Body Snatchers
Body Snatchers
R | 28 January 1994 (USA)
Body Snatchers Trailers

When Environmental Protection Agency inspector Steve Malone travels to a remote military base in order to check for toxic materials, he brings his family along for the ride. After arriving at the base, his teenage daughter Marti befriends Jean Platt, daughter of the base's commander, General Platt. When people at the base begin acting strangely, Marti becomes convinced that they are slowly being replaced by plant-like aliens.

Reviews
TinsHeadline Touches You
MamaGravity good back-story, and good acting
Dorathen Better Late Then Never
Inmechon The movie's only flaw is also a virtue: It's jammed with characters, stories, warmth and laughs.
navinshynas I never seen a worst movie like this..Acting sucks and this movie have no logic.My 2 hours time got wasted 😈.My Suggestion is not to watch this movie.I expected more N Atlast I got disappointed.Mart i character is gud and his Father acting is not bad.In Horror Plot Not worth movie to watch.
Anonymous Andy (Minus_The_Beer) Because every fifteen years or so Jack Finney's seminal novel, "The Body Snatchers," is apparently required to be re-adapted to the big- screen, we have been treated to some versions that are absolutely iconic (1978) and some that are downright awful (2007). Riding the middle lane is Abel Ferrara's 1993 digression, simply titled "Body Snatchers."Set on a military base, "Body Snatchers" is notably different from other versions of the story in more ways than one. Because of its isolated (and often one-note) locale, the plot feels slightly claustrophobic and, at a breezy 87 minutes, a little half-baked as well. A change in pace, this version of the story concerns an EPA agent (Terry Kinney) and his family, who are stationed at the aforementioned base. Naturally, an alien life-form has slowly crept in, turning his already dysfunctional family against one another. Meg Tilly plays his wife, who is given perhaps the film's most interesting dialogue (it's all about that chilling "Where you gonna go?" speech). Teen daughter Gabrielle Anwar, meanwhile, mashes up with a few locals, which happens to include a walking cliché gen-Xer played by Christine Elise. This piece of the plot doesn't really add up to much and only distracts from the tightly-wound story. Maybe they were trying to play to a younger audience? At any rate, it doesn't really do the film any favors as, aside from the always-game Elise and charming Anwar, the other teens/youngsters are almost as cold and lifeless as the husks left in the aliens' wake.In spite of its flaws, the film is really quite basic in a charming way yet it's all over seemingly just as it starts to gain momentum. Abel Ferrara's direction is, erm, able. With the look of a Tony Scott or even an early Michael Bay production, his film is perhaps the most stylized of all the "Snatcher" films and most definitely a product of the '90s. The special effects are the true star here, with some truly grotesque stuff including the birth of the "pod people." None of this improves on the 1978 version, which is arguably the best adaptation thus far, but as a keyhole, glimpse into a small story taking place within a larger event type film (think "10 Cloverfield Lane"), it works quite well. If you find this one languishing on a shelf, collecting dust, it's certainly worth snatching up.
burgerkalif Meg Tilly is phenomenal, as well as disturbingly sexy, as the cold and distant pod woman. Otherwise, this movie is silly, poorly scripted, way too fast-paced, has characters you never really care for, nearly none of the cleverly, slowly built-up paranoia and tension that made the '78 version so damn effective and engaging, yeah the list goes on ..First of all, choosing an army base as the location for the movie was a downright ridiculous idea .. I mean, soldiers are pretty much supposed to be cold, adhere strictly to conformity and suppress individuality already .. So how are you gonna tell the difference between humans and pod people?? This kinda defeats the entire purpose of the film, I think ..Then there is the pacing .. It simply moves on way too fast and abruptly. When Meg Tilly is transformed, no one except the little boy who saw the transformation first hand seems to notice it -- only when it becomes alarmingly clear that something isn't at all as it should be (when she gives her famous speech: "there's no one like you left"). Where is the growing suspicion, the fear and self-doubt that the '78 version portrayed so well? I guess there was no time for that in this version, as it moves from 'building-up tension' to 'fast paced action with no time to think' like all of a sudden, and way too abruptly .. And no time to actually get to know your protagonist family and learn to care for them .. Almost the entire family is wiped out by the pod people, and it didn't really get to me .. Unlike the '78 version, where both Elizabeth's and Matthew's transformations were absolutely horrifying ..4/10
Ben Larson In this remake of a classic, they used Bad Lieutenant and King of New York director Abel Ferrara, and cast the young beauty Gabrielle Anwar (The Librarian: Return to King Solomon's Mines) and "thirthsomething" Terry Kinney in the leads.Kinney went on to do The Laramie Project later and was fantastic. If you want conformity, then setting your movie on a military installation ensures that you have an easier time of it. Younger people will love this version, but just updating to modern techniques and special effects doesn't always make for a better picture. Skintastic Moment: Great view of Gabrielle Anwar's ta-tas waking up on a stretcher.