Why We Fight: The Nazis Strike
Why We Fight: The Nazis Strike
| 01 January 1943 (USA)
Why We Fight: The Nazis Strike Trailers

The second film of Frank Capra's Why We Fight propaganda film series. It introduces Germany as a nation whose aggressive ambitions began in 1863 with Otto von Bismarck and the Nazis as its latest incarnation.

Reviews
Matialth Good concept, poorly executed.
Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Syl Colonel Frank Capra of the United States Army is better known for his classic film, "It's a Wonderful Life!," but here is an American fighting for his country with the use of film. He compiled the actual German archival footage with Nazi newsreel propaganda to fool the German public and the world about the Nazis intentions. This documentary is told by narration over the stock and film footage. Please be aware that these films' quality may not be stellar or perfect. After all, time has taken a toll on the documentaries themselves. Without even talking about the Holocaust, Capra captures the Nazis Third Reich's true hidden agenda with their own footage. The propaganda footage fooled many into believing them. We all know the lies that was perpetrated among the world back then. Capra shows in this short documentary how the Nazis were really fooling the world.
st-shot The second of the Why We Fight Series concentrates on Hitler's grab of the Sudetanland and beyond as he makes a chump out of Neville Chamberlain and embarks on his conquest of Europe. Clearly meant as propaganda in its day this series over the test of time has become an informative documentary as well with most of the "Allied bias" turning out to be historical fact. The Fuhrer hoists himself on his own petard with smug pronouncements before his people and the world as he says one thing and does another as his army moves East. The Czechs and Austrians quickly capitulate but the Poles put up an heroic struggle against overwhelming odds. The disparity between Hitler's military might and Chamberlain waving the Munich treaty like a white flag, declaring "Peace in our time" to this day has durable propaganda qualities. Here in its original context it resonates even more powerfully as the darkness of World War ll sets in on Europe leaving the American viewer with two options, freedom or slavery. In 1943 there was no evading this simple truth and The Nazis Strike makes its point effectively.
Michael_Elliott Nazis Strike, The (1943) ** 1/2 (out of 4) Part two of a seven film series taking a look at WW2. The film was produced by the American government so there's plenty of flag waving and the documentary is certainly one sided but that's to be expected since it's goal was to get people behind the war. It's a bit too over-dramatic for its own good but various executions and other deaths are quite disturbing to see. These real death scenes are something that were in a lot of this WW2 shorts. All of the Capra directed films are worth seeing as are the WW2 shorts by John Ford.
mermatt Frank Capra did a masterful job taking the propaganda tool of the Nazis and turning it against them. He devised the simple but effective means of taking captured Nazi propaganda newsreels and showing them with new narration and with music. The result -- showing the Nazi horror for what it was.The WHY WE FIGHT series of 7 films is still very powerful and moving. We can only imagine how rousing the material was in the dark days of World War II when it was shown to the US troops in battle zones.The difference between Capra's propaganda and Hitler's is that Capra used the tool to teach ideals rather than to seduce and entrance the minds of people. Capra's films were just as strong ammunition as and tanks and planes, and they are remarkably durable after all these years. They still stand for the ideals of democracy. Such is the art of a master moviemaker.
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