Sexylocher Masterful Movie

Dorathen Better Late Then Never

Intcatinfo A Masterpiece!

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

guisreis Carnation Revolution is one of the most beautiful chapters of World History in the XXth century and Portuguese movie "April Captains"matches it. Maria de Medeiros's movie is beautifully filmed. Cinematography is amazing, with great frames, both aesthetically and creatively. Besides a brutal opening and some other violent situations such as the one inside the public bathroom and a "Full Metal Jacket"-style scene, there are also many funny moments. Off course one cannot help but becoming touched as people are shown supporting freedom. The image of people putting carnation flowers in the barrel of the guns, which gave the name to the revolution, is also shown. "Grândola Vila Morena" song was an anthem for revolutionaries and it is heard many times during the whole film. Italian actor Stefano Accorsi and French actor Frédéric Pierrot are great in the leading roles. Both for its content and for its artistic realization, "Capitães de Abril" is a film to make all the Portuguese people proud.

dadie Principally it is the story of two men who were part of the Portuguese revolution. It was easy to understand the contest, but usually directors starts from a historical fact to speak about something else, or they shows also the period before or after this fact, here everything happen during that couple of days when the revolution acts. It could also be seen as a kind of documentary. The movie focalize to these two people, showing as normal they were, not like common heroes, because the revolution come from people. Although it was made from military army from the title you can understand that they were just "capitaes" as the main characters. Nice colors and lights during the whole movie, excellent work for the director being her first movie, she doesn't fall to the banal way. Well shown emotions and passion of people and crowd. The character of Maia (main one)is well-made and there is also a good interpretation for Stefano Accorsi, able to show Maia's limits, this not-being an hero.

Oskado Okay, I'm not going to critique this film in depth. I note the many elogious reviews in advance of me, and as I generally like Maria de Medeiros, I have been long hesitant to make a disparaging comment - and in such fashion nearly a year has passed. But each time I see that DVD on my shelf, I sense an inner groan. Anyway, let the elogious voices override me! But for other cinephiles like me - beware.Expressed in simplest and gentlest terms, here's my stance: The political turmoil and overthrow providing the backdrop for this film also served as a backdrop for a certain period of my life - via newspapers I read daily in my local middle-European pub. At that time, I followed the newsreports, but never fully grasped what the heck was transpiring. The reporters tended to report either in non-partisan terms, or with a conservatism which frowned upon any groups disturbing the peace or fomenting rebellion against the establishment. Those were times when other winds of unrest swirled through Paris, Berlin, Prague, and various places in the U.S., all of whose issues I understand clearly at the time - but dictatorship or not, my papers tended to treat the govermentment of Portugal simply as the establishment - not as a well-fleshed out "evil empire", to use flippant Star War terms.So, week after week, I read of disturbances, but never found an intelligent editorial that might provide the history behind them, or evaluate the practices and social-economic impacts of the dictatorship, etc.So, in purchasing this film, I had at least two hopes: to finally understand the details leading up to the social unrest, and to enjoy a well-conceived drama. This film gave me neither.The film presupposes that viewers already have ample knowledge and deep emotions regarding the historical facts. And the drama - well, as I said, I want to encourage Maria de Medeiros and the Portugues film industry, but - it was trite and shallow.I obtained my copy of the DVD from France - "Selection Official Cannes 2000 - Un Certain Regard". The box shows smiling clean-shaven actors, the lead giving the victory sign in a fashion that reminds me more of the Playboy bunny. After seeing the work, I wondered what the French could have thought of it - though as a shallow piece of "cinema verite'" with sensitive ethnic content, I can understand their natural inclination to praise it for its "honesty" but...Look at the back of the box: "Un regard chaleuruex sur la Revolution" - a warm regard? Try describing Allende's overthrown and murder with a a "warm regard"! Try it with Czechoslovakia in 1968! Try it with the whole line-up of overthrows, and civil rebellions!Another review: Maria de Medeiros a renoue' avec son pays, son enfance et son histoire." Rubbish, rubbish, rubbish! At least for me. I love Portugal. In all of Europe, Lisbon, Barcelona and Prague are my favorite cities. But my love for a city and a country doesn't flesh out a vacuous film. I'll hang on to my ancient VHS tapes of Capas Negras and A Cancao de Lisboa - meanwhile, I'm stuck with a zone 2 by the above title that might as well go in the trash.

R. J. For her feature directing debut, Maria de Medeiros ("Pulp Fiction", "Henry and June") has certainly taken on a big story: the Portuguese Revolution of the 25th of April 1974. However, the film isn't a history lesson; rather a fictional story that introduces fictional characters and situations into the actual historical facts and places of the day, alongside some of its real protagonists. It's basically a schoolboy comic-book adventure, full of naive heroics and larger-than-life moments, quite well played and adroitly directed; the script is the weakest link, fanning out into a number of parallel stories some of which are rather pointless. The film exudes the contagious energy and juvenile joy of actually living out an adventure (although one might point out that no, the actual Revolution was not an adventure!), and it's precisely that schoolboy-adventure side that, along with its no-nonsense storytelling which adheres relatively faithfully to the actual run of events, is enough to recommend it. .