Exoticalot People are voting emotionally.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

JohnHowardReid A really weird, big-budget "B" movie now available on an excellent Columbia DVD, "Black Moon" is a must-see for all Fay Wray fans, despite Jack Holt's lack-luster lead and the fact that Dorothy Burgess has the more important femme role. Tension and a mounting sense of horror is admirably built up by Roy William Neill's atmospheric direction and Joseph August's moody black-and-white camera-work. Oddly, no art director is credited, despite the large number of sets, so presumably standing sets were cleverly made over. I wish someone would make a trip to Nevada and interview Cora Sue Collins who compellingly steals the movie from the adult players as the young Nancy Lane who triggers most of the action.

MauveMouse These old voodoo films are strange fruits, I love them a lot though they're not particularly respectful towards the aboriginal population inhabiting the exotic far-away places which in the era were mostly fictionalized as destinations of great adventures but especially of great dangers. Blatantly racistic, and terrifyingly simplistic in their exploiting of the occult edges of voodoo as weapons of the natives, seen as barbarian beasts, against the white race, they stand as fascinating curiosities of the horror and mystery cinema of their times. Years before I Walked with a Zombie, we have here a white woman ''zombified'' in the original and accurate meaning of the term, hypnotized, drugged, and occultly manipulated into a being of voodoo folklore, a bloody queen performing dreadful rituals which include human sacrifices. There is no sympathetic approach towards the so-called ''savagery'' of the natives, so, by immediately associating with them, the white woman is seen as an enemy turning against her race, beyond redemption for her family and friends. Even her husband turns against her while she fiercely embraces the islanders' ways. For those who believe old black-and-white films are tame, there's a lot here to make one's skin crawl, including matricidal intentions which I consider it to be the most terrifying element of the film. In a role that's too small for her talent and charisma, Fay Wray is, as always, a delight on screen though her character is diminished in intensity by the restless lady of the house who metamorphoses into a murderous voodoo priestess. It is obscure compared to other classics of the genre, White Zombie or I Walked with a Zombie but it stands on its own and delivers a frightening, completely politically incorrect, tale of exotic voodoo mysteries

MartinHafer This is NOT a particularly deep film nor will it impress film snobs. After all, it's about voodoo and human sacrifice! However, in a very low-brow sort of way, it is entertaining....and a bit dumb.The film begins with Dorothy Burgess banging away on tribal drums in her home in America. She is an amazing drummer, as her arm motions and the drum sounds aren't the least bit in sync--making her very special indeed (or it makes this a sloppy B-film). It seems that this lady is a bit nutty and longs to return to the Caribbean island where she'd lived years ago. However, her husband (Jack Holt) is apprehensive--especially when her family on the island is telling her NOT to come there. But, despite the warnings, this goofy acting lady goes to the island--and immediately resumes her involvement with a local voodoo cult! It turns out she is actually well-connected with these natives and everyone around her thinks she is nuts. However, she is far, far more disturbed than everyone thought, as this strange religion practices human sacrifice--and Burgess is more than willing to comply with their orders--leading to a really cool finale.In addition to Burgess and Holt, Fay Wray was also a star in this film---though she really didn't seem to have much to do. Her part was ill-defined and rather unnecessary. As for Holt, he was more wooden than usual. In fact, none of the performances were that good. But, because the film was so cheesy and silly, it did keep my interest.

The_Void I'm not sure, but Black Moon may be the first horror film to be set in the West Indies and focus on voodoo. Of course, it would be the Val Lewton/Jacques Tourneur film I Walked With a Zombie that would go on to become the best known early example; but Black Moon is still a worthy effort. The plot focuses on a woman born in the West Indies. She left at the age of two when her parents were sacrificed in a voodoo ritual, but apparently she is under some curse and decides to return to the island. She takes along her husband, nanny, daughter and his secretary and upon returning to the island, is elevated to the level of a God by the locals; which leads to danger for her family. The film was obviously made on a low budget as it all looks very cheap throughout. This improves once the film reaches the West Indies as the location shoots take some of the focus off the cheap looking sets seen earlier on in the film. The film is very slow burning and takes a while to get going, but once it does it's constantly interesting. Director Roy William Neill (who would of course go on to become best known for his Sherlock Holmes films) does well at implementing the atmosphere needed to ensure that the film is successful. It has to be said that there isn't a great deal of tension in the early parts of the film; but this is made up for by the ending which is strong. Overall, I wouldn't quite say that this film is a classic; but it will certainly be of interest for fans of thirties horror.