The Gamma People
The Gamma People
NR | 01 December 1956 (USA)
The Gamma People Trailers

An American reporter smells a story when he is stranded in an Iron Curtain country where the local dictator is using gamma rays to transform children into mutated henchmen.

Reviews
Lovesusti The Worst Film Ever
Phonearl Good start, but then it gets ruined
Konterr Brilliant and touching
ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.
O2D This movie is very deceiving.It seems to have a good story that makes sense but it's actually just an anti-Hitler movie full of plot holes.For once someone actually tried to make a good movie,they just failed. It starts with a train car taking several minutes to gently break away from the train.The car only has 2 people(reporters) in it because that's completely normal. One guy pushes the buzzer for the waitress(I have never been on a train but I doubt those buttons ever existed) and he immediately gets up to check on why she hasn't shown up.Nevermind that there were NO wires going from their car to the rest of the train.It was 1956, I guess they had wireless buttons. As their car drifts away from the train,we see two Hitler youth looking kids run out and throw the track switch so the car goes to their town.How did they know the car had broken free? The car stops and there's 10 minutes of time killing confusion before we learn that they are in an imaginary country that is exactly like Nazi Germany(except for the French-style military uniforms),they even use some German words. From this point on the majority of the movie is too dark to see anything,so you won't realize how stupid it is. The whole time there are hints about the reporters never being able to leave but there is nothing in the story to actually support that. There is also some stuff about weird masks that never makes any sense. One reporter gets beat up by a kid on a swing.The other one(who is fat & old and wears his pants around his neck) easily outruns a group of "goons". They get a car and drive into the country.It gets a flat and they all get out immediately and run to the front of the car,which immediately blows up. Then the fat guy tells the skinny guy to run back to the city to get help!!!While he and the girl they found run to Hitler's castle. Everything that happens in the castle is stupid and I won't waste any more time on this movie. Although I have nothing good to say about this movie,I am going to say you might want to give it a chance just to see how silly it is.
robertguttman This movie seems to be pulling in so many different directions at once that it's difficult to figure out exactly what the filmmakers were actually trying to achieve. Was this intended to be a science- fiction thriller, a political comment on totalitarianism, a comedy or perhaps all three at once? It certainly seems to be a bit of all three at various times, and sometimes all three at the same time. Perhaps it is for that reason that the cumulative effect is a bit bizarre and doesn't quite work. For example, if this movie wasn't intended to be a comedy then why did they cast Paul Douglas and Leslie Phillips, both of whom were known principally for playing comic parts, in the two lead roles? And why do the police who administer the supposed Police State in the movie go about dressed in comic opera uniforms and seem no more formidable than the proverbial "Keystone Kops"? Even the head of the police comes off as such a hopeless buffoon that it is impossible to feel the least bit intimidated by him. One gets the impression that the country in the film was supposed to represent a sort of miniature Nazi Germany or Stalinist Soviet Union, but it simply comes off as a slightly bonkers version of San Marino or Andorra, complete with the obligatory colorful folkways.See this if you have never seen it, just for the experience of a film that is so truly strange that it is almost impossible to categorize under any single genre.
LeonLouisRicci This one will leave your head spinning like an Ed Wood film. It is a surreal stew of so many styles and symbolism that a reference point is reticent.Ten years after WWII the fascist fear was forever present. Here we have science-fiction mind control based on factual events that instill a real life horror and remembrance of a not too long ago plague of pathology.Hitler youth, enslavement encampment, and a mad scientist are at work here along with foreign journalists and feather headed throwbacks in this offbeat and mind-boggling concoction that almost but doesn't quite work.The movie also, for some reason, throws in a bit of slapstick humor and coy dialog that got lost on its way to some other film and found its way into this sometimes sombre scenario of tortured children and monstrous and zombified men who were victims of the villains.The result is a jigsaw made up of pieces from different puzzles. Interesting and never dull, but occasionally so twisted and ill fitting that one is left with a jaw dropping experience that will have you shaking your head, and that just might be the effect of that mind-melting gamma ray gun.
lemon_magic I should say right up front that I have a lot of respect for the cast in this movie. They look good, they have professional presence (even the oafish HMS Pinafore style commander with his ostrich plume hat)(and yes, even Leslie Phillips playing a professional lightweight) and they work hard to get the movie across. And the movie looks pretty good in a lot of places - there are some nice setups, some moody lighting, even a good set piece or two. But Paul Douglas is badly miscast in this movie, the characters act like comic relief idiots for the first half and then the movie tries to turn them into dramatics heroes in the second.....and these guys can't shoot an action scene to save their lives. I think I can see what they are going for here - a Hammer style movie with comic elements that either relieve the gloom or give the horror aspects more of a surprise - but they just can't pull it off. This one probably got away from the screenwriters right from the beginning and they never could get it into focus (nor could they walk away from it once the resource were committed.) This isn't a "bad" movie by any means, because the cast is too good for that. But you can give this one a miss unless you are determined to see every last 50's film with a science fiction element ever made.