War Paint
War Paint
NR | 28 August 1953 (USA)
War Paint Trailers

An Indian and his beautiful sister attempt to destroy a cavalry patrol trying to deliver a peace treaty to their chief.

Reviews
Exoticalot People are voting emotionally.
Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
gordonl56 WAR PAINT 1953This 1953 western was a Bel Air Production released through United Artists. The cast includes, Robert Stack, Keith Larsen, Charles McGraw, Robert Wilke, Douglas Kennedy, Joan Taylor, Peter Graves, Paul Richards and John Doucette.A Lieutenant in the U.S. Calvary, Robert Stack, is assigned to deliver a peace treaty to a US government official. The official is then to forward the treaty to the chief of an Apache tribe. What Stack does not know is that the Government type and his escort are all dead. The Chief's son, Keith Larsen and daughter, Joan Taylor, have other ideas about the treaty. They have ambushed and killed the Government man and his escort. The pair really want war between the whites and the Apache.Not finding the Government type at the trading post meeting place, Stack decides to deliver the treaty himself. And as it so happens, the Chief's son, Larsen, is there and offers to lead Stack and his small patrol to his father. The treaty is time sensitive and must be delivered within 9 days. Larsen tells Stack that it will take 6 days to reach the native village. Being Death Valley, the Cavalry loads up with full canteens and some pack horses with several casks of extra water. Of course things start to go wrong the further they go into the desert. A rock fall smashes most of the water casks. An important load with their maps is lost over a cliff etc. Stack suspects that the Indian, Larsen might be the guilty party, but he is always in sight when the "accidents" happen. Of course the viewer knows it is really Larsen's sister, Miss Taylor doing the deeds. She is trailing the patrol at a distance during the day and doing a bit of sabotage at night. With their water nearly exhausted, Larsen offers to take then to a water hole, but it will delay the trip to the village by a day. The day is wasted because the water hole is dried up. That night all their horses take off and the group is now on foot. Stack is bound and determined to deliver the treaty. The men now stumble onto a small water hole. The hole however is full of bad water which one of the men drinks. The man, Paul Richards is soon dead. One of troopers now goes of his rocker from lack of water and blows out his brains. Now Stack finds out that the Indian, Larsen has been leading them in a big circle. A sound beating from several of the troopers soon has Larsen coughing up what he has done. He wants a bloody conflict so all the tribes will join in driving the whites out. Another of the troopers now steps up and shoots Larsen dead before Stack can stop him.Stack and his Sgt, Charles McGraw now decide to send one man ahead to deliver the documents. They give the man, Douglas Kennedy all the remaining water and will follow as best they can. Kennedy however is ambushed the next day by Larsen's sister, Taylor. There is brisk exchange of rounds with Kennedy going down for the count. Kennedy though manages to pink Taylor in the forehead knocking her out. Needless to say Stack and the others find Taylor and the dead trooper. Stack quickly puts two and two together and puts Taylor under guard. The men however are all going a tad wacko from lack of water. Several of the men, Wilkie, Graves and Doucette are all for having their way with the woman. Taylor tells Stack that she will take them to some nearby water. She leads them up the hills to an old mine and tells them there is a well inside. Most of the men rush inside for a look. What they find is not water, but piles of gold. The men of course are now overwhelmed with gold lust. They decide to kill Stack and Sgt McGraw, then "force" Taylor to really lead them to water. Then they will load up on gold and disappear.Stack collects a round in the arm before he can talk sense into Graves and company. Miss Taylor now decides it would be in her best interest to really show the men the water spring. The men's thirst for water is slackened, but not their thirst for gold. Rifles and pistols are pulled and shots ring out. The only survivors are Stack, Miss Taylor and Peter Graves. It takes a full-fledged knockdown, drag out fistfight, followed by a battle with knives before Graves is finished off. Miss Taylor has now decided to change teams and helps Stack deliver the treaty to her father. This well-crafted B western was directed by veteran programmer man, Lesley Selander. Between 1936 and1968, Selander worked on 145 diff films and television series. This Pathecoler film was shot on location in Death Valley and is well worth a watch imo. Producers Howard W Koch and Aubrey Schenck would score with a whole series of well-made B western, war and noir films during the 1950's. These include BIGHOUSE USA, FORT YUMA, CANYON CROSSROADS, THREE BAD SISTERS, GHOST TOWN, CRIME AGAINST JOE, HOT CARS, TOMAHAWK TRAIL, WAR DRUMS and HELL BOUND.
