KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Cassandra Story: It's very simple but honestly that is fine.

gkeith_1 Oh, my goodness. I loved this whole show. I was waiting for it. I loved the costumes, dancing, makeup, music, etc. The original Wizard of Oz I think was a series of books written by L. Frank Baum. The first Wizard of Oz performance appeared on stage in the early 1900s. I do not know if a silent film or two was/were made later, but the Judy Garland version was made in the late 1930s. I never saw the earlier The Wiz shows, neither stage nor screen, but I remember all of the excellent reports about Stephanie Mills, Diana Ross, Nipsey Russell and Michael Jackson. I am very happy to see the recent The Wiz Live. I liked all the witches, Dorothy and her friends and Stephanie Mills. I just adored the closeup facial makeup designs of the scarecrow, and I feel that he and his antics stole the show. I loved the wiz's costuming, hair and makeup. My most favorite group costumes were of the crows and poppies. Kudos to everyone. I loved you all. You were wonderful. Loved the acrobats (Cirque de Soleil?) For a live performance, everyone did excellently. 15/10.

vchimpanzee I know the story from the 1939 movie--my favorite of all time--and a beautifully illustrated book. I have never seen a version of this story, where the cast is black and Dorothy is trying to return to Omaha, not Kansas. Or was she? I don't know what was invented for this production, and I didn't see the "Making Of" special until afterward. All I know is the crows were in the Scarecrow's big number. I do know some of the language used here could not have been in any of the 1970s versions, since those words didn't have those meanings way back then.The first two live NBC productions had their problems. Until I read or heard other opinions, I didn't think anything was wrong with Carrie two years ago, except the other cast members were more talented than she was. Last year, there was one truly dismal performance and one uneven performance among the leads. This year, NBC had no weak links and, for the first time, the lead actress was fantastic. And she was a newcomer!Elijah Kelley is quite a dancer. Could Michael Jackson have done quite as well way back then? Perhaps. I've never seen him in the role. I do know Jackson had that kind of talent in the 80s.In the "Making Of" special, Ne-Yo is said to have delivered his lines with heart. That's certainly true.Bad Principal to Bad Teacher had a Bad Series, in the eyes of most viewers, but I liked his show. But because others didn't agree with me, he was available to be a great Lion.Common is anything but common. The Bouncer of Emerald City stands out and becomes a truly memorable character.The original Dorothy is now Auntie Em, and very good too. Quite stern but loving, as she has to be. I'm not clear on whether Stephanie Mills played her sister, who tempted Dorothy in Oz, or who made Dorothy see her. This was something new to either this specific production or to the black version. Anyway, Mills is good in both roles if that is her.When I saw the Good Witch, I saw a great if quirky character and did not see Mercedes from "Glee". In the "Making Of" special I immediately recognized her.The Wiz is great too, in different ways. I've never seen a version where the group saw the actual person before that one scene, but what they did see at first was a flamboyant, confident and demanding ruler. Queen Latifah is great there and, of course, later. If you don't know the story, I won't give it away, but the later scenes are quite effective.The Wicked Witch has a less prominent role here than in the 1939 movie. Mary J. Blige is deliciously evil and even more so than her ABC counterpart, but not quite on the level of Margaret Hamilton or ABC's most evil witch of all.And then there is a fourth witch, another good witch. She is kind and less off-the-wall than the other one. Not in the 1939 movie, but presented in a different way in the book. I'm not sure what the purpose was in having the farm hands, since they weren't in the original book and no mention is made of Dorothy thinking they were familiar either in Oz or later. I was wondering how they could get out of makeup to do the finale from the 1939 movie, but that's not what happened. Anyway, there is no Uncle Henry, so running a farm on her would have been quite a challenge for Em and Dorothy alone. The farm hands add something at the beginning. I mentioned no weak links. As in the 1939 movie, everyone who has a line delivers it well, whether it is one line or many. Lots of other quirky characters add something. Several Munchkins and a couple of employees of the Wicked Witch are included. And the crows are very "Street".The music is great even if it isn't entirely my taste, but I couldn't help but like the Scarecrow's number, which isn't quite disco but is the style that became disco back in the 70s. Some of the music is good to me, and some is good only to those who have that particular taste in music, which I don't. And the dancers are very talented. Once again, not necessarily what I would like, but it is a fantastic production. Visual effects are pretty spectacular as well. I learned a lot more when I saw the "Making Of" special, but so much of what goes on in the background is so real. I only saw one wire supporting a character who was up in the air.Family friendly? A little less so than the 1939 movie, in which some the flying monkeys scared some kids. This one is not quite as scary, but does have three curse words, one for each hour, and one particularly bad one.The best yet? Maybe. NBC should keep doing this.

