Black & White
Black & White
R | 07 December 1999 (USA)
Black & White Trailers

Chris O'Brien, devote Catholic and rookie cop with LAPD, is assigned to partner with the hard-edged, street-smart Nora Hugosian. A serial killer is loose, and all the victims are low-life guys whom Nora has dealt with. So, when the tire tracks of a police car are found at a murder scene, she's the prime suspect of internal affairs investigator Simon Hertzel...

Reviews
Joanna Mccarty Amazing worth wacthing. So good. Biased but well made with many good points.
Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.
Yazmin Close shines in drama with strong language, adult themes.
Jenni Devyn Worth seeing just to witness how winsome it is.
Leofwine_draca BLACK AND WHITE is a not-bad suspense thriller with a nice starring role for Gina Gershon, an actress I find extremely underrated in cinema. She gives an edgy performance as a dedicated cop who may or may not be performing some illegal extra-curricular duties as part of her job. Unfortunately the film is saddled with a dull and slightly pious main character but Gershon rules the roost and livens things up whenever she's around.The always interesting Ron Silver plays in support as a chess-playing cop superior. There's lots of sex and steamy content to give this a raunchy feel at times and the expected twist ending. As a film, BLACK AND WHITE passes the time well enough even if it isn't particularly great, which I put down to the low budget.
Crotchety Old Critic This is a real pathetic attempt at a modern-day film noir. The concept was good, but was truly executed poorly! Starting first with:DIALOGUE - Excruciatingly painful. The dialogue between characters was similar to a screen test gone wrong. Some conversations seemed mismatched. At some points in the movie it seemed that conversing characters' lines weren't matching. If this was an editing error, then its an embarrassing one. STORYLINE/PLOT - Very transparent; a person born blind and deaf could see what was going to happen before it happened and is finality. And what was the point keeping certain aspects of the story a secret?!? There was no mystery about this movie whatsoever! (Except the mystery about how it was given the green light) And what was with the ending? It was so asinine, I'm not even going attribute it any space in this review. I will say this: if it was a way of bringing the story around, it was a sad attempt.CHARACTER DEVELOPMENT - Big zero! I'm not even sure who this movie was about. Apparently, the writers hadn't the first clue who the main character was; her or him? And their own story didn't mesh; it was very amateur. Also, I don't really believe that the main character - at his age whose living in LA - is THAT pious and innocent. And let's say - JUST FOR THE SAKE OF ARGUMENT - if this character really was that pious and innocent, he wouldn't break so easily. And if this story was about him I would think that his decline would've been the main focus; perhaps delved into a bit more. But alas, it wasn't. In conclusion: this movie was so pathetically embarrassing, don't tell anyone you saw it.
landress I can be a bargain shopper. I believe that almost any movie is WATCHABLE, and if a title intrigues me in a bargain bin, I'll buy it. I saw Black & White on the discount shelf at Best Buy and decided to give it a chance as I tend to like police movies. Still, it had Gina Gershon, so I was hesitant even at the $5.99 price.It was a surprise though in that it was borderline enjoyable. What held it back was the direction. I feel like there was more to the script that got left out at times.I was expecting nothing so when I saw the opening credits, I was right at that point. The names of the actors, director, writers, producers all flash in and out of a quick, cut and paste scene. That was a horrible start to the movie.The beginning was equally horrible. There was the scene in the apartment that did not fit at all at the time. It seemed as if it was an excuse for Gina Gershon to appear semi-nude yet again. It drug on forever at the beginning.It isn't until the end that everything begins to fit together and you see the purpose of some of the earlier scenes. The final 30 minutes lead you one way, only to reveal a nice little twist to end the movie.If you can sit through the first 40 minutes without turning away, it will be well worth it. Gershon gives the best performance of her career, although I'm not sure how much that really says. The script is well written at times, and seems like filler at times. The direction was some of the worst I've ever seen, however, and that really limits the impact of the ending.
loretta-6 Every once in a while, a terrific movie slips through the theatrical cracks (and I mean, CRACKS) and ends up shining on cable and video. "Black and White" is exactly that, a diamond in the rough of the video shelves. Tightly and smartly written, gripping, stylish, and atmospheric, this is a perfect counterpoint (is that the word?) to the generic shlock we're getting accustomed to. The performances by Gina Gershon and Rory Cochrane are first-rate. (A big surprise in case of Gershon, who judging by previous efforts and the current TV "Snoops" is no Meryl Streep -- but here, apparently due to top-notch directing, she glows and penetrates). But the real find here is Cochrane -- a striking young man, who oozes talent, not unlike the young De Niro in, let's say, "Taxi Driver". Clearly, this movie didn't have the budget of, say, "Double Jeopardy". But, scene for scene and pound for pound, it's more surprising, entertaining and riveting than that overrated dud. Kudos all around.
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