StunnaKrypto Self-important, over-dramatic, uninspired.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Jemima It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Walter Sloane Mostly, the movie is committed to the value of a good time.

ockiemilkwood Unwatchable. Thought at first this was some '60s stoner trash, but, after checking, saw that it was made in '91 (when they should have known better). First shot is a double-exposure of chicks hitting underinflated beach balls into the air. "Why am I watching this?" I wondered (and kept wondering throughout). Involuted plot of infidelity, jealousy and murder is talked about in the past tense, but never fleshed out in the present. This detachment and disconnect deflates the movie like those beach balls. "Ghosts" come and go, in-between unappealing, asthenic nudity and sex, and meaningless, introverted dialogue and still shots. So much artsy-fartsy posturing, so little time. Someone, somewhere, sometime must have thought this was "hip."

gavin6942 Painter and poet Yumeji Takehisa (1884-1934) gets involved with a beautiful widow, becoming a rival of her dead husband's ghost and the jealous lover who murdered him.Co-star Kenji Sawada's best-known roles include playing in Paul Schrader's biopic movie about Yukio Mishima, "Mishima: A Life in Four Chapters" and playing in Takashi Miike's horror-comedy musical "The Happiness of the Katakuris". Yoshio Harada, on the other hand, was a Suzuki regular and appeared in all three parts of the so-called Taisho trilogy.Rarely seen in America, Arrow Video brings the title to Blu-ray along with the first two parts of the trilogy, and it looks simply fantastic. If only Seijun Suzuki had lived a few months longer, he could have appreciate the love and devotion given to his career.