Orgy of the Dead
Orgy of the Dead
NR | 01 June 1965 (USA)
Orgy of the Dead Trailers

Horror novelist John and his girlfriend Shirley are taking a night drive, in search of an eerie graveyard that will hopefully inspire John to come up with his next story, but instead stumble into the wild rituals conducted by The Dark Master and his faithful servants.

Reviews
Infamousta brilliant actors, brilliant editing
SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Leoni Haney Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.
Woodyanders Horror novelist Bob (the hopelessly wooden William Bates) and his girlfriend Shirley (voluptuous knockout Pat Barrington, who does delectable double D duty as the gold girl) are searching for a cemetery that will serve as inspiration for Bob's latest story. The couple stumble across the pernicious Emperor of the Night (a gloriously fey and histrionic portrayal by Criswell) and his equally nefarious cohort the Black Ghoul (cute Vampira clone Fawn Silver), who force the pair to watch a variety of doomed distaff souls who bump and grind nude in front of them.Director Stephen C. Apostof certainly delivers on the tasty T&A while also treating the absurd premise with a certain endearingly clunky sincerity. Edward G. Wood Jr.'s ridiculous script boasts a wealth of hilariously overripe dialogue (all-time favorite line: "Torture! Torture! It pleasures me!"). The slight story and plodding pace further add to this film's singularly screwball charm. The ten dances contained herein range from the extremely silly -- the Native American fire dance complete with war chants on the soundtrack has to be seen in order to be (dis)believed -- to the genuinely sexy, with redhead Coleen O'Brien's street walker routine and Nadejda Klein's sultry slave girl number rating as definite sizzling highlights. The fog-shrouded graveyard set provides an appropriately goofy ooga-booga atmosphere. A crummy mummy and dimestore werewolf supply groan-inducing comic relief. Robert Caramico's vibrant color cinematography astutely captures all the eye-popping naughty sights. Jaime Mendoza-Nava's groovy score hits the right-on swinging spot. A total kitschy hoot.
Idiot-Deluxe >>> Warning: Sarcasm Emminent <<< How can you go wrong with dialog like this: "Your Puritan upbringing holds you back from my monsters, but it certainly doesn't hurt your art of kissing".The year was 1965 and one of Hollywood's most regal figures had something really HOT cooking in the kitchen, truly one for the ages, I'm talking about Ed Wood: The King of the Shlockmeister's (and renowned cross-dressing pervert) and his monstrously epic magnum-opus ORGY OF THE DEAD! A most lavish of B-productions, set in the nighted realm of a haunted cemetery and brilliantly filmed in "Gorgeous Astravision and Shocking Sexicolor" ORGY OF THE DEAD is grand in it's ability to allure and transfix - never before has one been witness to such a spectacle of thee exotic! And when you hit the play-button, a marvelously mad mix of graveyard sensuality and horror's of the night await you and all it's tantalizingly sweet tortures will indeed tickle the very fiber of your being. As your screen becomes radiantly aglow, in a divine aura of necromantical omnipotence as it BESIEGES YOUR SOUL..... and yet the orgy to end all orgies is just warming up! Ripe with lush extravagance, eye-candy is everywhere, as the ORGY OF THE DEAD casts it's sexy spell upon it's viewers young and old alike, with it's seductive charm and it's singularly spellbinding palette of sultry hue's and lush, super-sensual musical cue's. This godly, grand guignol of graveyard-goofiness possess a certain "frenzied rhythmic fury" which often reaches never-before seen or imagined levels red hot, hyper-kinetic depictions of.......... dancing naked in the moonlight, in a cemetery, to a small gaggle of Adam's Family side-characters and generic, cliché-ridden, rejects from various well-worn monster movies of the past. In other words, PURE CHEESE as only Ed Wood can do it! That being said Eddie-boy was not the big cheese/director of ORGY OF THE DEAD, but he was definitely central to it's creation.Speaking of Ed Wood, with ORGY OF THE DEAD he got yet another chance to strut his many talents, functioning as: writer, production manager, casting agent and a holder-of-cue-card's and no doubt was a glowing inspiration to have on the set; Ed proved to be a highly inspired and versatile individual, know doubt a character of many interesting facet's. Directorial duties for this infamously eccentric production, was helmed by the universally well-known, visionary, director A.C. Stephen, a legendary talent known for his uncompromising genius, comic sensibilities and overall command of the set. You'll find ORGY OF THE DEAD to be both throbbing in pace and masterful in it's play of light (and all shades in between), thus, off-setting, to brilliant effect, the lustful carnal fire that is ORGY OF THE DEAD! Over-seeing all that goes on in his nighted realm, is CRISWELL: the movies narrator, it's master-of-ceremonies and god of primal darkness and ultimately he's one VERY strange duck; who wears a cape and has extremely awesome looking "butter-sculpture hair". The nights entertainment features a bevy of tantalizing hellborn beauties, who emerge one after another from a fog-shrouded crypt in the night. The girls dance until dawn for their master's own selfish pleasure, who as one observes, seems alternatingly bored or ecstatic about the sashaying in the cemetery. Criswell's a real hoot - and a riot. The cemetery is perpetually shrouded in fog, it's ever-present, swirling, night mists ebbing and flowing, enrapturing you in it 's velvety allure..... as it constantly caresses your eyes - sinister, but stately. It's that type of dark, lurid imagery that perfectly counter-balance's the films sheer eroticism, with all it's