The Perils of Penelope Pitstop
The Perils of Penelope Pitstop
| 13 September 1969 (USA)

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SEASON & EPISODES
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  • Reviews
    AniInterview Sorry, this movie sucks
    Vashirdfel Simply A Masterpiece
    SnoReptilePlenty Memorable, crazy movie
    Listonixio Fresh and Exciting
    chielamangus I liked this series when I was a boy. The horrid cackle of the evil Hooded Claw (brilliantly voiced by veteran US actor the late Paul Lynde)used to give me goosebumps. I recently watched the whole series online and while I still very much enjoyed it,I was rather bemused at all the elaborate traps devised by HC to bump off his female victim The finale ending the series was inconclusive. I had hoped the evil Claw might himself be killed by one of his own devices thus ridding Penelope of him for good or being captured and unmasked as the treacherous Sneekley Indeed he did blow himself up at the very end by accidentally tripping and falling on a detonator plunger but sadly he survived it,and swearing to continue to think up further nefarious ideas to murder Penelope. Verdict? Still very watchable but disappointed there was no definite outcome to the series.
    Miss Naughtia We had this cartoon on VHS and I remember watching it SO many times when I was a kid. The one thing that gets stuck in my head from this cartoon is the theme song. I can still hear the theme song of Dastardly and Muttley called '..Catch the pigeon, catch the pigeon..' it is very funny.Although I wasn't that fond of Penelope Pitstop, my favorite character was Muttley.This is one of the good creations from Hanna-Barbera and this cartoon (also the series about Dastardly and Muttley) is widely known by almost all children born in the 70's and the 80's. I'm feeling quite nostalgic thinking about this, so I just might watch it again soon on Youtube.
    ealadubh The mark of a good show is always how much the technical staff and actors enjoy doing it. The DVD commentaries for this show prove it, as Janet Waldo (Penelope), Gary Owens (narrator) and Iwao Takamoto (designer) spend the whole time regaling us with wonderful anecdotes about Paul Lynde, Mel Blanc, Joe Barbera, and just how much fun was had during the production - fun they're still having just as much of from watching the episodes again over 35 years later.The Wacky Races / Dastardly & Muttley / Penelope Pitstop triumvirate were also supremely blessed by the scripting elegance of Micheal Maltese, who years earlier had created the Road Runner and Coyote with Chuck Jones (and it shows in this series in particular with the Hooded Claw's ridiculously over-complicated Rude Goldberg traps).This is the real joy of 'golden age' Hanna-Barbera (1968-1969 were the very best years, IMO); where the emphasis was in appealing character designs and the quality of the writing and voice-work, rather than what would look most sophisticated on the screen (although by 1960s TV animation standards, this is actually pretty good).Still a classic so many years later, and a show that could really teach today's more turgid cartoons about giving your animators free reign to enjoy themselves so that everyone benefits in the end.
    dootuss I've been catching reruns of this old cartoon on Cartoon Network over the last couple of weeks, and frankly I'm probably in the minority. I actually like this show. It stars Penelope Pitstop (a female racer from "Wacky Races") who is being constantly on the run by her laywer Sylvester Sneekly (aka The Hooded Claw who is just Sneekly in disguise) whom wants to elude of her since she inherited a fortune, and would give it to him if something were to happenn to her (you know like death or something like that for an example). But Penelope has protection thanks to my fave characters from "Wacky Races" the Ant Hill Mob (those guys rule!!!!!) who will keep our damsel in distress from being captured by the Hooded Claw.I really like this cartoon a lot. I know that Hanna Barbera has made some lame spinoffs in the past, but this is great. 10/10