Modern Inventions
Modern Inventions
NR | 29 May 1937 (USA)
Modern Inventions Trailers

Donald Duck goes to a museum of modern inventions. After getting in without paying, he meets a robot butler who takes Donald's hat every time he sees him. Donald is very annoyed by this and magically fixes himself a new hat every time this happens and strolls on. Ignoring the sign not to touch it, Donald starts playing with a wrapping machine and ends up being wrapped himself. He also encounters and tries out a robot nursemaid and a fully automatic barber chair. They both don't do him much good.

Reviews
Perry Kate Very very predictable, including the post credit scene !!!
Ceticultsot Beautiful, moving film.
Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Sienna-Rose Mclaughlin The movie really just wants to entertain people.
Jesper Brun Watched this recently after so many years! Still makes me laugh! Donald Duck is one of my favourites of the classic Disney characters with his short temper and funny voice. And seeing him entering this museum of modern inventions is a whole lot of fun. He is welcomed by this robot butler who asks him for his hat, but Donals just puts on a new one. That's a hilarious running gag through the short. How Donald ends up in trouble when he interacts with the inventions in the museum is just as funny as you can think. Love this Donald Duck short. Good laugh every time.
OllieSuave-007 Donald Duck visits a modern inventions museum, where he runs into a wide range of unique machines, including a robotic butler, an automatic baby carriage and a mechanized barber and shoe-shiner. However, Donald realized that he has gotten more than he bargained for in visiting the place when the butler starts taking every hat Donald wears, the baby carriage feeds Donald too much milk and the barber doesn't quite cut Donald's hair like it was supposed to. Donald doesn't quite following directions like the "do not touch" signs at the museum and the butler taking every single hat he has hidden in his clothes; he would stick he should leave his hat off while inside the museum.This cartoon consists of classic Donald humor, from his quacky voice to his frustrated innuendos. It's just funny seeing everything going wrong for him at the museum as the resulting mishaps pile on one after the other.It's obvious that Donald is prone to bad luck, but they are just hilariously portrayed here! Grade A-
rbverhoef Donald Duck in his first single appearance. He visits a museum of modern inventions. He is not supposed to touch anything but of course he does. The use of the modern inventions are quite funny. The most funny thing is a robot who keeps asking Donald for his hat. Donald put on a new one and there the robot is again. Very funny. 7/10.
Ron Oliver A Walt Disney DONALD DUCK Cartoon.A marvelous collection of MODERN INVENTIONS contrive to give Donald a very bad day.This is a wonderful little film, full of good humor & topnotch animation. The robotic butler (voiced by Billy Bletcher) and its penchant for appropriating headgear is especially funny. This was Donald's first solo star assignment and it also marked the arrival of the legendary Carl Barks as a story writer for the Duck's films. For the record, Donald runs foul of four inventions in the Museum Of Modern Marvels (the Hitch-Hiker's Aid, the Automatic Bundle-Wrapper, the Robot Nurse Maid and the hilarious Barber Chair - voiced by Cliff Edwards) while being deprived of six various hats (his sailor's cap, a silk top hat, a Napoleon cocked hat, a Civil War military cap, a baby bonnet and a derby) Clarence "Ducky" Nash supplies Donald's unique voice.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.