Tetrady not as good as all the hype

ScoobyWell Great visuals, story delivers no surprises

Helllins It is both painfully honest and laugh-out-loud funny at the same time.

Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

DICK STEEL There's a serial killer loose in the Italian city of Bologna, and from the get go, we're introduced to the aftermath of a very brutal killing in the hands of a psycho, with a preference for extremely loud music played through his headphones. I thought the killer here is very much like the one in the 2004 film Taking Lives starring Ethan Hawke and Angelina Jolie, where the murderer lingers and adopts the persona of the person he kills, before moving onto the next victim.In essence this is your classic cat and mouse thriller that explores the links between the three leads in rookie policewoman Grazia (Lorenza Indovina), the psycho killer played by Rolando Ravello to Aamir-Khan-Ghajini's crazed perfection, and the blind man Simone (Claudio Santamaria), who gets caught up in the entire episode because he wilds his time away at his computer listening in to chatrooms, police scanners and what have yous, like an online busybody oracle. In doing so, he puts himself unwittingly in the line of fire as the killer decides to make him the next target. And so the premise is set, and I felt there's a truck load of potential here to at least live up to average thriller expectations.There was what I thought a perfect moment set up in allowing the audience's imagination to run wild with one killing - you can hear audible sighs of sorrow when the killer picks his mark, because while the character was nothing more than a supporting one, appearing only to nag, everyone understood instantly the impact it is going to have in the story moving on. The aftermath of that was nothing short of poignant, and that hammered home the notion of how evil is as evil can be.If there's a major letdown in the exciting build-up, it's how everything gets wrapped up in the end too conveniently and in major anti-climatic fashion. Big clue being the need to adopt the persona, and having everyone turn up at the right place at the right time, with room for some sexy time thrown in as well for good measure, just because it's Gialli. It turned what could have been room for a tight, climatic finale into a joke of convenience probably stemming from a lack of ideas. Great build-up, but terrible finale.

Stephano Moriello It was a pleasure to watch to Marco Giallini. He is a great actor with the face of a big Italian man. Hope to see him more. Yes, I really liked the cast. The film goes straight ahead. It is just a classic thriller story. And it is a fantastic film. You see lots of interesting camera angles, like I just said, a nice cast and a powerful atmosphere. Why didn't I hear about this director, Alex Infascelli, before? For sure, you gotta like thriller, this is not kind of big philosophy, this is creating a thriller atmosphere and enjoying every minute. Many young directors loose themselves in trying to be something different, but this director has done a good job and that's it. I wished there were more movies with that kind of clear genre dedication.

j_crist One of the worst movie I have seen. When are they learning that you don't only need neat shots and cool camera angles but also a story first of all? The script is ridicolously silly and the acting is terrible. All of the actors, there is no-one who's actually good. You could almost predict every line in the movie. Incredible that there is people who actually talk good about this film. If you have been watching movies you'll notice all the cliche' used in this film and specially all the stealing/plagiarism. Then if we talk about logic the whole movie doesn't even make sense, there are holes everywhere and most of things are not even well explained, resolution is dumb and I feel stupid to have bought this movie. Avoid at any cost, watch "Il Colore della Notte" or "L'Imbalsamatore" instead.

sgurgolo Worst acting ever, i mean, even worse than the couple Dionisi/Caselli in Argento's NonHoSonno. Even Santamaria who is a good actor is totally unfit with his role. But if you look at it again, even if he is not directing actors at all, Infascelli took his chance on making a movie with a very strong visual impact, and there it is!! The cinematography is neat and hard. Alex should work on his big skills by making a more solid thriller/horror movie, this was just a decent first try. 6 out of ten