Tetrady not as good as all the hype

FrogGlace In other words,this film is a surreal ride.

Patience Watson One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

Freeman This film is so real. It treats its characters with so much care and sensitivity.

JoeytheBrit Melies' typically lively imagination is once again evident here as he treats us to a macabre little scene in which a couple of demons capture unfortunate souls and bundle them into the eponymous cauldron only to then summon their spirits. The film is hand-coloured and is still in remarkably good condition, and Melies' trademark special effects are up to his usual standard - in fact they can stand comparison with the special effects in movies made 70 years later. There's not much plot, but then plot was never the most important thing to Melies - he was more concerned with visualising his incredible imagination on the screen. This one is a real treat.

capkronos Every fantasy/horror fan should check out this 1-minute short from pioneering French director Georges Méliès. Made the year after what many consider Méliès' masterpiece LE VOYAGE DANS LA LUNE (A TRIP TO THE MOON) and not nearly as elaborate or impressive as that work, this is still a great piece of film history no film fan will have a problem spending 60 seconds of their time viewing. Unlike most other shorts from the filmmaker, this one was also hand-tinted a variety of bold colors, which gives it a different look and feel than others from the same era. It starts with two green, pitchfork-holding demons in horned headdresses luring a woman into their castle, wrapping her in a sheet and then throwing her into a cauldron, which then erupts in flames. They then throw two others in. The second demon stirs the pot and then the lead demon (played by the director himself) summons each of the three individual spirits. Smoke and fire erupt from the cauldron as each spirit emerges and then floats around overhead. The painted castle backdrop is a simple but effective Gothic design, with just a few thrones and a couple of red demon masks on the walls, and the special effects are very good and have held up surprisingly well over time. Other than a few choppy jumps toward the end of this short as the spirits catch fire and turn to ash, it's a very cool and interesting short.

José Luis Rivera Mendoza (jluis1984) While an enormously influential pioneer on the field of special effects, French director Georges Méliès was oddly not that interested in making color films in his career. The reasons behind this apparent lack of interest were probably related to how costly and laborious was the process of hand-coloring frame by frame, as while his first hand-colored movie was done in 1897 ("L'Hallucination De l'Alchimiste"), he wouldn't attempt to make another one until 1903, when the hand-colored movies done by Edison's Studios became to be as popular as his films. That year, right after the enormous success of his masterpiece, "Le Voyage Dans la Lune" ("A Trip to the Moon"), Méliès directed 3 shorts that he colored himself: "La Guirlande Merveilleuse", "Le Cake-walk infernal" and "Le Chaudron infernal". Of the three, "Le Chaudron infernal" (or "The Infernal Cauldron") is the most well-known, mainly because this film followed Méliès' interest in the horror genre."Le Chaudron infernal" (also known as "The Infernal Boiling Pot" by some sources) is a movie about an evil green-skinned Demon (Georges Méliès, of course), who works as an executioner in Hell. Another demon in charge of bringing him the condemned, begins his work by sending a woman to the Executioner, who joyfully ties her and throws her into the big cauldron he has in his room. His assistant brings him another two condemned, this time two male courtiers, who follow the woman to her fate inside the boiling pot. As the bodies enter the cauldron the infernal flames grow bigger and reach an enormous size. After putting the three inside the cauldron, the Demon stirs up the remains and suddenly the smoke that comes from the cauldron begins to form images that resemble the bodies of the condemned. Realizing that this are the souls trying to escape, the Demon will raise the fire from Hell to stop them from escaping.Among Méliès' many fantasy films, "Le Chaudron infernal" is definitely one of the most impressive of all despite its short runtime, as the addition of color takes the film to a whole new level, making Méliès' many tricks look even more amazing than before. To his usual array of dissolves and camera tricks, Méliès added the effects of drawing over the celluloid (an effect made famous years later by the "Godzilla" films of the 60s), using the hand-coloring technique not only to make the film look nicer, but to make an effect in itself. On a completely different subject, it's interesting to see that in this movie Méliès continues his preference for themes of horror and black magic, as he knows that it's in the horror genre where he'll be able to exploit his special effects to shock and impress his audience.Being objective, the only problem of "Le Chaudron infernal" is definitely its runtime, as considering that by 1903 Georges Méliès had already done "Le Voyage Dans la Lune", one would think that this film is a bit too short. However, there is a reason for this considerably shorter runtime: it's short because the process of coloring the film was lengthy, and Méliès wasn't able to make longer colored films (and as written above, that's why he only made 7 colored shorts in his career). Despite this problems, "Le Chaudron infernal" is definitely one of the most interesting movies done by the legendary French magician, not only because of its inventive use of color as a special effect, but also because of its place in the history of the horror genre. This movie is definitely pure Cinemagic. 8/10

Snow Leopard This colorful, macabre feature is also something of an interesting change of pace from Georges Méliès. His impish wit is at its most morbid here, and while the special camera effects are used less lavishly than usual, this also enhances their impact. The hand-tinted color is still vivid enough to add to the overall effect, with the greenish demons and the brightly flickering flames helping to set a sinister atmosphere.The brief story follows two demons as they toss three helpless captives into "The Infernal Boiling Pot", and then stir up the pot to see what comes out. The 'spirit' effect works particularly well, and the ghostly shapes show how versatile Méliès could be in varying his techniques as required. To be sure, the techniques used in much more recent movies have gotten us used to seeing effects like this, but for 1903 it is quite impressive, and it holds up very well.It would be interesting to know how the original viewers of this feature responded to it, since its ghoulish tone and vivid images contrasted with almost any other movie of its day. In any case, it is still an interesting feature that is definitely worth seeing.