Laikals The greatest movie ever made..!

SpuffyWeb Sadly Over-hyped

Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

Sammy-Jo Cervantes There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

kapengwe14 I became a Peckinpah fan through The Wild Bunch, first saw it probably 1980. I never knew he had his own TV show back in 1960. I found out about The Westerner through a guest star overlap with Have Gun Will Travel. (That's a great show too.)I found a homemade set of The Westerner DVDs on eBay and decided to take a chance. I'm two episodes into the 13 total episodes. In a word, "Wow!"The director packs so much into the 25-minute run time. Brian Keith is outstanding as the lead, and the supporting characters have depth. Even the dog Brown has depth, and this has been established in only a few quick scenes over the two episodes. There's violence, but it fits the plot lines and isn't sensationalized or made to look operatic as in later Peckinpah works.Recommended for western fans who value the steak over the sizzle.

dougdoepke There were so many westerns on TV in 1960 that you could almost smell the phony gunsmoke. Most were forgettably simple-minded tales of good vs.evil, with cardboard characters, predictable outcomes, and no hint of real world complexity. Then along came an anonymous entry on Friday night without the big name stars or glamour of a Wagon Train, Bonanza, or Big Valley and long before the movie-going public had heard of Sam Peckinpah. You had to stumble across the show to even know it was there-- (what little publicity it got dwelled on a gimmick, Keith's 'scoped rifle', which Peckinpah ditched as soon as possible.). Nonetheless, The Westerner, as other reviewers point out, was ground-breaking in its willingness to explore nuance, and bring some realism to that most heavily fictionalized of American genres-- The Cowboy Movie. Instead of the usual cowboy hero as an unbeatable force for good, Bryan Keith's Dave Blassingame is a recognizable human being. He's a cowpoke drifter-- dusty from the trail, who befriends dogs, hookers, and lowlifes, can't read or write, likes to drink and brawl win or lose, and is obviously going nowhere in life. But he has an innate sense of honor that occasionally lifts him above the ordinary. In short, he's one of those rare characters who stands for the rest of us, not as a god, but as a real recognizable human being. It would be a mistake to read too much into the show-- it only lasted 13 weeks. But Peckinpah's willingness to challenge conventions is clearly evident, while the episode titled The Line Camp is as good as any show from that era. In this post-Vietnam period, it may be harder to see what was so special about the series. Still, the episodes wear well and the best are dramas as good now as they were then. I never thought I'd have a chance to share a public salute to what Peckinpah was trying to do, and was never even sure anyone else was watching. The series was simply there one week and gone the next as though it had never existed-- and I never knew why. I think now that the plots and characters were simply too offbeat for the time, and the sponsors and network lost their nerve. But I've never forgotten Dave Blassingame and his big scruffy dog. Thank you, Sam Peckinpah for trying to do something special, and thanks to The Western Channel for reviving this obscure but outstanding series.

Mister-UHF I've seen just two episodes of this series. In one, the hero drifted into a place that turned out to be a viper's nest. I don't remembered much about the plot, but the photography and suspense were excellent.The other was set during a town's Independence Day celebration. The dude played by John Dehner, quite tipsy, offers the hero an amount for his dog. He declines. One takes a swing and they spend the rest of the episode trying to fight amidst marching bands, dancing girls, etc. It was supposed to be funny, but instead was painfully boring.One could say that these episodes reflected Peckinpah's work in general: either great or awful, with little in between.

lone-3 One of the most unusual and sophisticated westerns for its time or any other. Those who have seen it (I was able to see all thirteen episodes in Peckinpah festival in NYC at Walter Reade Theatre) will know how revealing it is about Peckinpah and his developing film technique, and just how plain entertaining it is. Brian Keith is so watchable that it makes you regret the fact he spent so many years doing Family Affair where he was mostly catatonic. If there is any way of getting this series onto home video, I would love to join forces with anyone who had an idea of how to bring this about.