Mischa Redfern I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Portia Hilton Blistering performances.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Brooklynn There's a more than satisfactory amount of boom-boom in the movie's trim running time.

sergelamarche Denis Villeneuve film I saw years ago. Simple story, realism except for little flaws. I think the theme is cruelty, whether willful, accidental, or naive. I like the idea of the double guilt we get to compare. Good work announcing better to come.

CinemaClown Denis Villeneuve's sophomore effort may not be as rewarding as his later features and is unrefined in many aspects too but it is a bizarre piece of work that tackles the themes of guilt, grief, regret & atonement in its own wicked manner but what makes it worthy of a sit is the brilliant performance from its leading lady.Maelström tells the story of a young, depressed & alcoholic woman who is having a hard time living up to the expectations of being a celeb's daughter. Yet to recover from an unexpected pregnancy that led her to have an abortion, she finds herself in another mess after being involved in a hit-n- run accident while drunk driving.Written & directed by Denis Villeneuve, the story is narrated by a fish awaiting decapitation on a butcher's block and that opening moment when the fish starts talking nearly made me turn it off because what the f*ck. Fishes do play a symbolic role here but Villeneuve could've done without the voice-over because it adds nothing to the plot.The director's attempts to make it funny hits the right spot only on few occasions while falling flat other times. How the story unfolds carries an experimental feel and camera is finely utilised from start to finish. Other than the protagonist, there aren't any interesting characters in it but Marie- Josée Croze plays her part sincerely and her performance is this film's highlight.On an overall scale, Maelström inclines a little more towards the art-house section but it has plenty of moments that will keep the mainstream viewers around as well. Humour makes its presence felt in the most unexpected moments here but few creative choices don't go well with its overall tone. An early effort from the then-budding filmmaker trying to carve his own distinct style, Maelström is frustrating at times but it may still amuse some.

davidbyrne77 There are opening scenes to movies, and then there's Maelstrom! Easily one of the most memorable and daring intro's I've seen in recent memory. I was humming that tune for days! The tale is simple, easy to follow, but I won't give it away - the unusual coincidences and twists in this film should be experienced fresh. However, the course of the story brings the viewer various emotions; frustration and disdain at a young woman engaging in questionable activities (not to mention the crime that she goes relatively unpunished for), humour in foreign situations (a heavy car, fisherman versions of justice), and finally happiness (but I won't say how). Oh, yeah, and it's narrated by a fish! Several fishes, I should say. Which gives the film a quirkiness that's refreshing, given the sometimes dark and depressing subject matter. <you twinkle above us, we twinkle below.......>

mweston The film opens with a large, visibly injured, and obviously fake fish talking directly to the audience. Nearby a man is cutting up fish. The talking fish says that his life in nearly over, and he would like to tell a "pretty" story with his last breaths. Then we cut to a beautiful woman, in a doctor's office. We soon figure out that she is having an abortion. As we see the fetal matter being incinerated and her leaving the building, the grossly perky song "Good Morning Starshine" begins to play. Okay... This is obviously not going to be your normal film.The woman is named Bibiane (Marie-Josée Croze), and she turns out to be the main character. Perhaps related to the abortion, it soon becomes clear that her life is not going too well right now. Not long into the film she is removed from her position in the family business, a chain of upscale clothing stores, by her brother (although at first I thought he was her estranged or ex-husband).Most reviews or plot summaries go into more detail about events that occur in the middle and end of the film, but I'll keep it to that. There are some rather unlikely coincidences along the way, in case that sort of thing bothers you. And there is a distinct water theme, which is not surprising given the title. I would classify the film as primarily a drama, since the laughs are mostly at surprising events rather than strictly funny ones, and because the film kept me feeling slightly uncomfortable throughout.Marie-Josée Croze is very good here. The cinematography is excellent, with at least one shot that took my breath away. The story and the direction, both by Denis Villeneuve, on the other hand, are somewhat suspect. Besides the aforementioned coincidences, several scenes are juxtaposed in a seemly random manner, and you can't figure them out until later if then. Now this could just be a mechanism to get you to think, and in the wake of Memento (which came out at about the same time as this film) one is becoming used to the idea of the film structure mirroring the main character's thought processes. I'm not sure I completely buy this argument, but I'll give it a little leeway.This film won the best picture, direction, cinematography, screenplay, and actress awards in Canada at their equivalent of the Academy Awards, but it is only just now getting to the United States, where it is expected to play for a very short time. In the San Jose, CA area it is expected on May 17th.Seen on 5/5/2002 at the Camera Cinema Club in San Jose, CA.