garish lighting, glowing flesh-tones and masses of sweet flesh - writhing and undulating.The story (if you wanna call it that) is wrapped around a young couple (Bob and Shirely) who are, driving around lost at night, they swerve and go off the road, thrown clear of their car, they awaken completely uninjured (Bob sports one frivolous smudge of blue body-paint on his forehead, undoubtedly meant to be a bruise). The couple starts to walk away from their wrecked car and soon they hear some strangely enchanting sounds in the near distance, shortly thereafter they spot the enchanted graveyard and it's curiously wacky inhabitants and all it's nude hi-jinx and they waste no time in going into full-on voyeur mode. Eventually they're spotted and abducted by minions of the master, in other words, two guys in cheesy, pseudo-scary costumes. Brought before the master (that being Criswell of course) their bound to a pair of stone obelisk's, where they pretend not enjoy the rest of the show. Criswell takes quite a liking to the busty red-headed Shirely and curiously enough, Criswell's voluptuous, pale skinned, mistress of the night (sort of an Elvira precursor) is even more taken by good old Shirely (played by the gorgeous Pat Berrington/Berringer) who want's her for herself; so much so that she attempts to kill Shirely with a dagger, so she can join them in their world of the undead. But as luck would have it, the morning sun rises conveniently just in time and vanquishes the evil spirits of the night - Criswell and his minions are reduced to skeletons and ash. Pat Barrington/Barringer plays a dual-role, being both Shirely and she's also one of the dancers, the 3rd of a series ten dancers (and probably the best), titled as the "Gold Girl" and for her dance scene she's wearing a platinum blonde wig and a sequin-studded G-string. A terrific scene by the way. She was a professional belly-dancer of some regard and it certainly shows. Note* Youtube has some great, vintage, topless dancing footage of hers.Side-Note: A Shirely of another kind - By sheer coincidence, whilst writing this review I was imbibing on a "Dirty Shirley" a feather-weight concoction of cherry schnapps and 7-UP.This great vintage T & A fest is absolutely perfect for an "adult themed" Halloween party ;)
xnet95 I thought this movie was 1,000 times better than I was expecting. You actually get to see real women with real boobs dancing around in color from the mid-sixties! What more could a man want!?! I grew up watching Ann Margaret, the Gold Diggers, and Batgirl running around in sexy outfits. I always wanted them to drop the skimpy outfits, but they never did...what a frustrating youth! ALL of the women in this movie have nice bodies that are very physically fit. They're not like those corn-fed dames from the 50's burlesque films that look like they could play pro football. The Volcano girl was outstanding, with a perfect body. Any man that whines about this film has to have zero testosterone in his system.I actually read all 81 reviews trying to get some leads on other films like this from the 1960's, and I was shocked by all the apologists and whiners. Have we really gotten to the point as a society where the naked human form is to be ignored and scorned? It's unbelievable how many people panned this movie! It's a titty movie people! Wake up!! Maybe the problem is that Ed Wood's name is attached to it, so a bunch of asexual geeks that watch MST3K came to this movie expecting "horror". Sorry guys, all we have are T&A - sorry to disappoint you. Now I know how Austin Powers felt when he woke up in the asexual 90's. Give me the swingin' 60's anyday! (I know Rob Zombie would like this movie because he always had naked women from this era playing on the screen behind the band during White Zombie shows. Rob Zombie hates all you little homo's that couldn't appreciate the sublime beauty of Orgy of the Dead.)
Michael_Elliott Orgy of the Dead (1965) BOMB (out of 4) I spend my time watching a lot of really bad films because I really love those bad films from the past. Quite often I'm asked which is the worst of the worst and this film here always comes up in my mind. With direction by A.C. Stephens, a screenplay by Edward D. Wood, Jr. and Criswell giving out predictions you just know this thing had to turn out really bad. The movie is disguised as a horror film but in reality it's just a nudie flick but a very bad one at that. A writer takes his girlfriend on a drive to visit a cemetery so that he can get fresh ideas for a new story. Their car crashes and they awake in the cemetery where The Emperor (Criswell) forces them to watch various ghoulish girls dance around naked. We are tortured with a Hawaiian dance, a Skeleton, an Indian, a Slave, a Street walker dance and various others. In a film like this you expect all sorts of goofs and there are plenty. In the opening sequence you'll notice that the couple are driving around at night but there are several edits where it turns back into day only to turn back into night. When the girlfriend is tied up you can clearly see, at times, that she isn't really tied up but instead is just holding her hands behind her. Neither of these things bring any laughs, which is the real downfall of this turkey in that it's simply bad and never reaches a so bad it's good level. A mummy and werewolf eventually show up but they are just silly looking and are only used to dance around and act dumb. The main purpose of this film is to show nude dancing but the "dancers" are so bad at what they're doing you won't be a least bit interested. There isn't too much dialogue in the film, which is a shame since Wood usually comes up with zany lines to keep you entertained. The only mildly interesting thing about this film is the fact that Criswell is wearing Bela Lugosi's Dracula cape from Abbott and Costello Meet Frankenstein.