Softwing Most undeservingly overhyped movie of all time??

ShangLuda Admirable film.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Ed-Shullivan I especially love the 1970's film making era, and with a seasoned director such as Robert Aldrich managing the cameras, I was sure I would not be disappointed with the Grissom Gang. The opening panoramic scene which takes place at a gas station/general store was vintage 1970's film making style, and I thought the film was off to a great start. The movie takes place in the 1930's era and stars Kim Darby as Barbara Blandish who plays a rich and spoiled heiress who is kidnapped by a crew of semi smart gangsters who are led by a tough talking Ma Grissom played by Irene Dailey. Ma Grissom's slow witted son Slim Grissom who has never had physical contact of any kind with the opposite sex becomes infatuated with their kidnap victim Barbara. While in captivity Barbara is shown several times screaming her rich pretty little head off, thus the scream queen summary. The dim witted Slim takes a lot of verbal abuse from the other gang members as they like to make fun of his so called friendship with Barbara when in fact they know that after the ransom is paid, they will have to dispose of Barbara as she is the only living witness to their crime.No plot is complete without including a weasel eyed gang member in the story line and who better to play this part than the venerable character actor Tony Musante who plays Eddie Hagan. Eddie expresses that he is more than up to the task of killing Barbara when the time is right because he knows how much that will just torment Slim who has fallen in love with Barbara.As the law closes in on the gang, Barbara continues to try and escape and Slim promises to protect his new found love from the other gang members. Tempers flare amongst the gang members, and the audience is anticipating one of those great Bonnie and Clyde shootouts with the law. Director Robert Aldrich includes a number of car chases and shoot outs in the Grissom Gang, the three main characters are exposed to the audience for who they are and who they believe in. I wouldn't want to spoil a good ending so you will just have to watch it. I would not call this a great movie, but it is certainly worth a Sunday matinée watch. I give it a 6 out of 10, and I thank Robert Aldrich for another good film on his extensive resume which includes the classic and hard to find on DVD Choirboys, as well as box office bonanzas The Longest Yard, and the Dirty Dozen.

moonspinner55 Robert Aldrich's brutal, quasi-black comedy "The Grissom Gang", a reworking of the 1948 British film "No Orchids For Miss Blandish", has 1920s heiress Kim Darby kidnapped by a pack of clumsy thieves; soon, that gang is dispatched and poor Kim is then transferred into the clutches of another crooked bunch--third-rate gangster brothers with sweaty, pasty faces and a mother who looks like Buddy Ebsen in drag. At first, Darby (not very plucky, and not very smart) attempts to escape this drooling brood, but they're onto her. Eventually she just gives up trying, and therein lies the trouble with the story. Are we in the audience supposed to sympathize with her? Is her growing concern for the family half-wit supposed to be heartwarming? These are disgusting, cretinous characters, and I wanted to see as little of them as possible. But since the side-stories (the progress of the cops on the case and another one involving floozy-singer Connie Stevens) are rather dull, the director has no choice but to keep foisting those sweaty faces on us. Pretty soon, nervous Darby starts sweating too, although her scene up in the hayloft is sensitively performed and Aldrich's climactic moments are thought-provoking, if disorganized. ** from ****

JasparLamarCrabb Robert Aldrich's lurid film has a lot going for it and a lot not going for it. On the plus side there is a dynamite performance by Kim Darby as a kidnap victim who may or may not be starting to enjoy her grim predicament. On the minus side, the gang of kidnappers, a Ma Barker-type and her motley brood, simply is not threatening ENOUGH to make you believe Darby is in a lot of danger. I couldn't help wondering why she didn't just up and leave. Another deficit is the TV-movie feel of the whole thing -- this is definitely NOT Aldrich's most stylish film. Irene Dailey is fine as the mother, but it would have been more fun had the role been played by Cloris Leachman or Shelley Winters. Featuring Scott Wilson, Tony Musante, Robert Lansing and, in a brief but foul-mouthed cameo, Connie Stevens!

howlermonkey a better Patty Hearst movie than the ones actually made about Patty Hearst. not quite up there with the likes of Bonnie and Clyde and Thieves Like Us, but definitely worth seeing as an example of the 1970's ambivalence about anti-social characters and crime. the reviews make quite a big deal about the violence but you will hardly notice it--a great deal of shooting, some of that orange glop they used in the 1970s, but hardly emotionally wrenching like, say, The Wild Bunch or Texas Chainsaw Massacre...great performance by Scott Wilson who shows up on TV a lot these days.