Khamosh
Khamosh
| 14 March 1986 (USA)
Khamosh Trailers

A suspense movie, wherein the murderer is among the group of people living together in a hotel, and the actual murderer is well hidden in the plot until the very end.

Reviews
SpuffyWeb Sadly Over-hyped
Tacticalin An absolute waste of money
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Orla Zuniga It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review
sankhan99 I have watched this movie yesterday after reading comments on internet about this movie. Many people on different websites called this movie all time best suspense thriller of Hindi cinema. So I start watching it with lots of expectation and I must say It live up to my expectation to some extend.It has star cast and looks like VVC's first real effort in bollywood. All actors acted well specially Nasiruddin Shah and Shabana Azmi. Really liked Amol Palekar's style of dilevering dialougs in soft and sweet voice and in humble style.Location was perfect for this film. Cold and cloudy atmosphere added some extra effect to theme of this movie. I am sure anyone can enjoy this movie even in 2012.It positively has suspense and trill because I read some comment here that this movie has less suspense and more humor. If you like this movie then must watch "Death on river Nile (1978 film)", you will surely like it as well.
kichdi Khamosh being a murder mystery it had a bit too many people in the movie, at least known B-grade actors. Naseeruddin Shah's hype as a good actor fell flat for the umpteenth time in his career. He can be rated as a poor actor, his role could have been played better by Om Puri who looks more strict. Amol Palekar as usual towers among the the other cast of the movie, he delivers sensible dialogues & is an integral part of the storyline. His expressions were of a shaken man is what a movie goer can carry with himself when a person gets fixed in an incident like in the movie. Realistic expressions make an actor worth taking note of and the movie worth watching. Khamosh is a must watch for suspense thriller fans.
nreghu28 Must have watched this movie at least 7-8 times.An extremely well made movie. Especially considering it was made in India in the 80s on a low budget.Amol Palekar shines as the villain . **************Spoiler ************************************ Especially the last scene where he talks to Shabana about how killing her. **************Spoiler ************************************There was another movie in Marathi - Akriet wherein too he was the villain. Good actor and director.Nasser is as usual very good. Chopra is a good director but seems like he did not turn out as many movies as he should have.
JohnMurdochDubai The problem with most Bollywood films is tone. "Khamosh," Vidhu Vinod Chopra's daring attempt to adapt the Hollywood whodunit in an Indian setting is, unfortunately, no exception. The lame dialogue and overwhelming hokiness (every character basically shouts his dialogue; they all act stark raving mad!) almost undoes the film's greatest accomplishment: mood. Chopra busts out the noir rulebook: sharp angles, hand-held cinematography, color filters and dark rainy nights are just some of the aesthetic choices on prominent display. It does work lending "Khamosh" a gritty feel.Let's now consider the plot which, although done before, is a bit clever. A film crew is shooting a murder mystery in a sleepy town; the story of their film involves the mystery surrounding a murdered woman. The story of our film "Khamosh" kicks off when the actress playing the character supposed to be murdered in the movie within this movie (get it?) is actually murdered herself! Since this is supposed to be noir, a shrewd Marlowe-type detective (Naseerudin Shah) quickly arrives on the scene to dig deeper. Shah plays his character with quiet intensity; it's an understated performance, and a welcome change from all the barking dialogue flying about from the other characters. Before the actress' murder, Chopra had immediately set up the suspects by implicating everyone in the crew: every one of them had a beef with the dead girl. (That's Motive multiplied by 1000.) Chopra who wrote and directed "Khamosh" keeps the big secret a secret till the very end. No clues are given, making the fun one-sided — it's irritating when all the doors of logic are slammed shut on the audience's face. As Shah's character connects the dots in his investigation, the film slowly starts to eliminate each suspect until the real killer is finally unmasked. By that time, we're barely interested anymore."Khamosh" is well-made. It's also supposed to be unconventional, by Bollywood standards: there are no songs; it is an ensemble film set in and around one hotel. There are even some successful attempts at satire when Chopra pokes fun at the Indian movie industry — the film crew in the story comprises a producer who is a depraved money-pinching scrooge while the director is, himself, hardly moral; all he wants is to finish his movie (in one hilarious scene he goads the bald movie villain to really go after the underage actress playing the rape victim, then rolls the camera conveniently forgetting to say CUT!). Plus, almost all the actors in "Khamosh" use their real names which amps the glib irony."Khamosh" is a pastiche of Western film-making and genre conventions, and may be that's really the problem. Hitchcock's "Psycho" plays prominently on a TV screen in one scene…the film also has clear influences of Lynch's "Twin Peaks" and some obvious borrowing of Godard's stylistic graces from "Alphaville." The mere fact that "Khamosh" is different from standard Bollywood fare may be enough for staunch supporters of this industry. But for the rest of us, it's all been done (much better) before.