Tribute
Tribute
PG | 19 December 1980 (USA)
Tribute Trailers

A shallow Broadway press agent learns he is dying just as his son by his ex-wife arrives for a visit.

Reviews
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Michelle Ridley The movie is wonderful and true, an act of love in all its contradictions and complexity
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
JLRMovieReviews Jack Lemmon learns he is dying and tries to finally connect with his son (played by Robby Benson), whom he pretty much abandoned when he left his ex-wife, Lee Remick. A man who has no real close relationships, he is loved by many acquaintances because of his outrageousness, his carefree attitude, his one-liners and clownish cut-ups; in short, he is "a crowd-pleaser," as someone in the film calls him. For all his love of life (and women) that comes through to the viewer, this is also one of the most depressing films I have ever seen. I have seen hundreds of films and seen a lot of somber, serious, and/or downbeat movies, and this was painstakingly real in its depiction of loneliness, regret, and in facing death. In fact, that night I dreamed of Jack Lemmon, and I never dream of movie stars. Having said that and also that this film may be flawed, I would watch this again, I think. Jack Lemmon gives another great performance and deservedly received an Oscar nomination for it. There is no real plot save for his trying to connect to Robby, whose character is unusually "old" for a boy his age, and truthfully whose mannerisms reminds me of someone I know. There is an array of supporting characters to lighten up the mood, including Kim Cattrall and an unusual nurse. "Tribute" is a special film about real people who are trying to reach out before it's too late.
moonspinner55 Jack Lemmon recreates his Tony-nominated stage role playing a Broadway press agent who has always shied away from adult responsibilities, treating everyone--from doormen to movie stars--like the life of the party. This devil-may-care approach to living has naturally alienated Lemmon's tightly-wound son, a begrudging twenty-year-old who doesn't share his father's sense of humor. Bernard Slade adapted his play for the screen, and he's positively shameless while decorating the narrative with pure-hearted friends and doctors, a gold-plated prostitute (who receives her own tribute from a lifetime of johns at Joe Allen!), an adoring ex-wife, and Kim Cattrall as a frisky young thing who flits from father to son as if she's in the running for the prostitute's job. None of this makes much emotional or logical sense--and little of it amounts to anything substantial by the end--although Lemmon's manic, zinger-filled performance gooses the movie and brings it to a near-boil. As the embittered son, Robby Benson tries hard to bring off a dim role; his occasional success here is miraculous considering Slade never gives him a strong line of dialogue. Lemmon is reunited with his "Days of Wine and Roses" co-star Lee Remick, and they have a built-in rapport that is wonderful to see...however Jack is really the whole picture. Slade has manufactured the proceedings to slant completely in the star's favor, showing off his sass and pathos, and as a one-man vehicle for the talented actor it obviously has some worth. **1/2 from ****
jmilliso I'm a big fan of Jack Lemmon's dramatic roles but not this one. The movie is about Lemmon and his estranged son played by Robby Benson, who has a deep hatred for his father. After learning Lemmon is dying, Benson tries to make thing right with his father. 125 minutes of Benson talking about how bad of a father Lemmon was, combined with Lemmon's corny jokes, does not not equal a good movie
Nat Williams "Tribute" is a wonderful tear-jerker about a father and his estranged son. Benson is good, though his character may be a bit over-the-top cynical. But as usual, Jack Lemmon provides a textbook example of acting without seeming like he's acting, the mark of a great performer.