GazerRise Fantastic!

Peereddi I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Sammy-Jo Cervantes There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

don2507 Le Capital follows the course of a newly-appointed CEO of a hypothetical major French bank with global reach. The protagonist is a smart, ambitious and hard-nosed executive, but the constant pressures he faces at the helm of Phenix Bank from his board, which didn't favor his taking command but feel they can control him, from his employees who are unclear as to the direction in which he wants to take Phenix Bank compared to his cancer-stricken predecessor, and most keenly from his shareholders, particularly a U.S.-located hedge fund, almost want to make you sympathize with him. But his ruthless, hard character and the cold but correct way he treats his family ultimately prevents this identification. (I've read that the actor portraying the CEO is a comedian on French television so this must be quite a switch for him.) The heart of the film is the pressure that the American hedge fund, as represented by a character who would put Gordon Ghecko to shame, places on the CEO to initiate drastic actions to pump the stock price. Apparently, the hedge fund has acquired a dominant position in Phenix's stock that enables it to virtually dictate policy to the bank, or at least to this CEO. Of course the dictation is smoothed by the fact that he's promised huge bonuses to implement these "suggestions". The initial directive is to fire 10,000 of the bank's employees which he does gratified by the promised bonus and seemingly unconcerned by the fact that "his" bank does not appear to have an excess labor force. The final "directive" is for Phenix Bank to make an acquisition of a troubled Japanese bank with poor assets. At last some resistance begins to form in our CEO because he senses he'll be the "fall guy" for such an ill-advised acquisition and that the adverse impact of such an acquisition on Phenix's stock price would apparently enable the hedge fund to acquire complete control of the bank at a cheaper price. (One could nitpick and say that the filmmakers in their anti-capitalist bias are confusing corporate raiders who do hostile takeovers with hedge funds who are content to be "activist" investors and prod the company's management and not manage the company. Moreover, why would the hedge fund want to manage the troubled assets of the Japanese bank as part of the larger Phenix Bank, particularly if they were acquired with cash most likely burdening Phenix Bank with much increased debt? A stock-for-stock exchange might affect the target bank's shareholders with a lower value for their stock.) What the CEO ultimately does about the Japanese bank and his erstwhile hedge fund friends I'll leave for those who choose to view this film. I, for one, enjoyed it. I found the banking scenes to be interesting and the characterizations to be provocative although in some cases over the top. For non-French speakers like this English speaker, I think you'll need to go back a bit a number of times on a DVD to refresh the sub-titles in order to follow the financial ramifications of the plot.The filmmakers' attitude toward high-finance capitalism is most apparent in an amusing but over-the-top scene where our banking CEO says in an opulent boardroom among well-dressed board members that our new paradigm is to "rob from the poor and give to the rich" to which he's met with enthusiastic applause. I'm sure the vast majority of bankers don't believe this or follow this goal explicitly; however, their actions may sometimes indeed perform this transfer of wealth, e.g., the LIBOR interest rate manipulation which served to enrich banks and their usually wealthy shareholders (but also including 401k holders) but increased the cost to homeowners with variable-rate mortgages. I would guess the basic question underlying films like "Capital" is whether economic systems like capitalism promote the kind of greed and exploitation we see in "Capital" or whether greed-filled and exploitative people perform their misery in any kind of system (for you socialists out there, socialism did not really end greed and exploitation; it was just manifested in another form, the form of political power and perks). Perhaps the filmmakers' message is that financial capitalism allows monetary greed to be more fully realized.

movie reviews A French banker outplays the hedge funds and other crooks at their own games and ends up on top.Fortunately the film has no heavy left wing message--in fact if it has any message it is that high finance is a game like the video games kids play.I found it refreshing and different.....The bad guys look too much like bad guys...ruffled hair...ugly expressions ...take of 1 star for that hence a 7 instead of an 8.The part with the prostitute/model was funny--she got her just do.RECOMMEND

