.S. Panzer group. John Frost got his knees damaged by a mortar bomb so spent the rest of the war in a P.O.W. camp. In this film Maj. Snow gets wounded in the legs by a grenade but is carried to safety by his men.But Arnhem was just the final move in an amazing wartime career. Frost was one of the earliest volunteers in the newly formed parachute regiment at the start of the war. As a Major, he led the successful raid on the German radar station at Bruneval where radar specialist Sgt Cox (Sgt Box in this film) dismantled the German unit and brought it back to Britain along with some of the operators so that the British could understand the limits of the German radar system. This happened in a very similar way to the raid portrayed in the first part of the film.The next raid Frost led was on an airfield in Tunisia, just like the second raid in the film. In real life, as in the film, the raid on the airfield was a success but they had some problems getting back to their own lines.Frost then led the parachute drop on Sicily and a further raid in Italy before his wartime career finished at Arnhem.This film is quite well made and adapts the story well to fit Alan Ladd in without making it too obvious that he's only there to attract an American audience. The real heroes of this story are John Frost and the men of the Parachute Regiment.