Plantiana Yawn. Poorly Filmed Snooze Fest.

UnowPriceless hyped garbage

Twilightfa Watch something else. There are very few redeeming qualities to this film.

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Edgar Allan Pooh . . . but when Tim McCoy's "Tim Clark" looks for his, he finds a gold mine instead. Unfortunately, McCoy has zero charisma, apparently graduating from the Narcoleptic School of Acting. Alice Day, as Tim's girl "Betty," is even worse. Though TWO-FISTED LAW gives John Wayne second billing, there are at least 10 other roles more important than the light-lifting done by his ranch hand "Duke" (and with more lines). Among these is Walter Brennan's crooked deputy Bendix (but every Western fan knows that Brennan's dentures have more acting ability Mr. Tiptoes ever possessed, as well as better line readings). Other than those cast short-comings, the most that can be said of TWO-FISTED LAW is that it simply follows along in the deep ruts cut by all the low-budget Horse Operas of the 1930s Great Depression years. This message is that most if not all Rich People make their fortunes by duping employees into committing robbery, mayhem, and murder at their bidding, and then throwing them under the stagecoach at the first hint of trouble. (Though wealthy Crimelord "Robert Russell" gets some just desserts here, in Real Life the Rich become Red State icons with names such as Koch. (THINGS go better with Koch--NOT people!)

dougdoepke All in all, it's a decent oater, more plot-heavy than most, but nothing special. Seems Clark's (McCoy) lost his ranch to swindler Russell (Oakman) and now bad guy Russell wants to finagle good girl Betty's (Day) ranch away from her. And if that's not enough, he's also trying to frame Clark for robbery and murder. Plus he's got help from crooked deputy Bendix (Brennan). Good thing Clark's a pretty good sneaky prospector. There's some good hard riding, mostly through familiar LA terrain, but not much fast shooting or flying fists. Mc Coy, of course, makes a good hard-eyed hero, and get a load of that 50-gallon hat that tops anything in movies! And where did they get his absolutely stunning white horse that's the equal of Trigger or Silver in sheer looks. On the other hand, Wayne fans will be disappointed since his screen time is sparse, but already he shows the youthful charisma that Lone Star and Mascot would wisely feature. Still, I could have done with less talk and more scenery and action, but the mix is still enough to keep this now Front Row Geezer happy.

Michael Morrison Though there seem to be some script holes, generally this is well written with some very good dialog.Tim McCoy was one of the best cowboys and was also a pretty good actor.As noted elsewhere, John Wayne was second billed, but had only a small part. Wallace MacDonald, as his buddy, does more, but his constant use of "y'all" to one person is one of the script's major flaws.As sheriff, Tully Marshall has one of his best roles. It is well written and very well played.Alice Day -- billed as "Alice Fay" on the DVD I own, from Canadian Disc Plaza, on a "Classic Westerns" collection of supposedly John Wayne movies -- is the least capable of the cast, but even she brightens up as the story progresses.Bad guys Wheeler Oakman and Richard Alexander also shone and Walter Brennan, as usual, stood out in one of his early appearances.Director D. Ross Lederman showed a lot of skill in his framing and camera angles. He was held in high-enough esteem to have stayed busy nearly his entire life with dozens of movies and dozens more TV shows.I highly recommend "Two-Fisted Law," despite the pointless generic title.

Single-Black-Male In 1932, the 25 year old John Wayne went down poverty row with the independent production companies. In this film, he developed his fist fight scenarios, adding a bit of humour to his acting as well as drawing out his romantic side.