BootDigest Such a frustrating disappointment

Spoonatects Am i the only one who thinks........Average?

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

max williams Hot on the heels of what was at the time his greatest film, the dark and beautiful Gamera 3, Kaneko took a breather from the world of kaiju, and directed and co-wrote this adaptation of a popular horror novel. In his own words he wanted to attempt something more focused on human drama.While it the script does occasionally meander, it is refreshingly free of the self consciousness which taints so many similar films, (such as the X-men movies) and its earnest take on the ethics of revenge is served with a fascinating dash of moral ambiguity. What's more, it has a surprisingly powerful emotional core, and one scene in particular was so unexpectedly touching that it brought tears to my eyes.The film's greatest strength is its character development. The heroine, Aoki Junko, is one of Kaneko's most compelling characters outside of the Death Note films. The fine details of her everyday life, -such as the precautions she has taken against her own powers- add greatly to her believability, and her development as a person in response to the plot's twists and turns gives the film its backbone. Her hesitant attempts to connect with other people after a life of solitude are very touching, and provide a poignant Yin to the Yang of the brutal action sequences. Actress Akiko Yada's portrayal of Junko is strong and subtle, wonderfully capturing her emotional torment and moral uncertainty. The secondary characters and are also given a nice degree of ambiguity and depth, and are nicely acted to boot. Of these, the standout is Kaori Momoi as Ishizu, a shrewd, cynically jovial and compassionate female detective. These three qualities are a hard act to balance, but Kaori and Kaneko pull it off nicely. What's more, she gets a ton of awesome lines, such as this gem to a male colleague, "Don't look at me like that, you remind me of my dog."Though the passionate enthusiasm he brought to GMK and the Gamera trilogy is noticeably absent, Kaneko's direction is solid nonetheless. While his pacing could use some tightening, his characteristic uses of crane shots and character mannerisms are effective, and as with his kaiju films, his artistic composition turns what could have been merely serviceable FX shots into beautiful works of art.Speaking of the special effects, they are very impressive. While a few of the death scenes are slightly cheesy and fake, the pyrotechnics are overall spectacular, and the marriage of digital and practical techniques is daring and competent. It may look slightly dated today, but for a relatively low budget film made in 2000, it's an admirable achievement.Sadly, the score by Ko Otani is rather weak. It adds little in the way of tension or drama, and is quite distracting at times. Furthermore, it's a serious disappointment given his usually very high standards, and the magnificence of his prior score for G3. Overall, Crossfire has some flaws, but also enough strong positives to outweigh them. It may not measure up to G3 or the Death Note films, but it's still a well made and entertaining fantasy film with a lot more emotional depth than most of its stable mates.

MartianOctocretr5 The movie has a familiar ring to it: It bears a strong parallel in its primary idea to Drew Barrymore's power to ignite objects (including human victims) with spontaneous combustion in Firestarter. I didn't expect much from this movie, but its originality set it apart from that other movie, and it surprised me.Akiko Yada, as Junko, the character endowed with the gift/curse of the pyro-kinetic power, leads a spirited Japanese cast. A couple of actors over-do their parts, but everyone is convincing. Naturally, as more and more people learn the truth about Junko's power, several different individuals pursue her, each for opposing reasons. Junko herself is a pursuer, seeking vengeance against a killer. Many back stories, and the competing characters make for an involving story that moves quickly (and often violently). Those who would exploit her power are in abundance.Many innocents are close to the action, too, making for a good, suspenseful plot. It has a strange ending, which provides for a good discussion of what it meant with someone you viewed the movie with. This movie blends elements of suspense, science fiction, romance, and action very well.

rstef1 Sorry about the pun, but I really did enjoy this Japanese take on Firestarter. The acting is uniformly excellent, especially by lead Akiko Yada as the pyrokinetic Junko, and Kaori Momoi who gives a wonderfully atypical and original performance as Inspector Ishizu. The film has so many nifty plot threads that I scarcely knew what to expect next. It begins as a typical Carrie-type shocker, becomes a tragic romance, then veers into crime drama by introducing a gang of thugs who appear to kill for thrills. After that, we have a few plot twists which involve snuff films, a corrupt police chief and a mysterious band of vigilantes named the Guardians. That's a lot of plot for a horror thriller, and the movie carries it off beautifully leading to a final, explosive and exciting showdown in an amusement park involving all the lead characters.The special effects in this movie are among the best I have seen, absolutely impeccable, and this helps the film considerably. The pace may seem slow at times for western audiences used to breakneck action, but it pays off by making the action scenes here stand out and resonate with the audience. At almost two hours, the film is long, but it is packed with enough interesting characters, events and revelations to keep most viewers thoroughly entertained.

uncleseven Crossfire, or Pyrokinesis, is a movie made by the person who resurrected the Gamera movies. If you have seen any of those, you know what Shusuke Kaneko can do with old ideas.This calls to question if Crossfire is a some sort of remake of Firestarter. The answer to this was best given by the director who stated that he was well aware of the movie Firestarter while making Crossfire, but didn't want to do a remake. Instead he was going for more of a mature story focusing on the character emotions to a greater extent, and leaving the pyrokinetics as a secondary aspect. The good news is that he succeeded. Crossfire provides characters that are very complex. Often in asian cinema the hero is not just your average "good person" as in many American movies of this type - instead you have someone walking in a sort of grey zone. This is the case with the lead character Junko. What she does to exemplify this is... well.. watch the movie.Needless to say, I liked the film a lot (even with difficult to read subtitling - white on white sometimes.) There has been a lot of crap following in the footsteps of The Ring trying to be Japanese horror hits, but Crossfire stands out with its engaging storyline and amazing special effects.