Borgarkeri A bit overrated, but still an amazing film

Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

dougdoepke No need to recap the plot, which is largely character study, anyway.The two hours bears all the earmarks of a prestige Paramount production. There's kingpin producer Wallis, stage prima donna Page, fast-rising Harvey, celebrated writer Williams, plus elaborate period production values. So why was I yearning for the engaging crudities of Roger Corman and Attack of the Crab Monsters (1957). Well, for one thing, hotshot Page manages one of the most mannered turns I've seen in 60-years of movie viewing. It's darn near eye-rolling in its staginess. And since she's in most every scene, there's little relief. I know, she's a great actress, but then I'm going on results not reputation. On the other end is Harvey, fresh off his Room at the Top (1959) triumph. Except here, he's too wooden for the role of occasional hedonist. Due to that expressionless exterior, any hint of pleasure seldom shines through and his crucial character fails to develop. And since the twosome slip and slide off each other for two remorseless hours, there's little let up in the ennui. The best part is the ending which I didn't see coming and was indeed unusual for it's time. All in all, it's too bad the spotty acting and plot repetition distract from the basic theme of body vs. soul. In my case, I was just too uninterested to want to delve more deeply into that worthy premise. If there's a moral here, I think it's something about good eggs not necessarily making a good omelet, let alone a tasty one.

Martin Bradley Hardly the best of Tennessee Williams and this film version does nothing to improve on it. The director was Peter Glenville who may have been highly proficient on stage but who had no real idea of what made good cinema and this is turgid at best. Geraldine Page may have been ideally suited to the role of the repressed spinster Alma but her tremulous, hesitant and, of course, highly mannered performance is just annoying and you know something is askew when the usually wooden Laurence Harvey more than manages to hold his own against her. He's the good-for-nothing young doctor who seduces her and whose body just drives her wild with desire as a certain Miss Bowles might say. As the local tramp Rita Moreno barely gets a look in though Una Merkel makes a brave stab at playing Page's dotty mother, (she and Page were both Oscar-nominated). Williams later revised the piece under the title "Eccentricities of a Nightingale" which was filmed for television with Blythe Danner and Frank Langella.

timmy_501 This is based on one of Tennessee Williams lesser known plays. Apparently, the film is a pretty close adaptation of the play. Based on the film, I can see why this is lesser known than works like A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof. Don't get me wrong, I'm not a huge fan of those plays, but they are miles above Summer and Smoke.First of all, I couldn't help but feel that the two main characters were absolutely as stupid and annoying as the leads in any film I've ever seen. The character development is bad-the sudden changes in their attitudes are wholly unbelievable. Everything about the film is extremely obvious-about as subtle as a kick in the face. The whole thing reeks of senseless cynicism. Worst of all, there is enough melodrama in this one film to fill a whole day's worth of programming on the Lifetime Channel.Given what they had to work with, the performances in the film aren't that bad, I guess.

blanche-2 "Summer and Smoke" is another Tennessee Williams southern drama that, after debuting as a play, was made into a film and later an opera. Set earlier in the 20th Century, it's the story of repressed passion, unrequited love and desperation. Geraldine Page stars as Alma Winemiller, the uptight daughter of a minister. She teaches voice, sings a little, and lives with her father and an insane mother (Una Merkel). Alma, since childhood, has been in love with the young doctor next door, John Buchanan (Laurence Harvey), the son of a doctor and a playboy. Buchanan has recently returned to town and is still a reckless playboy. Now he's involved with Rosa Zacharias (Rita Moreno), a girl from the wrong class and the wrong side of town. On the evening that something could have happened between Alma and John, she runs from him. One night, while a wild party is going on at the Buchanan house, Alma goes next door and learns that Rosa and John are going to be married. Upset, she calls John's father (John MacIntyre) at the hospital and urges him to return home. The result is tragedy.This is a very powerful and poignant story of two people, one interested in earthly pleasures and one focused on the soul and spirit. Neither one is entirely right or wrong, but it creates a chasm between them. When each realizes what the other has been saying, it's too late for them.Geraldine Page, who played this role to great acclaim on stage, brings her magnificent portrayal to the screen. The role was based on Williams' sister, who eventually went insane. If physically Page is a little less delicate looking than one imagines Tennessee Williams' female characters, her portrayal contains all of the fragility of the role. The final scene between Alma and a salesman, played by Earl Holliman shows the shocking contrast between Alma in the beginning and at the end of the film. Geraldine Page gave us all too few gems on films, as she concentrated on the stage. We have to savor what we have.Laurence Harvey is very handsome and desirable, but probably a little too refined for the role of John. The role needs someone whose sexuality is less ethereal and more earthbound. Una Merkel is excellent as Alma's mother, a truly disturbed and frightening woman.Very good film based on a Williams play, worth seeing for the wonderful Geraldine Page and its thought-provoking story.