WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

Fairaher The film makes a home in your brain and the only cure is to see it again.

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

j_ack This is one of the worst films I've ever watched. I cannot believe they made a film on this topic for a start. They then managed to top that with one of the worst storyline and some of the strangest characters ever. This is a truly strange film from start to finish where none of the characters are remotely likable. Truly a mess and utterly dreadful from start to finish. I cannot believe how highly rated this film is, absolutely shockingly bad. Stay well away is my suggestion. Nothing good about this film. Would give it 0/10 if I could.

sgcim Just saw this on Netflix, and I thought it was extremely well done, but it just didn't seem like most of the things that happened in the film could have taken place in the Manhattan of today. Too much of it took place right in the open, and I don't see how that could go on in the Police/Tourist State Manhattan has become, as the result of 24 years of the dictatorships of Giuliani and Bloomberg.A film like Panic In Needle Park was done before the gentrification of Manhattan, so its Manhattan setting was quite believable, but the author of the 'book' this was based on, Ms. Holmes, said in an interview that most of the incidents this was based on were taken from her life in Bayonne, NJ. The brothers that made this flick met Ms. Holmes on the subway while she was doing some type of apprenticeship in the Diamond District.I suppose that Ms. Holmes decided to set, "Mad Love in NYC" in NYC, because who would care about a book called "Mad Love in Bayonne"?I had just seen "My Beautiful Broken Brain", and it seems to be a trend of having beautiful women who have gone through bad ordeals, starring in films about said ordeals. If both of these movies were about unattractive women, I doubt they would have had any marketability, hence probably wouldn't be made, but hey, it worked in my case; I wouldn't have watched either movie if their stars weren't so gorgeous!

PollyPick I began this movie in a state of repulsion: the characters live a stunted, grotesque life on the streets of New York. We are forced to bear witness to their pathetic lives, squabbles and desperate lust for drugs.However, I was struck by how strongly I felt about it. I realised the performances were raw, and without artifice, and brilliant. And I was being forced to consider a group of people I would usually shy away from, and reject without a moment's thought in real life. Characters come and go in a dreamy timeless stream of events. They are like wayward children: showing concern for each other's wellbeing one moment and scream obscenities at each other the next. They loudly proclaim tales of valour and adventure, eager for attention. Mike, ironically, lists the lethal dangers of driving on the back of a motorcycle as Harley rides around with a stranger. Ilya wanders up to Harley while she's listlessly having sex with someone in the gutter. Harley is vaguely entertained by a man doing tricks on a motorcycle. Ilya harasses Harley days after encouraging her to slash her wrists. They are dirty, mean, angry, violent, overly dramatic, desperate and lost. Arielle Holmes bring a fresh earnestness to the role of Harley. She is full of contradictions: vulnerable and hard, caring and disloyal, hopeless and hopeful. You can't help but look for signs of life, and potential in her eyes. Harley hints that Ilya was the reason she became a junkie. Her world revolves around her infatuation with Ilya, and her mind-numbing obsession with heroin. "Don't you want to be your own person?" Mike asks her. No. She is a shell of a person. There appears to be no hope of redemption for Harley.If you're a fan of great true-to-life story-telling and like a good art house flick, this is an excellent choice. The simplicity of these people belies a powerful story.

Red_Identity Truly didn't expect anything out of this, which is why it was such a huge surprise. I don't think its flawless, but effective it surely is. I feel like its style is definitely going to out off a lot of people (quite a lot actually). I mean, even from the get-go it basically affirms the type of film it'll be and how it'll be presented, with its loud, throbbing score (which is both beautiful as an individual piece, but also really disturbing in the context of the film). The performances here are compelling, all of the main actors totally and fully committed. Arielle Holmes is a true talent though, what a fantastic performance. Raw and real and totally honest, no artifice or anything. This film is fully recommended.