Billie Morin
This movie feels like it was made purely to piss off people who want good shows
Marva-nova
Amazing worth wacthing. So good. Biased but well made with many good points.
Cissy Évelyne
It really made me laugh, but for some moments I was tearing up because I could relate so much.
gridoon2018
The Argentinian writer-director Fabián Bielinsky gained international fame and recognition for his twist-filled feature length debut feature "Nine Queens" in 2000. Sadly, he only completed one more film before dying unexpectedly in 2006. "The Aura" is a much more obscure film that did not receive anything like its predecessor's worldwide distribution and attention, and when you see it you kind of understand why - it's a less accessible, less enjoyable film. That does not mean it's not worth seeing, though. First of all, you should know that - despite what the title or the poster might suggest - there are no supernatural elements here; it is, essentially, a heist movie like "Nine Queens", albeit a more serious one. Bielinsky directs with a sometimes mesmerizing virtuosity, but his script could have been tighter; the film is overlong at 2 hours plus. Darin's mostly impassive performance also requires some audience adjustment. But the final 15 minutes are quite suspenseful, and overall it is clear that Bielinsky was a gifted artist. **1/2 out of 4.
secondtake
The Aura (2005)A special film, set in southern Argentina, that plays with the interior mechanizing thoughts of a taxidermist with epilepsy who by accident is on the fringe of a major crime. The leading man, Esteban, played by Ricardo Darin, is penetrating and subtle and persuasive. The story supports his high level of sheer acting by turning and turning further as you go. There are times it seems slow, for sure, but the deliberate pace is something like the deliberate thinking done on screen by Esteban.One of the brave strengths of the style of filming has become common in the last decade or two--we see something happen and only later realize it is completely imagined by the character. The surprise is fun, and your mind has to quickly reposition yourself as a viewer to what the current reality actually is. This happens right away and it's a brilliant kind of storytelling. In a similar way, we see Esteban's thoughts race visually as he thinks through his answers--a fast series of mental images from earlier observations has him logically assembling his next move right before our eyes. The effect is both fast and engaging. And Darin is so likable and respectable in his quiet brooding, it's easy to join him in his head.Director and writer Fabian Bielinsky shows brilliant planning and a lyrical photographic vision (with cinematographer Checco Varese), and it's a sad loss to read he died just after the release of this movie. If you can adjust to the methodical pace, and enjoy the construction and psychology of movies like this ("Memento" comes to mind as a flashier American film in a similar vein), you'll really appreciate it. Yes, it reveals its cleverness a little too much sometimes, or adds characters (like the guy at the casino) who are interesting and yet end up a it peripheral. You can study and quibble over the details in a movie like this. But overall it's a special film, worth watching with appreciation.
ma-cortes
Fabián Bielinsky's last movie excellently performed by Argentina big star , Ricardo Darin . It deals with Espinoza (magnificent , as always , Ricardo Darin) is a quiet taxidermist who secretly dreams of executing the perfect crime. On his first ever hunting trip, in the calm of the Patagonian forest, his dreams are made reality with one squeeze of the trigger. Espinoza accidentally murders an old man named Dietrich (Manuel Rodal) married a young girl (a young Dolores Fonzi gives an enjoyable acting ) who results out to be a real criminal and inherits his scheme: the heist of an armored van carrying casino profits. Caught up in a world of complex new rules and frightening violence, Espinoza's lack of experience puts him in real danger. And he has another, more dangerous liability : he is an epileptic. Before each seizure he is visited by the ''aura'' . These attacks appear without notice when he least expects them, just when he needs all his wits about him .This is a co-production Argentina/Spain , being well paced , skillfully edited and suspenseful . Interesting and exciting movie about a deluded taxidermist who plans the perfect robbery ; it is plenty of thrills , intense drama , violence , action and is pretty interesting . However , the picture turns out to be overlong and slow moving . Very good acting by Ricardo Darin as a shy taxidermist who suffers epilepsy attacks , a paradoxical moment of confusion and enlightenment where the past and future seem to blend , and he is obsessed with committing the perfect crime. Darin is an excellent leading figure of the most important Argentinian movies such as "El Faro" (1998), "El Mismo Amor La Misma Lluvia" (1999), "Nueve Reinas" (2000), "La Fuga" (2001) and especially ¨El Hijo de la Novia¨ . Stirring as well as sensitive musical score by Lucio Godoy , an extraordinary composer expert on dark atmospheres such as ¨Rage¨, ¨Night runner¨, ¨The others¨, ¨Intacto¨ and many others . Colorful and evocative cinematography by Checco Varese . The motion picture well produced by great producers Gerardo Herrero and Victor Hadida , was compellingly directed by Fabian Bielinsky , in his second and last film , the first was also successful titled ¨9 Reinas¨ also starred by Ricardo Darin and even had an American remake . Fabian sadly deceased at 47 years old . This is an above average film and Argentina's official submission to the 2006 Academy Awards for the category of Foreign Language Film . The picture will appeal to Ricardo Darin fans and thriller aficionados .
ginny-daugherty
The Aura is definitely a beautifully done film. The music, cinematography, scene changes, and beautiful landscapes make the film quite enjoyable to watch. The plot, while quite intense and complicated, moves at a pace more in line with the simple beauty of the production of the film than it does with what is actually happening. Each day is long and drawn out partially because so much happens in one day but also because everything seems to flow at a slow pace, even the intense and violent scenes. I appreciate the way the film progresses but I do not know if it fits well with the plot. That being said, it is still a wonderful movie to watch.