Morgan Wasson (op_timo) The only spoiler that I have is that it's a great version of the movie. From the stage set / costumes/ singing/ acting/ personnel in the production, all came together like a moment in time that can't be replaced. I have always loved 'the Wiz' movie, from the original with Diana and MJ to the current with... well everyone that I love in our culture. This is the first time in a long time that I can't say anything bad about it. There's no reason not to endorse/support and completely embrace this production. I'm so filled with joy from the this play that I want to see it again. I would love for it to be on Broadway for a time. I will absolutely purchase the DVD/blu-ray (without hesitation). OK... I believe it's enough, but one more thank you for this piece of art.

mark.waltz After being transformed into an unhappy schoolteacher who ends up in Oz in the misguided 1978 movie version of the smash hit Broadway musical, Dorothy has been given another chance on the screen, this time on T.V. The third live musical over the last three holiday seasons, hopes have been high for the past couple of weeks that they get it right. So Dorothy is a young girl again, modernized to the current day, so greater care has been taken to ensure that the show is preserved with its original themes.It starts off great with the original Dorothy, Stephanie Mills, as the strict but loving Auntie Em, singing to her troubled niece (Shanice Williams) with patience, adoration and guidance. Outstanding choreography represents Dorothy inside the tornado, and is stunning. At first, young Miss Williams seems just a tiny bit older than her years through cynicism and clothing perhaps a bit too revealing for a girl her age, but it soon becomes obvious that she is indeed a young lady as her vulnerabilities and curiosities arise over her new location.Other than Mills, David Alan Grier, Mary Jay Blige and Queen Latifah, I am unfamiliar with any of the supporting cast as well as the T.V. shows they are on. However, they all have the skills of veteran Broadway performers. Why Queen Latifah hasn't graced the stage as of yet is a mystery to me. Elijah Kelley is a totally vulnerable scarecrow, gentle and thoughtful even with out a brain, while Ne-Yo is a joy as the tin man. He doesn't have the scene-stealing capabilities that Nipsey Russell gave to the movie but simply makes it his own take on a beloved character. Grier adds his own magic as the lion, a representation of the prototype of blow-hard that shows off their exuberance or force of nature yet is a total pussycat on side. Each encounter with Williams shows her just getting more and more lovely with that teen angst disguised as attitude disappearing as fast as witches are dispatched of.The only issue I had with the introduction of her friends us that they all take place immediately on top of each other and feels rushed. What is not rushed is the care that went to the creation of the sets and costumes which are a drag queen's dream come true. It has all the qualities of a live Broadway musical and in that sense, it us absolutely spectacular. For the remaining cast, Amber Riley is an exuberant Addapearle while Queen Latifah is a good gender switched Wiz, playing the role with serious authority. her smile and dimples winning me over all the time. Blige sweeps across the stage as Evalene, and adds a funny take on her queen of mean. Instead of being a vile old witch/slave master, she's more grumpy than wicked. Uzo Aduba as Glinda reminded me of a subtler Bette Midler in her posture. If not a drop-dead beauty in looks, her spirit is quite beautiful and her belting of Believe in Yourself is a gem. Topped off with Williams' Home, it just comes to an emotional conclusion.As for the songs, they are energetically performed and lavishly staged. The ballads are touching and the production numbers and comic songs filled with energy. A brand new song seems to be an anthem in the making with its energy and heart as Dorothy works on challenging her clearing friends to join her in the quest that the Wiz has given her. But what the heck happened to Toto after the opening scene? Perhaps since Diana Ross's Dorothy forgot Toto in the Emerald City of the movie, they didn't want to make that mistake again. It is interesting to note that the dancers are multi-racial. So let it be said that after two fairly enjoyable tries that are still publicly maligned and wrongfully scorned that the network got it right, giving the world a very well staged version of a show that up until now didn't have a legacy. No Cheese Wiz this one!