Stevecorp Don't listen to the negative reviews

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

digiteum I am reminded that we are all slaves in this world, with Christ, but the true victory is freedom in Christ Jesus.

thomborden As an elementary music teacher that grew up in the church, I was surprised by the lack of historical research regarding the music chosen in this movie. Within 20 minutes, discrepancies musically began that bothered me as a music educator. The fact that John Newtons betrothed sang It Is Well in the church after leaning that her love would travel to Africa is completely impossible given that the year was 1748 and the song wasn't written until the late 1800's. I know this partially because of my childhood in the church and the fact that I later moved to Chicago as a young adult. The song was penned after the the great Chicago Fire, as a young lawyer lost much including his song. Later, in 1856, as Cuba Goodings character is met by their second encounter, a duo sing I'm ON My Way (to Canaans Land), I am once again disappointed by The lack of historical accuracy as this song was penned by the great Mahalia Jackson. She wasn't born until 1911 (died 1972 in Illinois).As a music history buff ... Was there no one that could simply give this information ,that is so easily available, to the film people to provide a bit more accuracy to the film?

subxerogravity A family of runaway slaves head for Canada on the Underground Railroad, along the way, the eldest tells the story of how the family came to America and how they first found faith.It feels like a passion project for Cuba Gooding Jr. who produced the project as well as acted in it. It was worth it.The movie does not hold back on what a dark time slavery was, which made it all more inspiring watching this family escape from it. Along the way, meeting such famous figures as Fredrick Douglas. I'm not to big on religion, so the whole Christian thing did not appeal to me at all. Cuba plays a man who gave up on God (which I feel is understandable for a slave) While the rest of his family believes that God is guiding them to freedom. I also was disinterested in the sub story of a the ship captain that reluctantly brought slaves into the States. The whole thing at times acted like a bad Broadway musical which was unattractive.Overall, it's hard to find a movie about slavery enjoyable, but I did. It was a very realistic look at the subject and worth taking a look at.

Peter Young Australian musical theatre star, Peter Cousens, has reinvented himself as a film director, and his debut feature is not a cheap slasher horror or gritty suburban crime thriller, but a big budget drama tackling important social and historical issues, shot in the US with a big name cast. Aspiring filmmakers should be jealous. I know I am.Coming hot on the heels of Django Unchained and other slavery themed productions, it is easy to dismiss Freedom as Twelve Years A Slave-Lite but Cousens' feature is a very different creature altogether.Screenwriter Timothy A. Chey runs two plot lines in parallel. The first is set in 1856, following slave Samuel Woodward (Oscar winner Cuba Gooding Jr.) and his family as they escape from a plantation in Richmond, Virginia and begin their dangerous journey to Canada on the Underground Railroad. Not far behind throughout their journey is slave hunter, Plimpton (William Sadler).Almost 100 years earlier, we meet ship captain John Newton (Bernhard Forcher) who is struggling with his faith and conscience as he transports slaves, including Samuel's great grandfather, to the New World.This reviewer found the second plot line to be the least effective. Although developing a human connection to his cargo through a series of incidents at sea, Newton's final expression of kindness is to pen the hymn, "Amazing Grace", not save anybody from their hell-like future existence. I suppose the song does provide Samuel and family some comfort and motivation a century later. It may also have helped my understanding of the film had I been aware that John Newton composed the iconic song. Pardon my ignorance, I assumed it was written by God.Samuel's tale, on the other hand, is a gripping tale of escape and near recapture, and I was willing Gooding Jnr. and co to get across the border throughout the whole 98 minute runtime.Although not a musical, Freedom uses music, in particular singing, as a metaphor for the humanity that we all share. I was moved by some of the numbers, sung in their entirety, such as the joyous singalong between the escapees and a troupe of theatre performers, including Australian musical theatre headliner Tony Sheldon. Less successful were a few songs, performed out of context, musical theatre style, especially Samuel's wife Vanessa (Sharon Leal) breaking into tune whilst walking inside a church. The result was being snapped out of my engrossment and remembering that I was watching a film.Freedom was shot on location in Connecticut. It looks beautiful, courtesy of cinematographer Dean Cundey (Back to the Future, Apollo 13).The cast is wonderful. I have no idea how Cousens' managed to enlist such a lineup for his first feature. Cuba Gooding Jnr. really delivers in his best performance in years as his Samuel struggles between the choice of revenge or freedom. William Sadler is capably menacing as a slave hunter with ethics. Even one of my favourites, Terrence Mann (The Dresden Files, A Chorus Line) makes an appearance.Peter Cousens has concocted a beautiful and haunting film which will appeal to a "Best Exotic Marigold" audience. Despite its religious undertones which frankly did not bother a non-believer like me, Freedom still has plenty to say about slavery, an issue which is just as relevant now as it was in 1748 and 1856.