Cubussoli Very very predictable, including the post credit scene !!!

Btexxamar I like Black Panther, but I didn't like this movie.

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Michael_Elliott 'Gator Bait (1974) ** (out of 4) Playboy Playmate Claudia Jennings stars as Desiree, a Cajun woman who finds herself seeking revenge when she's blamed for a crime she didn't commit, which leads to a sheriff and a redneck family killing her youngest sister. Soon there's a showdown in the Louisiana swamps as the redneck woman shows some true vengeance. 'GATOR BAIT was released in a time when redneck action pictures had a place to be screen on drive-in screens on the weekends. This type of movie could never be made today and perhaps that's a good thing because stuff like this belongs in the 1970s and when viewed today you can't help but feel a bit of nostalgia. The film certainly isn't a masterpiece but fans of this sort of thing should find enough entertainment to make it worth watching. I'd argue that the film's first half is actually a lot better than what follows but those who enjoy exploitation should be entertained either way. I really thought the first ten-minutes or so were pretty funny as the two redneck men go around trying to catch this wild woman. Their little chase made for a couple nice laughs and we also have some rather funny dialogue. From this point on it's basically just the men walking around the swamp trying to capture the girl. I think the film slows down a bit too much here and a little more action or at least less dialogue would have helped keep things moving at a better pace. The performances really aren't all that memorable and this includes Jennings. I'm not sure if the directors asked her to talk the way she does in the film but it was rather hard to understand her. Considering this is an exploitation picture, the lack of any real nudity was somewhat surprising with the Playmate only giving a couple quick shots. The Louisiana settings are certainly a major plus as you really do feel as if you're down in this dirty swamp. 'GATOR BAIT isn't a masterpiece but it's certainly a decent way to kill ninety-minutes.

Scott LeBrun The late Claudia Jennings is in fine form here, displaying all that sexuality and screen presence that made her one of the queens of drive-in pictures in the 1970s. Totally rocking a loose top and a pair of Daisy Duke shorts, she proves to be extremely easy to watch playing Desiree, a 'gator poacher in the Louisiana swamps with a loving sister, Julie (Janit Baldwin, very cute as always) and brother, Big T (Tracy Sebastian). Desiree ends up accused of something she didn't do and is pursued by local cops and an enraged local hick family led by burly and bearded T.J. (Sam Gilman). Naturally, they underestimate her cunning and she soon enough turns the tables on them. The brainchild of filmmaking duo Ferd and Beverly Sebastian, "'Gator Bait" is simply exquisite trash. Shameless, sordid, super trash. The characters are comfortably stereotypical, with Desirees' pursuers a mindless, horny bunch so damn ugly they probably break every mirror they look into. The acting may not have been destined to merit any Oscar contention, but it's still perfectly fine for the kind of movie this is. Gilman, and Douglas Dirkson and Don Baldwin as his creepy sons, make for fun antagonists, with the always welcome Bill Thurman in the role of the morally compromised but not purely evil lawman. His is the most interesting role in the film, other than that of Desiree. Jennings is extremely striking as this primal sort of gal, and the Sebastians make sure to film her from every leering angle imaginable. The setting is very effective, with wilderness as far as the eye can see; the predictable but entertaining story works as a mixture of the later films "First Blood" and "Southern Comfort". The music has lots of flavour to it, with Desirees' theme song rating as a standout. The pacing is impressive as things race right along, and there are some well done chases through the swamp. All things considered, this is a good bet for exploitation lovers, although the film does get very nasty in terms of violence perpetrated against a particular character. You can hardly blame Desiree for getting as mad as she gets, and enjoy every bit of her revenge. Well worth watching. Followed by a sequel 14 years later. Eight out of 10.

BA_Harrison With its violent revenge theme, backwater setting, and Playboy playmate Claudia Jennings in the lead role, one might expect Gator Bait to be an unmissable 70s exploitation classic. However, with dreadful direction from Beverly and Ferd Sebastian, awful acting from just about everyone, and not nearly enough graphic violence, the movie stinks like a rotting armadillo in a stagnant pool.Jennings plays Desiree Thibodeau, a 'purty' Cajun wildcat who hunts down the dumb hicks responsible for the violent murder of her sister Julie (Janit Baldwin). Dressed in the shortest of shorts and a loosely buttoned top, the feisty beauty first traps the men in the swamp (by destroying their boats), and then proceeds to exact bloody revenge. Whilst this sounds like perfect trash entertainment, in reality Gator Bait is a tedious, drawn-out series of dull fights, (mostly) bloodless deaths, and unexciting chases.Admittedly, there are a couple of scenes which occasionally show promise (an early moment of incestuous fun between a brother and sister, the shotgun blast to Julie's cooch, and an occasional bit of welcome nudity from Jennings and Baldwin), but Gator Bait needed a far grittier approach from its makers and a willingness to get real nasty when necessary in order for it to succeed.

