That Man Bolt
That Man Bolt
R | 01 December 1973 (USA)
That Man Bolt Trailers

Fred Williamson chop-sockeys his way through this popular blaxploitation adventure as Jefferson Bolt, a Kung Fu expert assigned to deliver a cool $1 million to Mexico City from Hong Kong with a stop in Los Angeles. When Bolt discovers the cash is dirty mob money and his gal has been killed, he heads back to the Far East to get even.

Reviews
Konterr Brilliant and touching
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
Joanna Mccarty Amazing worth wacthing. So good. Biased but well made with many good points.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Scott LeBrun Fred "The Hammer" Williamson displays plenty of charisma in this goofy but fun globe trotting adventure. The Hammer plays Jefferson Bolt, a hotshot international courier. He's hired by a mysterious British man (Byron Webster) to transport a suitcase full of money from Hong Kong to Mexico City by way of Los Angeles. As fate would have it, a fair amount of the criminal element are eager to get their hands on this booty. Bolt takes on all comers, and blows up lots of stuff real good, and naturally also finds time to make sweet, sweet love to the ladies."That Man Bolt" suffers from a convoluted plot, by Charles Eric Johnson and Ranald MacDougall, which may have viewers scratching their heads. But if one can go with the flow, they'll find that this escapist fare kills time agreeably enough. It's an offbeat mixture of blaxploitation, comedy, international intrigue, and martial arts. The filmmakers are wise never to take things too seriously, which does help a great deal. Even when Bolts' lovely lady friend, singer Samantha Nightingale (Teresa Graves, who gets to belt out two numbers), is written out of the action, he seems to get over it without too much problem. The action is competently executed, and the violence won't be too graphic for some in the audience. (You gotta love it when a hood attempts to gun down Bolt and gets a mirror shard in the neck for his troubles.) Accompanying the various goings-on is a wonderfully lively score composed by the great Charles Bernstein.The Hammer is just as cool as can be, and is well supported by Graves, Webster, Masatoshi Nakamura as a slimy villain, and Jack Ging as Bolts' Las Vegas buddy, a casino owner.If you're a Hammer fan, you'll be pleased, even if overall the movie is not one of his best.Seven out of 10.
dworldeater Fred Williamson is Bolt and indeed does what Fred Williamson does best. Which is talk trash, beat up the bad guys and get down with the ladies . Bolt is a courier and takes a job to transport money from Hong Kong to Mexico City instead of doing jail time. On his way of completion of that task thugs from the syndicate try to take him down.Bolt than goes full circle and beats everyone up , chomps on some cigars and even finds time to get laid. That Man Bolt is a memorable blaxsploitation classic from a big studio . Fred went the independent route after this , quality varies but Fred Williamson still gets to be cool and take out the bad guys . Those movies don't look as good as this though and while I am definitely a fan of a lot of his independent features , it would have been nice if he got to make more movies that had larger budgets during this period.
Woodyanders Ace martial artist, international professional courier, and all-around cool dude Jefferson Bolt (smoothly played by the always dependable Fred Williamson) is assigned to transport a suitcase full of a million bucks from Hong Kong to Mexico City via Los Angeles. However, Bolt gets set up by a vicious crime syndicate that grossly underestimates him and incurs his formidable wrath. Directors Henry Levin and David Lowell Rich, working from a lively and eventful, if overly convoluted script by Quentin Werty and Charles Johnson, relate the entertaining story at a brisk pace, stage the thrilling action set pieces with aplomb (a lengthy car chase rates as a definite exciting highlight), and further spruce things up with nice touches of amusing wry humor. Of course, Fred's trademark cool, assured, and charismatic persona holds everything together as he braves perils aplenty, seduces a few ladies, busts out loads of fancy chopsocky moves, suffers a little acupuncture torture, and breaks into a remote island fortress. While Williamson clearly dominates the proceedings, he nonetheless receives sound support from Bryan Webster as pompous and slippery British agent Griffiths, Teresa Graves as foxy lounge singer Samantha Nightingale, Jack Ging as amiable casino owner Connie Mellis, Miko Mayama as seductive socialite Dominique Kuan, John Orchard as slimy limey lackey Carter, Paul Mantee as glowering thug Mickey, and Ken Kazama as lethal karate fighter Spider. The ubiquitous Patrick Wright has a quick bit as a security guard who gets knocked out by Fred. Gerald Perry Finnerman's slick cinematography and the exotic globe-trotting locations provide an impressive sense of scope. Charles Bernstein's funky and spirited score hits the get-down funky spot. Worth a watch for fans of the Hammer.
Luis Capote "That Man Bolt" is a film situated in that part of videoclubs, far away from new or famous films, and really really far away from classics. I take the box, read the synopsis and look for the cast, no one is known. So, one day I feel very unconscious and rent the film and what is that? A very, very boring film with some pseudo-martial-arts that extende its relaxant effects during two hours. The idea of this film is very, very similar to "Rush Hour 2" (Hong Kong, false money, Las Vegas...) but Jefferson "Hammer" Bolt has nothing to do compared with Jackie Chan martial art style or Chris Tucker sense of humour. Perfectly forgetable.