American Strays
American Strays
| 12 September 1996 (USA)
American Strays Trailers

The desert can be a lonely place for the people who live there or for those who are traveling through. It is also the teller of different stories including the story of a traveling salesman whose only commodity is death and the story of a young man who finds that the death that he wishes for is difficult to find. Others are just traveling through, on their way to another place when they stop to eat at Red's Desert Oasis. The food may not be great, and the waitress may be surly, but those who stopped at Red's will find that they are involved in the showdown of their life.

Reviews
Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Ava-Grace Willis Story: It's very simple but honestly that is fine.
Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Kinley This movie feels like it was made purely to piss off people who want good shows
bkoganbing I think American Strays emerged when somebody got drunk in a film editing class and began splicing together outtakes. Bits and pieces from what could have been whole movies got thrown together to make one really disjointed piece of work.That's all I can say about American Strays. In a sense it's a good title for the movie because it is about strays as the bits and pieces are put together like so much flotsam and jetsam salvaged from an ocean wreck.A couple of the stories looked interesting like John Savage as the serial killer vacuum cleaner salesman, but in the end the whole thing is just a lot of mish-mash.
tedg Quentin Tarantino gets under my skin, where Richard Rodriguez does not. Its a corner of myself I do not quite understand. If you have QT wonder, this could help.Tarantino places the viewer as a sort of museum visitor. He has this virtual video store of references, sometimes well arranged. You are not supposed to actually experience anything; you are supposed to slowly walk by while they blast something out, coming to meet you. Its cinema by advertising, experience by push.I like it better when a filmmaker builds something I can enter; it doesn't matter whether it is an escape or not. If he builds niches for me to enter and explore, if he invites or teases me in, then I commit, I invest, I experience and am changed somehow.This apparently trivial movie does that. Its just as brutally comic as the QT school, with its faux quaintness and engineered humor. It also avoids the challenge of long form film-making by assembling numerous small stories. It similarly is a pastiche of references from other, real films, films with actual identity. But it works.Three real stories here, all love stories. The suicidal loser who gets the sexy traveler; the outresourced husband who "finds" his wife and place again; and the two serial killers who find each other and ride off together. They are stitched by common local, similar upholstery and a temporally but not spatially shared climax.Ted's Evaluation -- 2 of 3: Has some interesting elements.
Jeffrey Johnson This movie is basically a satire of the American west and the crazy people who live there - here in my case.Contrary to some other reviewers - the script of this movie is a work of art - the acting nothing short of total excellence.It's the kind of movie that deserves an academy award - much like Mullholland Drive did - but the academy seldom gives awards too truly brilliant movies.I'm not writing this review to explain the plot - but just too put some words down on paper stating how really good this movie is.Perhaps if anything the movie - the script - the acting - is all too beautiful - too intelligent and too brilliant - because apparently some people - some reviewers - lack a soul or have an empty one and simply can not see outwardly what does not exist within.The mesmerizing acting of Jennifer Tilly is worth the price of admission in itself - but all the acting in this movie goes beyond just good.
stefan-144 One of the characters in the movie points out the violence present in the Star Spangled Banner, claiming that it has fostered Americans to a life of violence. He says that it would have been much better if America the Beautiful would have been the US anthem.Indeed, the lyrics of the song are filled of war rhetoric. Actually, the French equivalent, La Marseillaise, is just as brutal - at least. I guess that it goes for a number of anthems, since they often emerged from a nationalist crescendo, which is usually related to a war of some sort. All in all, nations as such have a history of war, closely linked to their formation. Hey, that's pretty true about civilization. It's a mystery how this species has survived.Anyway, in American Strays, we follow a few fragments of human lives, and how they connect, purely by chance, leading to a grand finale in the spirit of said anthems. It's a sinister perspective on Americans, but also partly a beautiful one. Yes, there is beauty in the midst of gun smoke and brutality - fragile beauty, but isn't that the very nature of beauty? When strong, it loses its shine.The film is refined in how it follows some human fates, at the point of their catharsis, and does so without judging, without staying at stereotypes. It is satire, certainly, but done with a heart and with intelligence - and curiosity, too. The characters have several dimensions, far from being simple caricatures, and what happens to them is foreseeable, but still not the most obvious way out.Yes, I'm impressed by this little study of human nature. Although the persons depicted are odd creatures, in rare circumstances, something general is being stated about man, about society, about the very torment for each of us in trying to find fulfillment. And that's the same, whatever the nation or its anthem.