Hell Up In Harlem
Hell Up In Harlem
R | 01 December 1973 (USA)
Hell Up In Harlem Trailers

Tougher than Shaft and smoother than Superfly, this high-voltage sequel to Black Caesar explodes with enough action to incinerate New York City. Packed with machine-gun mayhem and riveting adventure, Hell Up in Harlem is nothing less than a modern-day tribute to the classic 30s gangster film. Fred Williamson is Tommy Gibbs, a fearless, bulletproof tough guy who blasts his way from the gutter to become the ultimate soul brother boss. Tommy steals a ledger with the name of every crooked cop and man in the city. Enlisting the aid of his father and an army of Harlem hoods, Gibbs goes from defense to offense, launching a deadly attack on his enemies that sets off a violent chain reaction from Harlem all the way to the Caribbean, climaxing in one of the hottest turf-war shoot-outs in Hollywood history.

Reviews
Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Orla Zuniga It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review
Leoni Haney Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.
Wizard-8 This sequel to the popular blaxploitation hit "Black Caesar" was cheaply and hastily shot, and it shows. It is pretty obvious at times that star Fred Williamson wasn't always available, meaning that he's either doubled or his character simply doesn't appear at all in a scene. The low budget and speedy production also shows in other aspects, one being the screenplay. There isn't too much of a story here. Indeed, it seems at times writer/director Larry Cohen was making things up during the shoot. But despite the crude nature, the movie all the same kind of works. It is fast paced, and never boring. And Fred Williamson does manage to make his character magnetic enough that you keep watching him. Apparently audiences agreed, since this sequel was successful enough at the box office that the studio planned a third movie concerning the adventures of character Tommy Gibbs, but those plans were eventually cancelled.
MartinHafer The beginning of this sequel to BLACK CAESAR reminds me a lot of the old movie serials. At the beginning of each serial episode, they show part of the previous episode and in some cases they actually changed what happened in the previous episode! I remember seeing SPY SMASHER a long time ago and in several scenes he appeared to die--yet when they showed the following episode he actually didn't die after all! Kids loved these films so most didn't question these inconsistencies. Well, the same thing happened following BLACK CAESAR. Fred Williamson's character (Tommy Gibbs) is left dying and beaten by teens at the end of the film. Now in HELL UP IN HARLEM you see many of the same scenes from the end of BLACK CAESAR--but this time there is no dying scene where the man is pummeled by teens and he is not all alone. Instead, Gibbs' father shows up to save him along with a posse of friends--even though this clearly is NOT how the previous film ended and the father (Julius Harris) is a very different character than he was in the previous film. These sort of inconsistencies about in the movie and I guess the character was too good and American-International Pictures decided to bring him back regardless of whether or not it made much sense. In this film, Tommy is a bit different than the last film. In BLACK CAESAR, Tommy was 100% unlikable and bad--a truly despicable guy. However, here in HELL he's more like a crusader as he fights corrupt government officials and mobsters. While some of this action is pretty good, the latter portion of the film is pretty silly even by Blaxploitation movie standards. That's because Tommy returns from an inexplicable retirement in LA and takes on the entire mob all by himself!! And, in many instances, he kills baddies in front of huge crowds and yet he always is able to escape unharmed!! In the final scene, the leader of the mob catches him at point blank range--yet the gun somehow miraculously jams! These scenes just don't look thought out and seem a bit sloppy--though exciting on a very basic level. In many ways, this sequel and the ridiculous way the guy takes on the mob single-handedly reminds me of SHAFT'S BIG SCORE--another sub-par sequel to an excellent Blaxploitation film. Overall, this is an okay film--neither as original or clever as the original and a film that seems like it's mostly action and very little plot--it's simply mindless brain candy.By the way, at one point the film cuts to a scene on an island and the caption reads "an island off the Florida Keys". Well, I've been to the Keys and they are some of the flattest islands on the planet. Yet, oddly, this island is very, very hilly and there isn't a palm tree in sight!!
Michael_Elliott Hell Up in Harlem (1973)** (out of 4)Sequel to Black Caesar has Fred Williamson surviving his assassination attempt and slowly moving up the ranks. How does he do this? By killing any Italian person he can get his eyes on. This film has a somewhat legendary making of since both the star and director were busy doing other things and they just got together on the weekends to shoot this film. I think it's easy to tell that the movie was rushed because there isn't any evidence of a screenplay having been written. The movie is nothing but non-stop, bloody violence from the opening to the closing. There's nothing wrong with this as it adds a lot of fun to the movie but if you're expecting anything deep then you can forget it as this thing is weak, story wise, even when compared to the poorest written blaxploitation film. Williamson is once again good in his role and he has the perfect attitude for this type of film. There are all sorts of shoot outs, explosions and even some kung fu thrown in for some good laughs.
smiley-32 Hell up in Harlem is one hell of those classic blaxploitation film. Too true though, 'cos I got this one on tape.This tells the story of Tommy Gibbs (Fred Williamson), the Black Caesar of New York's underworld who suffers a brutal blow when he gets shot in the streets courtesy of crooked New York cops trying to put an end to his reign of private organisation.One thing for sure, he gets hold of the book of ledgers, names of corrupt people responsible for screwing around the neighbourhood making people lives hell in New York City.. Tommy is a man who won't go down in a fight, in fact he goes around bumping off drug suppliers, gangs, corrupt lawyers, etc who causes trouble in and around New York's underworld...Also his main problem is another crooked officer James DiAngelo who seems determined to stop Tommy Gibbs from ruining his business.When it all grinds down to the nitty-gritty Tommy takes another shot to finish those where he started and restore peace to New York's underworld.This film made me laugh in a few parts, basically it's all to do with one man running his organisation in order to bring the bad guys who screwing up New York's neighbourhood.Great songs from Edwin Starr who also sings the theme tune to the film..It's worth a watch which Fred Williamson one of the stars who still makes his name as one of the classic names in blaxploitation films to date..If you ever get to see Hell up in Harlem, you'll see how the Big Boss takes care of the business.. You catch me drift..?