Connianatu How wonderful it is to see this fine actress carry a film and carry it so beautifully.

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

wes-connors As proprietor of a Hollywood "Escort Bureau", Betty Compson (as Ruth Ashley) procures young men and women for paying customers. The kind-hearted madam has kept her business a secret from fetching young daughter Margaret Marquis (as June Ashley), who spends her time in finishing school. But, things get complicated when innocent Ms. Marquis goes home to live with Mother Compson.Marquis' good-looking fiancé Robert Kellard (as Drake Hamilton) also arrives. Soon, authorities move in on the racket run by Ms. Compson and partner Wheeler Oakman (as Gregory Stone). Fiancé Kellard goes undercover as a male escort, to investigate the area's illegal trade. Guy Kingsford (as Breeze Nolan) is the ringleader."Escort Girl" is a chance to see former silent screen great Betty Compson in a later years role. And, a generous scene features women in various stages of undress. Sporting a figure you won't forget, the dancer in pasties is a titillating highlight. Handsome gigolos Kellard and Rick Vallin are kept fully dressed.**** Escort Girl (1941) Eddie Kaye ~ Betty Compson, Robert Kellard, Margaret Marquis

sol1218 **SPOILERS**Shocking expose of the sleazy escort business back in the 1940's and how it destroyed those who were involved in it without even knowing it! Having nothing but the best in life young June Ashley, Margaret Marquis, didn't know that her mom Ruth, Betty Compson, was running a string of escort services, using both men as well as women, in and around L.A and its suburbs. It was when June together with her fiancée Drake Hamilton, Robert Kellard, paid her mom a surprise visit that the awful truth was to come out. What Ruth and her partner in the escort business Greg Stone, Wheeler Oakman, were to soon find out is that Drake is working undercover for the the L.A district attorney, who just happens to be Drake's dad, to gets the goods on the escort racket and put it, together with sleaze-balls like Ruth & Greg, out of business! Getting the jump on Drake in him knowing what he's planing to do Greg sets up Ruth's unsuspecting daughter June in a sting that Drake, and the D.A's office, is setting for him. Posing as a male escort-A greasy gigolo-Drake is stunned to find out that his first woman costumer is non-other then his fiancée June Ashley herself! This all leads to June to walk out on Drake feeling that he's running around with other women and Drake, who didn't know that this whole scenario was set up by the sleazy and manipulative Greg Stone, feel that June, not himself who was undercover as a gigolo, was working for Greg as one of his escort girls!The biggest fireworks in the movie are left for last with June now dead drunk, courtesy of Greg providing her all the free booze, confronting her unsuspecting, who showed unexpectedly, mom Ruth Ashley at Grege's penthouse! Thinking that Grege is cheating on her behind her back, until she realized that the "other woman" was her own daughter June, Ruth has it out with Greg as Drake, also unexpectedly, shows up! What happens next is is just too shocking and mind numbing to put down on paper! You'll have to, by getting a hold of the DVD "Escort Girl", see it, if you can keep yourself from cracking up from laughing, for yourself!

preppy-3 Movie about a sweet young girl named June (Margaret Marquis) who doesn't realize her mom helps run an escort agency with sleazy Gregory Stone (Wheeler Oakman). The problem is she's madly in love with tall handsome Drake (Bob Kellard) who's investigating the escort agencies and Stone will do anything to stop him...The acting is pretty bad all around (although Isabel La Mal as Snuggles is amusing), the story pretty unbelievable and the print I saw on TCM was in VERY poor shape (there were so many jumps in it I almost gave up watching a few times). Still even a pristine print can't really make this a good film. It's not bad but it's hardly good. For what it is (an exploitation film) it's not bad. There's a few scenes of the escort girls lounging around in their underwear and there's a quick and (for 1941) pretty explicit striptease. Only her top comes off but that was pretty risqué back then. It's watchable and somewhat amusingly dated--the rate for an escort girl back then was only $10.00! They don't have sex though unless you pay $20.00!!! An OK exploitation film for its day.

django-1 While this film is not as sleazy as SLAVES IN BONDAGE or GAMBLING WITH SOULS, two earlier films that featured star Wheeler Oakman as a pimp, ESCORT GIRL is slickly made and well-acted by a wonderful cast, and while it doesn't "show anything", it does have a seedy, dirty feel to it, even though it's not unlike a studio-bound, low-budget Grand National crime drama. Oakman, great as the heavy in so many westerns, gets a meaty role as the co-owner of a sleazy escort service, co-run with Oscar nominee and major star of the silent era Betty Compson. Compson's daughter, who has been attending fancy boarding schools in other states, does not know what business her Mom is REALLY in, and suddenly appears out of nowhere. When Compson and Oakman learn that the daughter's boyfriend (Robert Kellard, featured in some classic serials, and playing the title character in the 1947 Columbia serial TEX GRANGER) works for the District Attorney's office, things start to get complicated. It's a joy to watch two pros like Compson and Oakman work--Compson's monologues about motherhood and the dirtiness of the escort business are delivered as if they were great literature. Also, this film LOOKS great. The VHS transfer looks as if it were shot yesterday. There's an incredible plot complication about two-thirds of the way through the movie that I won't mention, but is amazing, and the drunken "confession" after it is classic. In addition, the great screen drunk Arthur Housman stumbles through one scene, and Rick Vallin is priceless as a gigolo who is stuck with an elderly but rich lady as his date, night after night. It's a running gag throughout the film, and Vallin plays it to the hilt. I've probably watched this film a dozen times over the years. It's not as sleazy as other exploitation films, nor is it weird like a Dwain Esper film--it's VERY competently made. It just has a strange appeal to me. Perhaps it will have a similar effect on you? Fans of Wheeler Oakman or Betty Compson will not want to miss it.