Steve Nyland (Squonkamatic) You know in reality this movie is *NOT* as patently offensive or disturbing as the naysayers may have you believe. It is tasteless, lunk-headed, vacuous and exploitational as they come, but THAT IS THE POINT OF THE FILM. To expect a movie called 'GATOR BAIT in a decorated box featuring a swamp slut bedecked in tattered flimsy Daisy Dukes to be anything other is like, stupid.So if you give 'GATOR BAIT a try and are dumb enough to be offended by it don't come crying to us -- What did you expect, SCHINDLER'S LIST or THE FRENCH LIEUTENANT'S WIFE? This is "Hickspoitation", a sadly missed sub-genre of 1970s/1980s exploitation cinema aimed squarely at the Drive-In sect where backwoods cracker trash and their inbred, uncivilized behavior is the main draw. The ultimate Hicksploitation film is still DELIVERANCE which escapes the label because it actually is in good taste, plausible, populated by credible character actors and made by professionals. 'GATOR BAIT is from the other polar end of the spectrum of Hicksploitation with more in common with films like BACKWOODS (aka GEEK) or the King of Hicksploitation Horror, Troma Films' MOTHER'S DAY. They are celebrations of poor taste and should only be viewed by audiences who are either immune to being offended, or are looking to be offended by something. Anything.I did not find 'GATOR BAIT to be offensive but I see how people could fall into the trap of being repulsed by it. There is a theme of misogynistic brutality running from beginning to end, hintings of incest, a couple of near rapes that end in over the top violence, and cracker trash humor that pokes fun at backwoods redneck Cajun misfits with a kind of gleeful abandon. My favorite moment of sleaze in the film is when three cracker brothers eye their buxom sister lustfully as she hangs up the washin' wearing nothing but an old slip, and one of them drawls out "Jolene, I likes the way you're slidin' around inside a' that." One of the other brothers snickers distastefully as he chomps on an apple & watches as his brother tackles Jolene in the slippery barnyard mud and tries to have his way with her. Hooo-wee!! That is until Pa comes over to give the boy a whuppin' with his bull whip, snarling "How many times do I have to tell you to leave your sister alone?" Pa is played by veteran cult actor Sam Gillman, still wearing the same dungarees and jeans jacket he wore in 1972's BLOOD SABBATH and would later also wear in EVERY WHICH WAY BUT LOOSE. He was a marvelous character actor who only required a role for him to inhabit with what he had, and he easily dominates the film as a resourceful, educated cracker who is evil for sure (he kills the county sheriff after a scuffle over some male dominance hierarchy issue) but still has a code of right & wrong that he insists everybody else live by as well. He is the best actor in the cast and brings a kind of authority to the film that is most welcomed.The other standout character in the film is easily Claudia Jennings' "Desiree", the bread winner of a family of Cajun crackers who make their living by poaching, live outside of the law, yet are "good" hicks compared to the dirt bag rednecks who come after them due to the lying cowardice of the sheriff's son, who frames Desiree for murder after accidentally shooting one of his foul minded buddies dead. After some setup distastefulness and minimal background story the film devolves into an extended hunt of Desiree through the Louisiana Bayous where she kills off the posse of crackers one by one -- or inspires them to murder each other. The acting is atrocious, the violence and sexual misogyny appropriately stomach churning, but that is exactly what the film called for and you can't blame it for delivering.One curious thing about this community of swamp rats: The guys all look like the toothless Mountain Man from DELIVERANCE but the women all look like Penthouse magazine models, slinking around in tattered, tight cutoff jeans or one-piece dresses designed to show off their pert breasts, to die for figures and doe-like "Say Yes" eyes. Why the rednecks would want to kill someone who looks like a Centerfold of the Year is perhaps best left unquestioned lest the answer point in the direction of the hog pen. In spite of it's outward stupidity and complete lack of good taste (including the musical score, which is like bad Ry Cooder on the cheap) the film is actually pretty well-made, with competent if uninspired cinematography that always seems to find room in the camera angles for a stunning view of Ms. Jennings' derrière as she stretches and strains against what's left of those tattered cutoff jeans. That the film inspired a sequel ('GATOR BAIT 2: CAJUN JUSTICE) is not surprising, and with any hope it will be at least as objectionable, thick-skulled and shamefully entertaining as this. One can only hope ...6/10: To be watched in the company of loud friends with plenty of beer.