ada the leading man is my tpye

Chonesday It's one of the most original films you'll likely see all year, which, depending on your threshold for certifiably crazy storylines, could be a rewarding experience or one that frustrates you.

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Eric Stevenson Oh, what a delight to begin TV Month with the first ever movie based on a TV show! Yes, that's right! This was based on the popular show "Dragnet" and it's too bad seeing as how I have never seen the original show. I think it might have set some record for prime time show with the most series revivals. I got to poobala's crossover website enough to know that. Anyway, this movie was well, good.I'm surprised that the first would be in color and the color is quite nice. I admit it does run into the problem of seeming just like a long episode of a show. I will however, forgive that a bit seeing as how this was the first ever movie based on a TV show. The plot probably could have been bigger, but this is still well acted. It's great how consistently serious this movie is. While not a classic, I'm glad to have come across it. ***

Albert Mazeika 1954's DRAGNET is well-cast with Jack Webb's stock company, plus a pre-PALADIN, Richard Boone and pre-CHESTER on GUNSMOKE, Dennis Weaver. However, the plot takes WAY too long to get to an ultimately UNsatisfying conclusion. I am a fan of Jack's but I believe this was his first crack at directing a feature and, unfortunately, it shows. Many scenes drag on for too long (the bar room brawl seems interminable) and as a result, the story just plods along. The running time is listed at only 88 minutes, but it SEEMS longer. The crisp, clean pace of Webb's radio and TV DRAGNET episodes is lost in this full-length treatment.

Michael Daly Contains Spoilers With the success of his television series, Jack Webb extended the working territory of Sgt. Joe Friday into widescreen color cinema with the first Dragnet motion picture, scripted by Richard Breen from an actual LAPD case file - complete with realistically detailed rap sheets on the perpetrators involved.Miller Starkey, White Male American, aged 44 - in LAPD lingo WMA 44, with an LA prison number of 106484; bookmaker, gambler, procurer, with no known legitimate occupation, and debt collector for Vegas bookies. Upon hearing George Fenneman's announcement of the truth of the story with name alteration to protect the innocent, we witness the actual commission of the crime in a field near Loma Vista, Third, Wentworth, and Rachel Avenues, as Starkey is gunned down in cold blood by hit-man Chester Davitt and West Coast mafia second-in-command Max Edward Troy (Stacy Harris). This dramatic device was comparatively unused in film at the time, predating by nearly two decades the formula made standard by one of Joe Friday's fellow LAPD detective lieutenants, a man named Columbo.Starkey's record is such that suspects in his killing are fairly easy to identify. The department rounds up Starkey's mob associates, and Friday and Frank Smith have the task of interrogating Max Troy, who despite four hours of often bitter questioning, refuses to admit to anything.Joe and Frank are given 36 hours to find evidence against Troy and his pals or they will have to walk. Despite a heated argument with Deputy DA Adolph "Alex" Alexander (Vic Perrin), the suspects have to be let go when the 36 hours elapses. Friday and Smith, though, continue the investigation, assigning Policewoman Grace Downey (Ann Robinson) to infiltrate a swanky nightclub at which Troy and his pals hang out (and which is covertly co-owned by Troy), and eventually finding Starkey's "work book," a diary of names and addresses of gambling debtors.From their sources the two officers learn that Starkey was badly beaten up and also that gambling debtors visited by Starkey were revisited by other enforcers who never got paid. From Grace Downey they also learn that Troy borrowed the nightclub bartender's car and that there is a package in the glove box that must be disposed of.Eventually Chester Davitt, Troy, and two others are arrested and taken before the grand jury, but the grand jury votes not to indict, which angers LAPD Intelligence chief James E. Hamilton (Richard Boone) enough that Friday and Smith are assigned a bumper-to-bumper tail - which humiliates Troy and leads to a brawl with several toughs.Grace Downey then comes up with a major clue, and wiretap recordings of the nightclub lead Chester Davitt's wife, who has furiously refused to cooperate with police, to suddenly change her mind and finger Troy and her husband, all of which gives the DA's office ample evidence to send Troy and company to the gas chamber. But Max Troy pulls one final fast one on the police ensuring he will never be arrested.

Marta This film is so true to the atmosphere of the 1950's that you could show it in a history class, but it's a lot of fun. Jack Webb is fantastically straight as Joe Friday; he never had a better role. He speaks every word with a cement-like conviction; he's always got a snappy answer for every sarcastic criminal. Everyone in the movie is great, but the standouts are Virginia Gregg as the murdered man's alcoholic and handicapped wife, Stacy Harris as Max Troy, insincere head of the crime syndicate, and Richard Boone as the police captain, who says to his men with angry authority "all right, bumper to bumper tail; get up with em in the morning and put em to bed at night".