Curapedi
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
SanEat
A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Teddie Blake
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Kirpianuscus
one of films from the East. about same clash between ideals and reality. about refuges, friendship, life problems , need to preserve the age of freedom and to discover yourself in the other. delicate, amusing, dark. useful. for describe a state of a too long transition to an idealistic form of normality. for the beautiful cinematography. for the dialogues. and performances. for the small individual cases. for the spirit of joy. and for the traits of each character. and, sure, for the honest manner to define essential problems. and this is all.
Vihren Mitev
It's nice to watch a movie that is filmed in Bulgaria. It's good when actors are Bulgarians and you know their faces. It's nice when you see someone claiming to do something big, but it's bad when what he does do not seem big.The film draws some characters, which have in common their apathetic attitude towards living in the big city and their non-realization in life. By chance they meet at a wild sea beach, get to know each other and have fun. Their presence on the beach is shown through their individual pain and desires. There they live truly, cohesively, happily. But as always it only lasts for a while and soon their situation is worse than it was before their arrival at the beach.Possible interpretation for the title of the film is as follows - sneakers, this is a period in the lives of young people before they become adults (it is not incidentally that one of the stories begins after burial which incite the deepest questions in life - those for its sense), the situation of the Bulgarian reality and its place in the world.The end of the film is sad and depressing because it shows that there is no way out for the fate of the main characters. We should accept them or forever doomed to unhappiness caused by urban reality or forever happy and carefree living on the beach.http://vihrenmitevmovies.blogspot.com/
Armand
but this is its virtue. old things, a lot of clichés, young people in search of life sense, a beach, fight against law, rules and society, confessions, friendship, bitter melancholia and joy of small things. slices of freedom. and end like part of modern fairy tale. nothing original. but the state of prison in yourself is without limits. and, in crisis hours, this kind of film, with dust of Balkan way to resist against existence troubles, with delicate harsh poetry, with the expressions of a generation frustration, the sea, the dialogs, the joy to be only yourself is really cure. a film about nothing. and, in fact, about all. a drawing. and tool for a trip in his experiences for its public.
lasttimeisaw
Saw this film in the Bulgarian film festival a couple of days ago, possibly my very first Bulgarian-originated film ever. It is a superbly well-crafted adventurer of 6 strange youngsters congregate at an unknown beach near Sofia and experiences their carefree indulgence with the nature and rediscover a rite-of-passage in their respective inner journey.The film, elaborates magnificently a repressive malaise in the city in the beginning, especially with the ferocious tendency towards violence and unjustness. When the sea beach scenario pops up, the backbone of the story finally emerges, a stint of aimlessness is palatable but some interrupting fly-on-the-fall interviews on each character distract the somewhat weary idleness of the hedonistic rapture on the beach.A looming mishap is indomitably approaching, all frolic is doomed to be ephemeral, nevertheless the would-be THELMA & LOUISE (1991) ending curbs within a detour to an unrealistic escapism, which in my opinion points up an inconvenient situation of the downhill of a lost youth peer group, and it's not provincial, it's global. The final scene holds the stance of being drolly whimsical and a shade poignant simultaneously. The 6-packed cast is favorable in depicting an evocative harmony and the standouts are a tomboyish Marian Valev and the co-director-writer-actor of the film Valeri Yordanov, an intimidating look at first sight, but witty and cordial inside, which convincingly breaches the stereotype of skinheads and tattooers. Visually abundant, this film carries an audience-favored narrative and avoids melodramatic clichés to depict the otherwise easily hoarse mutual attractions among characters. It obtained an avid round of applause after the screening, and it was an indeed pleasure for me to fetch an opportunity to watch something recommendable from countries lesser known for their film productivity.
