Harockerce
What a beautiful movie!
TrueHello
Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Motompa
Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.
Aneesa Wardle
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
zardoz-13
"Support Your Local Sheriff" director Burt Kennedy takes no time out for either comedy or romance in "The Deserter," a gritty, violent frontier fracas written by western novelist Claire Huffaker. Previously, Huffaker and Kennedy had teamed up on the superlative western adventure "The War Wagon" back in 1967 that co-starred John Wayne and Kurt Douglas. This time around Kennedy and Huffaker are dealing with the U.S. Cavalry and bloodthirsty renegade Apache savages on the warpath. "The Deserter" qualifies as one of those ensemble, military actioneers with a diverse bunch of hardcases selected either because they are prisoners or specialists and hurled into the breach to thwart a menacing villain and his army. This beautifully lensed, 100-minute "Magnificent Seven" meets "The Dirty Dozen" oater mixes and matches genres and ranks as a solid shoot'em up bolstered by a top-notch supporting cast of Hollywood veterans who were already western icons. You've got Chuck Connors of "The Rifleman" fame. You've got Patrick Wayne, the son of the biggest western star ever: John Wayne. You've got John Ford stock player Woody Strode of "Sergeant Rutledge" fame. You've got Brandon De Wilde of "Shane;" he was the little boy who chased after Alan Ladd in the final scene screaming "Shane!" Additionally, you're got Slim Pickens, Ricardo Montalban, Albert Salmi, Richard Crenna, John Huston, and Ian Bannen. This dusty oater is worth seeing just to see these guys assembled against the savage Spanish scenery that substitutes splendidly for the American southwest. "War and Peace" producer Dino De Laurentiis has lavishly blown a fortune on this western. Although it has formidable production values, a great supporting cast, strong direction, sharp editing, and memorable dialogue, the one weakness is the lead played by Bekim Fehmiu, whose biggest movie was "The Adventurers." Fehmiu is appropriately laconic but he lacks charisma. You can believe him as a character because Huffaker and Kennedy have incorporated his non-native status in the storyline the same way that Warner Brothers use to provide for Australian actor Errol Flynn in their westerns. Indeed, a high percentage of people who converted to American citizenship were immigrants during the 19th century. Last but not least, prolific Italian composer Piero Piccioni of "Contempt" has furnished an orchestral score that is reminiscent more of American composer Neal Hefti than Ennio Morricone with its jazz-like melodies. The offbeat thing about "The Deserter" is that our indomitable hero must led a platoon of marauders into Mexico, something that violated international agreements between Mexico and America at the time, to wipe out an army of sadistic Indians that threaten not only the peace of white settlers but also innocent Native Americans! Talk about politically correct! Nevertheless, "The Deserter" is a thoroughly enjoyable western that piles on drama at the expense of humor. If you are watching the Mill Creek version, prepare yourself for a mangled viewing opportunity as the print is pretty butchered.
Ramon_Rojo
What can I say about this film? Well, it has to be first Nixon doctrine spaghetti western with a frustrated general complaining about the rules of engagement that prevent him launching a search-and-destroy mission on an Apache stronghold in Mexico (Hmmmm...substitute Apaches for the Vietcong and Mexico for Vietnam...) It even has a buckskin Rambo, that being Captain Kaleb, who wants to take out the entire Apache nation after his wife is murdered.Well, this gets me to the movie. It is one of those movie that used to get made in the Sixties and Early Seventies where scores of actors are assembled in various stock roles, with a screenplay that has recycled every action movie convention without much spark or imagination. And then there's Bekim Fehmiu. I've seen more vivid performances from driftwood.In short, it's one of those movies you watch on a Saturday afternoon, when nothing else is on and pay very little attention to it.The only exception I would have to make it for Piero Piccioni's score. It's got that cheezy late sixties jazz thing going on (apologies to Dennis Miller..) Other than that, it is nothing terribly memorable...
allan-stenhouse
Really loved this film when I saw it on BBC1 way back in 1981, when I was the grand old age of 11. One of those films I always wanted to see on TV again, but it has NEVER been repeated on UK TV. However, I managed to pick it up on second hand video from e-bay, and wondered how it would stand up today, over 20 years after I saw it. The verdict? Still great. True, it is dated in parts (Music, editing) but these are really minor complaints on the whole. The lead character is great; really ruthless and a true anti-hero. Some great supporting cast also; with some really unexpected moments. And it takes it's time getting to where it's going, which I feel a lot of todays films lack. In 'The Deserter', the characters are given time to breath, and it is not until well after the first hour that they inevitably start to die. This all leads up to an explosive last twenty mins, with some memorable scenes. If you love 'guys on a mission' movies, or westerns, see this little gem. Allan.
Wizard-8
What we have here is a rip-off of "The Dirty Dozen", though with more than 12 men, and set in the wild west. There was promise here that wasn't quite realized; we hardly get to know any of the characters, some of which could have been quite interesting given their backgrounds (an Afro-American, a Native American, a British army officer, etc.) The climatic action sequence is also a bit too short, and almost plays like they were running out of time and decided to bring in the action right there, and do it as quickly as possible.Still, it's never boring, and it has a once in a lifetime cast that almost begs you to see it. You might want to wait until it's on TV, though - the boneheads at Paramount Video released this on EP speed, which doesn't make the picture quality any good.