In the Cool of the Day
In the Cool of the Day
NR | 29 May 1963 (USA)
In the Cool of the Day Trailers

After he mends a marital rift between a vacationing young couple, the bored, fragile wife falls hopelessly in love with the husband's ex-colleague who is married to a long-suffering and emotionally and physically scarred woman. The couple soon runs off to Greece together to pursue the romance.

Reviews
Majorthebys Charming and brutal
Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Cheryl A clunky actioner with a handful of cool moments.
thehennalady The film is such a old movie cliché: Rich, sickly young woman married to an older man who neglects her. She gets involved with his good friend whose wife is a nutjob snob. The entire concept is one that is hard to wrap one's head around in the 2000's. First, maybe everyone should stop smoking and drinking and Fonda's character should take some vitamins and see a therapist about her mother. Throughout the entire film, a relative kept saying "rich people" explaining to herself the crazy that was going on. I felt compelled to correct her and say, "No, Hollywood on a bad hair day." Could not take my eyes off of Fonda's wig. 2 Stars for being able to see young Jane Fonda and Greece from another era, though.
bkoganbing Peter Finch and Jane Fonda play a pair of unhappy marrieds who run off to Greece for a fling in In The Cool Of The Day. With this film Jane takes on a role back in the day would have been played by her father's first wife Margaret Sullavan who was always playing tragic heroines in the glory days of Hollywood.Fonda plays a sickly woman much like Sullavan in Three Comrades. But that doesn't mean she doesn't want to live and experience life. Her husband Arthur Hill is overprotective as she sees it, treating her like a hothouse plant. As for Finch he's married to a bitter and reclusive Angela Lansbury.As Finch is a Hellenophile it's off to Greece for them where we experience In The Cool Of The Day's biggest asset, colorful location cinematography of some of Greece's best attractions. The second thing In The Cool Of The Day has going for it is the title song written by Greek composer Manos Hadjidakis who got an Oscar three years earlier for Never On Sunday. Nat King Cole's recording of it over the title credits is still warm and glowing.But who gave Fonda that hairdo for this film ought to have been canned. Al Bundy used to call Marcy Darcy, sergeant Carterhead for her do on Married With Children and this one kind of reminds me a bit of it. If you like the players or are a Hellenophile than you should In The Cool Of The Day.
oyoukid No wonder this wasn't even listed in my comprehensive special edition video book covering thousands of movies ~ not even as a dog. Since yesterday, 10/16/06, was Angela Lansbury's 81st birthday they featured her movies on Turner Classics. Evidently Jane Fonda must still have some pull with Ted, because her performance didn't warrant viewing; it made ME uncomfortable watching her. Angela, in a recent interview, mentioned her disappointment with that movie. No surprise! That's 90 minutes I'll never get back. However, I made a lovely cauliflower au gratin and a pumpkin pie while the movie played on our kitchen TV (I kept thinking something would happen or the story would get better; it didn't).
cjp49 I thought the movie was unique if not wonderful, being only ever so slightly cliché in its ending. I could not, however, tell if the style in which the film was shot was meant to be unusual and fresh or if this achieved addition to the film was simply an accident brought on by clumsiness. As for questions concerning the title, I would recommend the book of Genesis (to be found in the Bible for all of those who don't know) where Adam walked with God in The Cool of the Day. I don't have a Bible handy at the moment so I will not quote you can read this for yourself. Fonda reminds me of a young Katharine Hepburn in this film. She seems unsure of herself, probably because this was one of her first major roles, and like the Great Kate, in her very early films, she uses a higher voice than is generally attributed to her in this early film. It is not until a few years later in each career that we hear those majestic deeper voices that command so much respect from audiences.
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