Snake in the Monkey's Shadow
Snake in the Monkey's Shadow
| 15 February 1979 (USA)
Snake in the Monkey's Shadow Trailers

A young peasant boy who is bullied by local noblemen seeks to learn drunken boxing from the head of a local martial arts school. When the boy beats up his previous tormentors, the nobles patriarch challenges the boys teacher, the drunken master, who defeats the lot of them. Embarrased, the nobles retain two hired snake style killers. They kill everyone except the peasant boy.

Reviews
ada the leading man is my tpye
Skunkyrate Gripping story with well-crafted characters
Executscan Expected more
AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
InjunNose In the wake of Jackie Chan's success in "Snake in the Eagle's Shadow" and "Drunken Master" came movies like this one. But while it prominently features three kung-fu styles (drunken style, monkey style, and snake style) popularized by Chan in his breakthrough films, "Snake in the Monkey's Shadow" does not adhere to the comedy kung-fu formula. There's some clowning, but it's kept to a minimum--and it ends abruptly as the tone of the film becomes deadly serious halfway through. John Chang stars as Lung, a hapless young man who works at a fish shop. When he arrives late at the home of the wealthy Yan family with a delivery of fish, he is humiliated by Mr. Yan's sons. A drunken-style sifu takes pity on Lung and soon he is the teacher's prize pupil--but Lung gets cocky, beating up Mr. Yan's sons and dishonoring his teacher. In retaliation, Yan sends a couple of hired killers (Wilson Tong and Charlie Chan), both experts in the snake style, after Lung's sifu. The sifu and all of his students--except for Lung--are murdered. Seriously wounded, Lung takes refuge with his friend, a master of the monkey style. Unfortunately, the hired killers are after Lung's friend, too, because he bested one of them in a fight three years earlier. After the villains kill the monkey stylist, Lung trains rigorously for revenge, developing a new technique by combining the drunken and monkey styles. (For the record, there is a real drunken monkey form! Dr. Leung Ting has even authored an instructional book on it.) The final fight is sensational and, at its conclusion, delightfully brutal. In my book, "Snake in the Monkey's Shadow" outshines the Jackie Chan films from which it is derived because it isn't just for laughs. Chan has some dazzling moves, but the comedy wears thin pretty quickly. Like all the best kung-fu films, "...Monkey's Shadow" is full of tragedy and righteous rage. And great fighting!
jaibo I haven't seen many Hong Kong kung-fu classics, but watching this somewhat demented zero-to-hero pic has certainly perked my curiosity about a genre I know little about but which, on this evidence, offers delirious pleasures.After an abstract credits sequence showing human bodies in mortal combat, the film begins with a kind of prologue in which a master practitioner of the snake style of kung-fu is beaten by a master of the monkey-style. The snake-master begs his vanquisher to kill him, but the monkey-master spares his life. Snake tells monkey that he will regret this...Years later, a rube of a fishmonger's assistant yearns to study the drunken-style of kung-fu at a local school. After being beaten up by a couple of arrogant sons of a local feudal lord, the fishmonger begs the drunken-master to teach him, but instead is taken on as a skivvy. He clandestinely practises the moves he sees being taught, and soon proves himself more adept that the official students. He gets his revenge by beating the sons, and drags his master into the fray when their father seeks redress. The rich man hires two snake experts to teach the drunken-master a deadly lesson, and one of the snake experts is the master from the prologue.The monkey-master is also involved, as he is now living in the same village as a hermit who befriends the hero. When the snake-assassins have killed both drunken-master and monkey-master, the novice learns to combine the monkey-style and drunken-style in a way which proves fatal to his foes.The film is basically a string of fight sequences, linked by this flimsy story-line. In their way, the fights are equivalent to musical numbers in musicals and sex sequences in pornography - in fact, the careful choreography of the fights and the eroticism of the young male flesh in Snake in the Monkey's Shadow makes the comparison to these two genres very apt. Yet the most striking sequence doesn't involve human combat - there's a truly nail-biting fight between a tethered monkey and a hissing snake which is prolonged, vicious and chilling, not least when you think of how the animals in question must have suffered to get it on screen.Animal cruelty, campy dialogue, paper-thin & polarised characterisation, unfunny slapstick and eye-popping set pieces strung together in a flimsy storyline - Snake in the Monkey's Shadow is classic exploitation fare. It's kinetic displays of human and animal flesh contorted into extraordinary shapes and stretched to the limits of endurance, all with kinetic fury, makes the film a text-book example of what popular cinema is all about, for better or worse.
Annie Bulloch I saw this movie with a large audience at a film festival recently and it nearly blew the roof off the place. It's a perfect example of an entertaining film, without a single unnecessary scene. Of course the fight scenes (the reason you're watching a kung fu flick in the first place) are great. This film has a real sense of humor and a great pace; it could be useful for converting new fans to the whole genre.
MNA This is a pretty decent flick. Classic Kung Fu at its best (or worst, depends on how you look at it). The great Mobus would approve.