Alan & Naomi
Alan & Naomi
PG | 31 January 1992 (USA)
Alan & Naomi Trailers

When Naomi, a young refugee from Nazi-occupied Paris, moves into Alan Silverman’s building in New York, he does his best to avoid her. But despite Naomi's strange behavior and the language barrier, they slowly develop a deep and touching friendship.

Reviews
Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?
SunnyHello Nice effects though.
Reptileenbu Did you people see the same film I saw?
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
jeromec-2 This is a film about a Jewish teenager (Haas) who has no idea what his Jewishness means and meets a Jewish girl who knows nothing else.The plot of the film allows us to watch him learn how Alan controls his temper and becomes a man while dealing with very serious problems as he slowly draws her into the world they live in.Anyone who has dealt with mental illness knows that progress is not linear. Many backward steps are taken for every one that moves forward. In that the film is slightly deceptive: it leads us to believe that his treatment of her was like solving a geometry problem: each part contributes to the whole. If the part does not fit don't use it.Movies are only two hours long. Choices have to be made. David and Lisa is probably better if one seeks accuracy. The choice here was character.Alan grew. He learned how to give all he could to someone else. He was not thinking of his reward: he was thinking of her. As much as anything, his early failures brought about that development.For such a young actress, Vanessa Zaoui had a wide range of emotions to deal with and she does it well. She went from compulsion (paper tearing) to transference (talking through her doll) random intense fear but timid acceptance of the outside world, to catatonia. At each step Alan, her unselfish teacher and leader, knows instinctively what to do simply by loving her as he would a much younger handicapped sister. He slowly learns how to sensitively communicate the very essence of himself.I would not call this an entertaining film, but it is a very good study of two young teens who teach each other much.
ccthemovieman-1 Normally, I wouldn't go for a movie centered around two young teens but this is well-done and one of the actors, Lukas Haas, is a veteran despite his age. (He was the little Amish boy in "Witness").Haas is outstanding in here, particularly in conveying his feelings throughout the film. It's a story that could easily be trite or corny but winds up appealing with no unpleasant scenes overdone. That could have happened since the girl (Vanessa Zaoui) is a traumatized kid with several mental problems. Michael Gross and Amy Aquino, meanwhile, do a decent job of playing Jewish parents and it's nice to see a father portrayed in a positive light, for a change.In summary, a good and somewhat underrated melodrama
bho1t I highly recommend this film for family viewing, at least for preteens and older. Naomi is a French girl who has been traumatized by witnessing Nazi brutality against her parents, but the dark aspect of this situation is dealt with directly only briefly as a background for Naomi's unwillingness to speak to anyone. The majority of the film is much lighter, without being unrealistically so. Naomi and her new American acquaintance, Alan(both 14 years old or so), find a unique method of communication, and everyone hopes this will be the key to unlock her world. Lukas Haas and Vanessa Zaoui give outstanding, believable performances, outperforming most of the adults in the cast. They play Alan and Naomi, who deal with issues of peer pressure, parent pressure, trust, betrayal, jealousy, fear, and friendship. Fortunately, Hollywood's usual distortions and sugar coatings are missing in this one. Even the typical "and they lived happily ever after" ending for this type of film was avoided, without ending on a sour note.
cromwell-3 The plot, which you can read elsewhere on this page, seems slim and easily dismissable; one can imagine an ABC afternoon special made on the same themes. The film's grace, however, is achieved entirely by its performances. Lukas Haas, as an American Brooklyn boy initially irritated by his Jewish heritage, is wonderful to watch as his character grows in affection and charm. Michael Gross is surprising in his affable characterisation of Alan's Dad -- not a far stretch from his "Family Ties" role perhaps but charming nevertheless. The film is mawkish in a few instances but on the whole it is incredibly bittersweet and poignant. See this movie.