The Adventures of Huckleberry Finn
The Adventures of Huckleberry Finn
NR | 10 February 1939 (USA)
The Adventures of Huckleberry Finn Trailers

Huckleberry Finn, a rambunctious boy adventurer chafing under the bonds of civilization, escapes his humdrum world and his selfish, plotting father by sailing a raft down the Mississippi River.

Reviews
BootDigest Such a frustrating disappointment
BroadcastChic Excellent, a Must See
SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
Dalbert Pringle Even though 14-year-old Huckleberry Finn stole, smoked, lied, cursed and was lazier than an old possum, he was still a likable sort of rascal who was always full of bull and yarns and home-spun advice for all of his gullible friends, and the likes.Released in 1939 - The Adventures Of Huckleberry Finn would the first of 4 screen adaptations that energetically tackled Mark Twain's novel (written in 1884) of the same name.Set in the year 1835 (where the action takes place in Missouri, along the Mississippi River), this decidedly average MGM production was still an entertaining and good-natured tale that I think was probably best suited for the enjoyment of a much younger audience than myself.Though far from being faithful to the novel (where the racism was toned-down considerably), The Adventures Of Huckleberry Finn starred the young, gung-ho actor, Mickey Rooney (who was 19 at the time) as the title character.Full of pep and energy, Rooney (like the rest of the cast) put in a sincere and believable performance which certainly helped to keep the story fresh and relatively interesting.This picture's story focuses in on Huck's raft trip down the Mississippi, accompanied by Jim, a negro slave running away from being sold. Together these 2 strike a bond of friendship as they inevitably find themselves led through some harrowing events and hair-raising adventures.
GManfred Ever wonder why Hollywood can't just transfer a book to the screen without taking liberties with the plot? In this case, what was wrong with the way Twain wrote it? It resembles the book somewhat, but the movie works better if you didn't read it.This was a cover-your-tracks movie so that MGM couldn't be nailed as racists, so some of Twain's book is whitewashed here. The result is a bland, pablum version devoid of tension and told in one tone of voice, without the highs or lows and lacking any suspense where required, for instance when Huck and Jim in hiding witness the tarring and feathering of the King and the Duke.Having said all that, was there ever any better juvenile actor than Mickey Rooney? A reader mentioned Freddie Bartholemew - anyone ever see Bartholemew sing or dance, or display any charisma? Mickey Rooney is responsible for any success this picture has had. In a similar vein, I always think Walter Connolly is a detriment to any picture in which he appears. This movie would have been better off with nearly anyone else as the King, as he is a shrill, unconvincing actor.As is, "The Adventures Of Huckleberry Finn" is a good movie which could have been so much better.
Fisher L. Forrest Most novels are long enough to require considerable editing to make them fit into the usual 90 minute format that Hollywood preferred in the days of 1939. What to leave out is always a problem. Someone's favourite scene is sure to be lost, whatever the treatment writers do. Mark Twain' classic seems to have always been troublesome for Hollywood. Put in too much and someone is sure to scream "racist"; Leave out too much and someone else is going to scream "chicken"! This version strikes a rather nice balance, but of course it didn't please everyone. Personally, I feel that leaving out Tom Sawyer is all to the good. His antics always seemed farcical to me. The comedy that remains in this version is not exaggerated, but is rather subtle. The real defect is that the film proceeds smoothly for about the first two-thirds, up to the time Huck is bitten by the snake. After that, everything is rushed and choppily edited. It makes for a disappointing finish. I admit, though, that the lynch mob scene, with Jim cowering in the jail as the mob batters down the jail door is exciting. If you are unfamiliar with both novel and film, I'll let you find out how Huck saves Jim! This cast does an excellent job of presenting Mark Twain's characters. After all, MGM had probably the best stable of character actors in 1939 of all the studios. Rex Ingram stands out as "Jim", but Mickey Rooney truly was born to play "Huck". Charges that the subtle changes to Mark Twain's original, so far as the slave Jim and the attitudes toward him are portrayed, mark this film as "racist" strike me as absurd. Efforts to bar the film, sometimes even the novel, here and there, are just Political Correctness run amok. Slavery was part of American Life in the time frame of the story, and attitudes varied from region to region. This is accurately reflected in both film and novel. Jim, too, get s sympathetic treatment in both. Where's the "racism"?
raskimono I am surprised that there is no other review for this movie and I am the first to post my opinion on this box office hit of 1939, a top 20 hit of its year. When I sat down to watch this adaptation of the famous Mark Twain novel, I knew the running time was under 90 minutes so I did not expect to get the full book which I have read but the cliff notes version which I have also read. But no, Louis B. Mayer just had to give it the MGM cornball effect with scenes which are not in the novel and which change the meaning and transformation of Huck's character. Mickey Rooney, the biggest child actor the movies have ever heard, and in my opinion, also the best it has had brings one of those flawless performances to the role. Rex Ingram makes for a good runaway slave Jim and the other performances are fine. Direction is pendant in the hands MGM journeyman - that is not a craftsman, not an auteur, imagination insignificant, camera angles; perfunctory, directing actors; left to your own devices - Richard Thorpe who had a long and healthy career in Hollywood. You wonder why? The first half does feel like a cliff notes version as the scenes skip through have a general lethargic pace but keeps your attention because the story is good anyway. The changes involve the capture of Jim and Huck's injury and the resolution of the aforementioned events. It is not what happens and tongue-in-cheek ending changes the message of Twain's classic. I won't say I didn't enjoy it. I just mean if you are going to alter a classic, you'd better come up with something better.