ElMaruecan82 It's interesting that Costa-Gavras chose to make a personal diatribe against finance through his "Capital" since he's most renowned for his politically-oriented themes that contributed to such memorable movies as "Z" or "Missing". I say 'interesting' because "The Capital" reminded me of another finance-themed film from another political director: Oliver Stone's "Wall Street", THE movie that summed up the inner amorality of finance through the iconic : 'Greed, for a lack of better word, is good'I wasn't surprised that the political director made his cinematic "J'accuse" against finance, since it proved to be true ruler of our liberal world, whose only alibi for existence is to pretend there's no better alternative. After the economical crisis, the Goldman Sachs and Bernard Madoff' cases, after the French President claimed to have made finance his enemy, finance was definitely political matter, and if Costa-Gavras makes a film about it, it's certainly worth our attention. The question is: what would the film show that "Wall Street" didn't? (and this comes from someone who didn't even watched its sequel, "The Wolf of Wall Street" or "Margin Call", not yet)I expected the most overused clichés from "The Capital", the young ambitious yuppie (Gad El Maleh) riding a fast ascension, his discovery of a world of corruption, lust and greed, ethical dilemmas, probable redemption etc. And the casting of Gad El Maleh didn't comfort my thoughts. Gad (as he's generally called) is one of the most popular comedians in France, but his transition from stage to cinema didn't bring much positive results. His "Chouchou" and "Coco", both cinematic adaptations of popular sketches were critically panned, much more; Gad never really struck as a serious comedian, and was never considered an equal to Jean Dujardin or Vincent Cassel, to give you an idea.Then I looked at the trailer and was already cringing at his crisped face, he was obviously trying to inhabit the gravity of the subject by playing the tough-guy, and if it doesn't work for Di Caprio, it's even worse for him. The trailer gave away the most archetypal situations, the corrupt bankers, the cynical American, the sexy top-model, the fast-paced editing and the obligatory round trips between Paris, New York, London and Tokyo. I really didn't expect much, and watching the film was almost accidental. The film was a commercial bomb, and even Gad's popularity didn't help, or were people tired of the subject? I guess I wanted to see where I would stand for, and my expectations were so low they could only be positively contradicted.The first good point relies on the straight-forward narrative, Marc Tourneuil (Gad El Maleh) is not the Boy Scout that would make a perfect puppet for his hierarchy: he understands the malevolent schemes behind his nomination as a CEO of Phenix bank, replacing the former, cancerous President. He knows he has the opportunity of a lifetime to win money and be the master of his own actions. That's a first deviation from the usual 'selling-soul-to-the-devil' plot and it was quite refreshing to see a character who already embraced the cynicism of his environment. The film turns immediately into a chess game involving Tourneuil, the board members, the head of an American hedge fund (Gabriel Byrne), and in a zero-sum game, we expect only one winner.Indeed, it doesn't take a MBA degree to understand the plot, complex but not contrived. In a nutshell, it's all about finding the tricks to distract the French government from a plan of mass-layoffs in order to increase Phenix' profitability, there are many cases of insider trading, of political maneuvers, fiscal exits and such expectable lines as 'money never sleeps'. The film tries to cover every aspect of finance, succeeding by not making it feel too forced or cliché. However, this owes more to the story than the acting or the script. Gad delivers a fine performance but there are moments where his character didn't exactly know what to do, and I suspect it was the actor lacking the right direction. Gad proved to be an actor of fair capabilities and his performance alternates between some powerful outbursts to awkward lines' deliveries where he's never totally Gordon Gekko, and can't convince as a Buddy Fox.It's regrettable because Costa-Gavras had the material for a good film, not the most subtle one, but for a gripping thriller and fair entertainment. Yet he polluted it with some unnecessary subplots such as a dull romance with a top model. The film skates over the difficult compatibility between Marc's job and his private life, there are some moments with his wife and his family that could have been fueled with more energy and self-questioning, after all, wouldn't we be interested to see a businessman with a family, for once he's not the lone wolf, young and single. Marc's wife could have added more to the story, allowing her to deviate from "Wall Street" formula but she was too underdeveloped and it's only between Gad and Byrne that the script revealed its few strengths.Now, I'm more perplexed regarding the fourth-wall breaking moments. It might be a promising concept on the paper to have the protagonist address us, making us wondering if he's really enjoying or disdaining the game he's playing. I think it's up to the actor to make the thing believable or out-of-place, it worked at the ending of "Goodfellas" because Ray Liotta had that liveliness in his eyes, the intensity in the narration that immediately grabbed our attention. Gad talks in a too much laconic voice and really seems like reading lines without believing in them. Anyway, I expected more flamboyance from a modern Robin Hood.These technical aspects highlight the flaws in the script, that mixed up the words 'insightful' and 'preachy', whether it's to tell us that finance is bad or necessary (or both), we simply wonder if there is something the film shows we didn't already know.

rightwingisevil Let's continue to rob the poor and make the rich richer!" this is what about the modern day banking and financing (undre)world, banks are just like Mafia, bankers Mafiosos, banks' CEO in private jet doing country hopping, hiring retired cop to do the dirt-digging and trashcan/dumpster diving jobs, committing some adultery flirting with high priced model- hooker, back-stabbing while self defense, behind the door deals, estranged to parents, wives, kids, fence off hostile takeover, firing the employees as many as possible, no gender and age are safe, laying off more, the stockholders will be happier and the stock will be rocketing. so, indeed "money is not a tool but a master, serving him well and he'll reward you generously". so let's continue to rob the poor blind and serve the rich loyally. what a great movie, very tense and thrilling, great montage, lot of exotic locations in different countries. this is a very nicely done movie, quite worth watching.