bkoganbing War Paint casts Robert Stack as a cavalry lieutenant with a mission to deliver a peace treaty, presumably a draft to the Indians. With Sergeant Charles McGraw, Stack leads a patrol to deliver said peace treaty. The chief's son Keith Larsen is to guide them through the rough desert country, but Larsen and his sister Joan Taylor have their own mission. They actually don't believe the white man's peace treaty, there's such an incredible track record on the subject and they're going to sabotage the mission.Such stalwart characters actors as John Doucette, Robert J. Wilke, Peter Graves, Douglas Kennedy, and Paul Richards make up some of the patrol. When the water is sabotaged and the discipline breaks down the cast starts dying off for one reason or another.I do have to say though why no one thought better of the fact that Keith Larsen was in War Paint as he started the mission I'm a bit perplexed at the writers for that. War Paint gets pretty ugly at times as the men go off their nuts for lack of water and an abundance of heat. It's a gritty no frill western with great cinematography from Death Valley. It could have been a whole lot better though.
dougdoepke Good, solid B-Western, despite some of the critical comments. Story follows cavalry patrol through Death Valley in the face of dissension in the ranks and Indian infiltrators. I filled a pitcher of water just looking at the merciless sun-baked terrain. What an excellent supporting cast, familiar faces who lend color and personality by individualizing the troopers beyond their look-alike uniforms. For example, the usually sinister Paul Richards gets a rare sympathetic turn as a lovelorn trooper (Perkins) who unfortunately swallows before he looks and pays the price. There's also the great Robert Wilke lending his usual brand of sneering thuggery to spice up the proceedings. And as the no-nonsense officer, Stack provides a humorless authority that, by golly, is going to get the peace treaty to Gray Cloud even if it kills him and his men. No wonder there's mutiny in the ranks. Of course, this is the glamour-obsessed 1950's when even the Indians resemble Park Avenue models. At the same time, historical accuracy has never been a major Hollywood concern, especially with the Western. So, certain liberties with detail here are not unusual and should not be allowed to deflect a basically good story. On the other hand, there's a nice bit of overlooked irony in this 90-minute horse opera. They may be the villains, but Indians Taslik and Wanima are correct in rejecting the treaty, after all. The white man will indeed ignore the treaty when it suits him, as proved by the mutinous troopers who renounce army authority once they find gold in the parched hills. The irony of the outcome is not made explicit, but it's there anyway. Anyhow, director Selander has a good action premise to work with, plus a colorful cast, and while he's no John Ford, he knows a good scenic set-up when he sees one. Meanwhile, I think I'll have another glass of water.
max von meyerling A hot, dusty, situation-western filmed in the oven like alkali desert of Death Valley. Not really very good, it's a variation on the "Lost Patrol" theme. It does have a thing in showing a remarkable variety of gun battles from cover. It's almost like a stock shot catalogue of Winchester fights. There's some excellent overwrought character acting here. Charles McGraw is at his most stalwart and he's in fine voice here too- tough and gravelly. Paul Richards - I never realized he was so short! is the ripest of all and mercifully dies early. John Doucette has a different role here as a Polish immigrant who left Poland because they wanted to put him in the army. Peter Graves gets to try the villain thing before STALAG 17.Actually my first thought when I saw the picture was to complain to myself- When are they going to show a cavalry patrol with a remuda (the cavalry took several horses per soldier so they could switch horses on long rides), a chuck wagon, a water tank (one may ration water for the men but cannot stint on water for the horses. Always remember, the cavalry is limited by what the horses can and cannot do and since horses can't forage in the desert they need to bring along grain too- enough for 40 horses or more.) and a wagon-load of ammunition? They always seem to be set-up for what my old German producer used to call "ein kleine schpatzierung" and not a journey of two weeks through the desert. I didn't realize that the whole picture would be one long, long patrol. A sub-sub genre then, the western/cavalry /patrol picture. If there is any irony here its that the Indian who resisted was right. The White Man's Peace was merely temporary, a stratagem used on the way to the White Man taking everything. A professionally made second feature. A good period piece, interesting only to the specialist.PS For this Martin Berkeley gave up over a hundred names during the blacklist period?