Majorthebys Charming and brutal

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Billie Morin This movie feels like it was made purely to piss off people who want good shows

Leofwine_draca GUILT IS MY SHADOW is a low rent British crime drama that fails thanks to the writing, in particular the character of Jamie played by Peter Reynolds. Jamie is the film's protagonist and gets way too much screen time considering that his obnoxious character is one of the most annoying ever; the viewer has to sit through scenes and scenes of him treating everybody like dirt, while the warm and sympathetic characters as played by Patrick Holt and Elizabeth Sellars don't get as much of a look in.The story's rural setting (it was filmed in Devon) is an interesting one. Jamie is a getaway driver who escapes the heat to live at his uncle's place, but he's soon getting involved in petty crime. The arrival of his wife complicates things. This is quite a slow paced story but it does pick up with a murderous twist later on. The acting is generally of a strong standard and there are bit parts for Esma Cannon and Desmond Llewelyn. A pity that the ending is prohibited by the usual moral constraints of the era as it ends on a very downbeat and depressing note.

kidboots What started out as a typical police pursuit ended up as a Gothic nightmare with eerie dream sequences, obviously a homage to those "Gainsborough Gothic" style movies that were so popular in Britain after the war.Jamie is on the run from a robbery gone wrong, even in the first few seconds his cowardly nature is revealed as he takes off, leaving his partners in crime stranded on the bank steps, when he hears a police whistle. He quickly travels up north to visit his taciturn Uncle Kit (Patrick Holt) on his farm in a remote little community. From a few small scenes - disregarding a "Close the Gate" sign, mishandling a horse, big noting himself at the pub to pilfering the till at the garage where he has managed to find work because of his dexterity with cars - a picture is painted of a scheming lout who the audience has no sympathy for. Suddenly Linda appears, his wife he says and for once he is not lying but she is as pretty and decent as Jamie is sly and calculating.Once Elizabeth Sellars steps out of the car and is captivated by the wild, vast landscape, the focus of the film changes. She was a fresh, young film face whose ethereal look was used to advantage here and with scenes showing her compassion for an injured dog or a cow having a difficult birth, she fits right into the farming life. Linda's arrival doesn't phase Jamie who has just started seeing the local rich, bad girl Betty (Lana Morris started out in the 1940s with plenty of promise but spent the 1950s in Bs) and has already stolen funds to show her a good time. Linda finds him stealing money from Kit's safe and stands up to him - things get physical and Jamie is accidentally killed. The rest of the movie turns into a guilt ridden manifesto. Kit and Linda already have feelings for each other and together they try to wipe the crime from the face of the earth. Linda's guilty conscience arises in a series of dreams where she is running through the church-yard, falling into the abyss and standing against craggy rocks and there is a nightmarish, Gothic quality about them. Then Jamie's mother turns up...............Peter Reynolds who played the cowardly Jamie unfortunately died at 45 in a flat fire. He had moved to Sydney, Australia in the early 1970s and was a fixture of the small screen in shows like "Boney", "Division 4", "The Rovers", "Barrier Reef" and "Homicide".

malcolmgsw Jamie the bad sheep of the family gets involved in a robbery and flees to his relatives farm in the west country.subsequently his wife arrives.however the wife falls for farm life and Patrick Holt simultaneously.The wife finds Jamie stealing money from a tin box.she struggles with him and eventually hits him on the head.he dies and is buried on the farm.his absence is noted and eventually the police come to search the farm but cannot find the body.however in one of those logic defying moments that happen so often in films of that era it is clear that the wife will confess to the police.it is extremely slow and in the end rather dull and disappointing.

GUENOT PHILIPPE I just saw a pretty little UK drama, in the noir and Gothic style.The photography and score are awesome. The tale of a petty bank robber who tries to escape from the city where he knows he can be hunted by the police. So he goes to the country, to his uncle's farm, near the coast, where he works in a garage, repairing cars. But he keeps stealing, his own uncle, whose wife surprises our lead taking some money away. So they struggle and the young woman (SPOILERS SPOILERS SPOILERS SPOILERS) accidentally kills the young. He dies right in the middle of the film, big surprise, as Janet Leigh in PSYCHO, under the shower.And his uncle's wife has to go on with her own guilt following her, as an obsession all along the feature. She and the uncle bury the body and the film goes on. Henry King could have make such a film, with Christianity influences. The ending is unfortunately predictable.Not a bad drama, very well made.