Maidgethma Wonderfully offbeat film!

Cortechba Overrated

Smartorhypo Highly Overrated But Still Good

Solidrariol Am I Missing Something?

GodeonWay Other reviewers of The Doctor and the Girl have rightfully praised its excellent treatment of a plot-line that at first glance seems familiar, even hackneyed. Of course, the sterling performances of everybody on screen are a huge asset to the picture. But for me, the gold medal has to be given to Curtis Bernhardt's expert handling of Theodore Reeves' adroit screenplay.It's a tightly-paced film, with very few exteriors. But Bernhardt's brilliant interiors give superb depth to each scene and each character, from stern Charles Coburn to sylphlike Janet Leigh to earnest Bruce Bennett (in a great supporting role as an unassuming ENT specialist). The director keeps everybody's performance low-key and believable. In her first scenes, sickly Janet Leigh seems to be wearing no makeup at all. And even Charles Coburn isn't allowed to milk his scenes to the limit.A master of lighting and camera angles, Bernhardt was one of the numerous excellent filmmakers in exile from Nazi Germany. His filmography is a strong one, studded with many entertaining films of the forties and fifties. Conflict, starring a quintessential Humphrey Bogart, and My Reputation with Barbara Stanwyck at her best, are two goodies that come to mind. And let's not forget Possessed, highlighted by Joan Crawford's hallucinatory performance.But unlike some other exiled directors - such as Wilder, Lubitsch, Lang and Sirk - Curtis Bernhardt hasn't got any universally acclaimed masterpieces on his résumé, so he is often neglected by movie historians. But he was certainly a talent to reckon with, and any of his pictures deserve a careful look.P.S. I totally concur with EliotTempleton's comments about Hollywood having a very long history of movies with medical themes. In fact Theodore Reeves, the main writer for this film, was the author of many medical screenplays dating back to the 1930s.

vincentlynch-moonoi SPOILER ALERT!!!!! This is a top notch film with a good script and excellent acting.First off, the script. Basically you have a dysfunctional family headed by somewhat of a tyrant of a father (Charles Coburn). The main character of the story -- Glenn Ford -- is a young doctor and the son of Coburn. Coburn has his son's medical career all plotted out for him, and at first Ford follows his father's script in being a very efficient doctor with no bedside manner. He falls in love with a hospital patient (Janet Leigh) who is from the other side of the tracks (or in this case, the other side of the avenue). The father basically disowns the son, Meanwhile, another daughter (Gloria DeHaven) is a bit too wild, also rebels against her father, and does a self-given abortion. Another daughter -- Nancy Davis (Reagan) stays with the father, but is sympathetic toward her siblings and their situations. Is it a bit soapy? Well, a bit. But it's a good story, and I was particularly interested in the home medical practice depicted, which was very much like my childhood doctor's practice (although he lived in a decent home, rather than an extended apartment (and incidentally, this film was made the year I was born, and I think it's a fairly decent representation of the practice of medicine at the time).While Glenn Ford isn't one of my favorite actors, I usually enjoy his work, and I would have to say that this was among his best roles. By the time this film was made, he was really coming into his own.Charles Coburn is such an interesting character actor. He was as comfortable playing the kindly, humorous character, or in this case, the curmudgeon. And in playing this type of role, he never seemed to go overboard. Always played it just right to make it believable.Gloria DeHaven was a "satisfactory" actress, but never in the "A" range. Here she does very nicely. Bruce Bennett, as another doctor, is very good here, as in Warner Anderson. Janet Leigh turns in a very effective performance as the seriously ill girl who becomes Ford's wife; one of her better roles! Basil Ruysdael -- one of those character actors you immediately recognize but whose name you don't know -- is superb here as the wise old doctor and family confidant...top notch! Nancy Davis, wife of Ronald Reagan, was another "satisfactory" actress; she does nicely here.I'll tell you how good this film is: after watching it, I immediately ordered if from Amazon! A very good story, excellent acting, and more realism than you often see from Hollywood.

EliotTempleton I just wanted to say that the above reviewer is a bit misinformed regarding the history of films about physicians, particularly in the '30s. There was no shortage of movies with doctors as the central character in the early sound era, and some of them are "Men in White," "Internes Can't Take Money," "The Citadel," "Strange Interlude," "Symphony of Six Million," "Arrowsmith," "Yellow Jack," "Doctor X" "The Story of Louis Pasteur," just to name a few off the top of my head, without doing any research. Paramount's "Internes Can't Take Money," starring Barbara Stanwyck and Joel McCrea, was the first movie to feature the character of Dr. James Kildare, created by author Max Brand. I'm sure that the studio's executives rued the fact that they didn't have the foresight to feature the sympathetic young doctor in a series, which is what M-G-M did, starring Lew Ayres as the compassionate and crusading Dr. Jimmy Kildare. That series, by the way, started in the '30s with "Young Dr. Kildare" in 1938, followed by "Calling Dr. Kildare" and "The Secret of Dr. Kildare" in 1939. So, you see, there were quite a few doctors gracing movie screens throughout the 1930s.

blanche-2 Glenn Ford is a young doctor from a well-connected family in "The Doctor and the Girl," a 1949 film also starring Janet Leigh, Charles Coburn, Gloria de Haven, Bruce Bennett, and Nancy Davis, our former first lady.Ford plays Dr. Michael Corday, an up and coming doctor who comes to do a rotation in a hospital and brings a lot of his well-known doctor/father's attitudes with him. The senior Dr. Corday (Coburn) has fixed attitudes about family and medicine and runs his home with an iron fist. The first night that Michael returns home from his medical training, his sister Fabienne (de Haven) announces that she's moving to Greenwich Village. In those days it was absolutely unheard of for an unmarried woman to move out of the parental home, so her father's not happy.Michael isn't liked at the hospital. He's snobby, brusque, and too clinical, interested in his work but not people. Then he runs into a woman he processed in the outpatient ward, Evelyn (Leigh), who is waiting for lung surgery, and he realizes how cold he was to her. He works to make it up to her, and they wind up falling in love, and over his father's strenuous objections, he marries her and gives up the important residency he was promised. He and Evelyn move to her Third Avenue apartment, and Michael sets up practice. Meanwhile, the only child that hasn't disappointed the senior Corday is Mariette (Davis), who is marrying a doctor (when her dad sets the date) and is living at home. Corday Sr. soon learns the effect of his rigidity.I really liked this film. It was an absorbing family drama, maybe on the soapy side, but there's nothing wrong with that when the characters are well depicted. Glenn Ford is very sincere and likable in his role and gets to show a little more dramatic range than usual; the pretty Leigh is lovely as Evelyn, frail but with an inner toughness. The rest of the cast is solid. Bruce Bennett plays the ENT doctor Michael has to deal with on his rotation. Bennett was in countless films, an Olympic champion in 1928, and died 5 years ago at the age of 100.Very good movie, well worth seeing.