Showtime
Showtime
PG-13 | 14 March 2002 (USA)
Showtime Trailers

A spoof of buddy cop movies where two very different cops are forced to team up on a new reality based T.V. cop show.

Reviews
Actuakers One of my all time favorites.
Protraph Lack of good storyline.
FrogGlace In other words,this film is a surreal ride.
Iseerphia All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.
Guy SHOWTIME is supposedly a spoof of reality TV. It is about a pair of mismatched cops are made to join forces in order to participate in a reality TV show.The problem is that, whilst it is supposedly a spoof, it actually follows the conventions so closely that it just comes off as a rather dull buddy cop flick. This interesting angle on a familiar genre is lamentably under used, descending into a cameo by William Shatner full of poor jokes about T.J. HOOKER. Like THE LAST ACTION HERO, it actually metamorphasises into the very thing it is mocking. Unlike that film it isn't entertaining.Robert De Niro looks tired and old, clearly in it for the cash. Eddie Murphy continues to be the most annoying man on film. Rene Russo gives it her best shot but is let down by weak characterisation and a lack of anything to do.The film takes over half its running time just to get the two cops set up, leaving them very little time in the latter half. To keep the running time down the investigation is made absurdly easy. The baddie is utterly generic, as is the McGuffin and the stakes are non-existent. The screenplay must take a lot of the criticism for this, being poorly paced, characterised and unfunny. A good car chase and a single good stunt involving a flood in a penthouse apartment fail to redeem the film. A poor effort.
TBJCSKCNRRQTreviews "I have an amazing idea! Let's put DeNiro and Murphy in a movie together, they're so... different from one another! It can be like a buddy movie cop flick, only we'll make it sort of be about a fictional reality show so absurdly dangerous and reckless that it's still a year or two away from someone actually making it." "Should we write any material for this?" "...what?" "You know, jokes, gags... won't we need...?" "Nah, the tension and awkwardness between them will pass for comedy. Also, we'll throw in William Shatner in an embarrassing and useless cameo. The dialog won't have to be special, and we can reuse bits that were tired and dull the first time the audience saw them. Now, who should direct it? What about that Chan/Wilson project dude?" "Isn't he inexperienced?" "Was it profitable?" "...I think so..." "Hire him immediately; something this brilliant doesn't need talent, and maybe we'll save money by using him. We don't even have to have the characters' actions make sense; people don't want to see credibility in these, they want to laugh at things that don't make sense." "Let's at least add decent music here and there, keep the pace reasonable, and make sure the action is pretty cool, just to make it tolerable." "What do you mean, who wouldn't love this?" I recommend this solely to the biggest fans of Eddie. 6/10
Andy (film-critic) I don't understand jokes. I do believe this is my problem with modern cinema, or those films that are made with millions of dollars in hopes that it will become the next greatest sensation. Isn't it odd – people just don't laugh as much anymore, and I do believe one of the diseases to that problem is the film "Showtime". There was absolutely nothing, from the beginning to the end of the credits, with all of the bantering between Murphy and De Niro, with Russo as eye candy, with even standard clichés which make the general population swoon with pre-programmed laughter, there was nothing in this film that made me laugh. There weren't the overbearing physical jokes or the calculated mental vocal jokes at all throughout this debacle of a film. From the beginning, I didn't buy the match-up of De Niro and Murphy as anything more than Hollywood excitement, throughout the commentary the director vividly talks about the hijinks and laughter going on during the shoot – where was it in the film? This falls to either two problems – the director really doesn't have a sense of comedy or the editor didn't understand the value of the film. Either way, they both doomed the entire hour and a half spent on the Hollywood nightmare "Showtime".Outside of finding no reason to laugh, there was no reason to follow these characters through any moment of the film. There was a glimpse of humor with De Niro's desire to pick up pottery as a hobby (but the director had to write KILN on the machine so audiences would understand – WHO DOES THAT?), but that was dropped and never developed. There was the idea that Murphy was an actor, but outside of that one opening monologue, nobody would have understood that. He rents a room in a producer's house in which he can afford on a police officer's salary? This just didn't compute even for Hollywood standards. There was a bad guy who wanted a big gun, but the gun was never developed, nor was there any true test of the weapons capability … even at the end. It became a bigger joke to laugh at an accent than remember the guns. Where was the television show in this? Russo had to get permission from this random guy at the beginning, but there were no consequences. There was nothing in the middle of this film outside of further questions and meaningless dribble. Random characters were introduced, forgotten, re-introduced, and forgotten all over again. The director and producer laughed at this, while we, the meager viewer, must suffer through inside jokes and cliché stereotypes.Was there a love interest in this film? Was there a truly sinister bad guy that went apart from the comic duo to bring true evil to the screen? Were there any pop culture references that didn't come back to Robert De Niro? Was there random chaos throughout this film? If you need the answers to these, obviously, you won't find them in "Showtime". The fact that I am riddling this review with question upon question, only means that this sub-par (actually, well below sub-sub-sub par) filled no quota or resembled anything of value to the cinematic world. Sure, it had big names and one really neat explosion, but there was nothing of substance to this at all. It was almost as if the director said prior to the shoot that he wanted clichés, but not regular clichés – go with the bad ones. The plot had no linear structure. The jokes were boring. The characters were drab and underdeveloped. This ranks below even the best of "buddy-cop" films. I like to give films the benefit of the doubt, but nothing worked in this film. Not even Shatner could save this film, and he even tried hard.Overall, I cannot, nor will I, suggest this film to anyone with a pulse. The commentary only confirms the pathetic nature of the film with obvious flaws, horrid jokes, and creators questioning the validity of their work. If creators can't stand behind "Showtime", why should we? I didn't want a "Lethal Weapon" when I watched this, but I did want something like that. I understand there was some form of criticism of "reality television" and the corrupt nature of the media, but that message didn't make it off the page. In fact, I believe I saw "media" leave the theater first when I watched this. Shame carries its heavy hand with this film and I cannot blame it. Murphy used to be a big star, comedy was his middle name (see "Coming to America"), but lately he seems to have lost his edge. De Niro obviously wants to get away from an image that haunts him, but making these sort of films is only going to set him back further. One of these films is equal to one Scorsese picture.Skip this one. I promise, it will make your final cinematic days worthwhile. Oh, and if you laughed at any of the jokes in this film – I am truly sorry! Grade: * out of *****
atdm4gospel-1 Despite of all the negative criticism I really enjoyed this movie. I am not saying this lightly. I love movies and am fairly picky about them (my home DVD collection is over 9,000 movies - some are great, others are OK, a few I do not like at all). And, to all those with criticisms: this is a comedy. I simply love this movie. It is light, funny, and very restful. I am aware of all (or most) of the deficiencies but I love it. The comedic talents of Eddie Murphy and Robert DeNiro are tapped (fully - for this type of movie). Do not compare it to other movies with these star actors, simply enjoy it. The cast is great and, I believe, that the purpose of this movie was fully accomplished. If you want a really "easy-going" and very restful night - watch this movie. DeNiro and Murphy simply had fun making this movie, so should we (watching it). And, please, do not be so negative. Do not expect Godfather performance or Meet The Parents from DeNiro, do not expect comedy blockbusters performance from Murphy... It is a completely different genre, and it made me relax after a hard day work. Your sides may not split from laughter, but it is still VERY funny.