Harry & Son
Harry & Son
PG | 02 March 1984 (USA)
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Widower Harry Keach is a construction worker who was raised to appreciate the importance of working for a living. He takes a dim view of his sensitive son Howard's lackadaisical lifestyle and has a strained relationship with his daughter Nina as he does not approve of her husband. When Harry is fired from his job, his life changes drastically as he is made to focus on the relationships around him.

Reviews
Tedfoldol everything you have heard about this movie is true.
Pacionsbo Absolutely Fantastic
Iseerphia All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.
Sammy-Jo Cervantes There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
bkoganbing For a kid from the posh suburb of Shaker Heights, Ohio Paul Newman has a remarkable affinity for playing blue collar men. This is a guy who knows the value of hard work and it's his greatest disappointment in life is that he hasn't passed on that value to his children, Katherine Borowitz and Robby Benson.It's Benson who Newman worries the most about. He wants to be a writer, but that just doesn't happen over night. One has to get out into the world and acquire a little life experience to learn what one wants to write about. The only one that didn't apply to was Emily Dickinson. Benson cites Hemingway as getting rejected 300 times before getting some money for his thoughts. But there certainly was a man who had himself a lot of life experience and earned a few dollars to pay his own way.I could understand Newman very well since I came from a family of uncles just like Newman on my mother's side. I could understand Benson less so since all he wants is surf and sex. He tries working at some dead end jobs, his scenes with Morgan Freeman at a cardboard box factory and trying to repossess Ossie Davis's car are his best in the film. In fact Newman's tragedy is that health issues cause him to stop working and he won't acknowledge them. But it's Newman and Benson that's the heart of Harry&Son. Father and son Keach come to a kind of understanding toward the end. The film is not the best from either Newman or Benson, but nothing to be ashamed of here.
moonspinner55 Harry was once an ace crane operator for a construction company, but failing health in his older years has weakened his eyesight and, after a near-miss on the job, he's unceremoniously canned. Harry's son, Howard, in his early 20s and still living with "Pa," has a goof-off job detailing and washing cars, which leaves him most of the day to surf at the beach or type his short stories. Unable to hold a steady job with regular hours, the kid eventually gets the boot by Harry; meanwhile, the best friend of Harry's deceased wife--who works in a bird store and talks to her parrots--has a pregnant daughter with eyes for Howard (she doesn't seem to notice or care that he's unemployed, so naturally the kid wants to marry her). Co-written, co-produced, directed and starring Paul Newman, "Harry & Son" can't help but be a disappointment. Where has Newman's artistry gone? It's as absent here as his talent handling actors. This is a one-dimensional family drama with unconvincing characters and arguments and situations. Harry pecks at his son like a jealous lover, which is rendered even more unpleasant by Robby Benson's penchant for acting without his shirt on. Benson gives a wet, mildewy performance, the kind of plastic acting that cancels out all interest in a performer. Directing himself, Newman doesn't fare much better. Joanne Woodward, Ellen Barkin, Ossie Davis and Judith Ivey should be a strong supporting ensemble but the baleful writing doesn't help them. Playing a warehouse supervisor producing cardboard boxes, Morgan Freeman (shouting over the machines) has the most ridiculous sequence--who wouldn't walk away after a nightmare like this? There's another scene involving cardboard boxes (that's two too many), wherein vindictive Newman tries making his daughter and her husband look foolish by packing dishes in a wet container. There are no conclusions to these episodes; Newman is only interested in setting up the circumstances and then bulldozing his way to the next chapter. It's a depressingly pedestrian piece of work. *1/2 from ****
Michael_Elliott Harry & Son (1984) ** (out of 4) Family drama centering on father Harry (Paul Newman), a blue collar construction worker who loses his job due to an unknown illness he's suffering from. Harry has trouble trying to connect to his growing son Howard (Robby Benson) who wants to make it as a writer. The son can't keep a "real" job, which rubs his father the wrong way since he actually wants to work but is unable to. You can tell this was a labor of love for Newman who not only plays the lead but he also directed, produced and co-wrote the screenplay. If you've seen some of Newman's earlier directorial films you'll know that he can create some very touching pictures and there are glimpses of that here but sadly the end result is that HARRY & SON is a complete misfire and without question the low point in Newman's directing career. The biggest problem is without question the screenplay, which is a real mess. I think this movie is supposed to be about a father and son relationship but you'd never know that because not for a second does Harry and Howard come off as some sort of connection. The relationship between the two never really comes off as a father-son thing and another major problem is that neither character really gets a chance to grow. I'd also say that the screenplay really doesn't give us much to go on because we never fully understand their motivations. We never really know why the father is so against his son. There's a subplot with an issue between Harry and his daughter that we never fully understand. There are a wide range of characters who pop up only to either disappear or you never fully get to know who they are. Another major problem with the film is that even though it runs 117-minutes, in the current form, that's way too long as scenes just seem to drag on or the obvious just happens. I'm not sure if this was originally much longer and perhaps some of the character development had to be cut out to get it down to its current length. The one saving grace here and what keeps the film from being a major dud are the performances, which for the most part are very strong. Newman has no trouble playing the troubled blue collar worker but one wishes the screenplay would have given him a stronger character to stick his teeth in. Joanne Woodward is very good in her small supporting role as a love interest. We get other good performances from a likable cast that includes Ellen Barkin, Wilford Brimley, Ossie Davis and Morgan Freeman. The one exception to the good performances is Robby Benson who is pretty bad here. Rumor has it that he actually got this part over Tom Cruise, which is a real shame because I think that actor could have done much more. Benson is really lackluster and his rather bizarre performance makes his character more creepy than anything else. Even worse are his incredibly horrid facial gestures, which quite often make the viewer break out in laughter, which certainly wasn't the intent. HARRY & SON was overlooked when it was released and today it's only of interest to Newman fans who want to see the lower side of his career.
Psalm 52 This little film from director Newman could have benefited from another director's helmsman-ship. When the story focuses on Howie it really takes off and is beautiful (although Benson reverts to some 'Ode to Billy Joe' facial expressions that limit his range), but when Harry becomes the main centerpiece ... it drags. I found the lusting for Harry by the waitress character, the Sally character, and the Woodward character awfully dumb and pretentious. I did enjoy the Fort Lauderdale setting (I grew up there) and some of the scenes between the father and son are 'real', but could have benefited from more conflict like 'Hud' offered. This film does a good job of recalling the early '80s era, and Barkin (whom I've met and talked about her films with) really is genuine as the young, expectant mother. Woodward is somewhat wasted, as is Brimley until his last scene in which his character comes clean to Howie and is honest about 'janitorial supplies.' One last thing, am I the only one who notices that the last scene WAS NOT FILMED IN Florida? That's a rocky California coastline filling in for a flat Florida coastline! Duh?!