The Well Digger's Daughter
The Well Digger's Daughter
NR | 20 July 2012 (USA)
The Well Digger's Daughter Trailers

It's the beginning of the WWII. South of France. Patricia, 18, is the oldest daughter of a well-digger, Pascal, who considers her a princess because of her moral qualities. She's kind, devoted. One day, she briefly meets a young man, Jacques, the son of Mazel, owner of the shop where her father buy his material. He's handsome and teasing. Her father's friend, Felipe, would love to marry her, and he invites her to an aviation show. She accepts his invitation only because she knows Jacques is a pilot and will be there. Soon, she'll carry his child, and he'll be gone, and the family will have to deal with this out-of-wedlock pregnancy...

Reviews
Linbeymusol Wonderful character development!
Smartorhypo Highly Overrated But Still Good
Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.
Cristal The movie really just wants to entertain people.
runamokprods I alternated between being charmed and a bit put off by actor Daniel Auteuil's directorial debut -- a sweet (sometimes sticky sweet) re-make of Marcel Pagnol's 1940 film. The film is a bit odd tonally; alternating between occasional bathetic intense emotion (scored to opera at times no less), and being a slightly too convenient and cute comedy of manners. Some modest spoilers ahead.Auteuil plays a working-class paterfamilias with 5 daughters, including an 18 year old favorite he has seen only as a perfect angel. But now she has brought the family to shame by getting pregnant by a rich and handsome local boy, who promptly leaves to fight in WW I -- and her father turns on her and casts her out. The film seems to want to have it both ways – we're told to feel bad for the cruel banishment of the daughter, but not TOO bad, since in the end dad (now grandpa) has to prove to be a good guy at heart. Auteuil - an actor I usually really enjoy – gives a slightly hammy (if admittedly amusing) performance, bouncing a bit too far back and forth between near monster and adorable gruff old guy. Also slightly problematic; the young couple are beautiful, but there's not a ton of spark there either individually or as a duo. There are some very good scenes, and I was extremely taken by Kad Merad in a supporting role as an endearing 40ish friend/employee of the father who is hopelessly in love with the young daughter. For all the rough spots, I modestly enjoyed the film. It's just that there were hints of a terrific movie early on, so when it ended up as just a nice, old-fashioned and somewhat predictable one, there was a sense of disappointment.
MartinHafer Marcel Pagnol was a wonderful French writer, director and playwright. His stories are indeed classics and have been filmed, re-filmed and even re-filmed again. So, it's not at all surprising that Daniel Auteuil has decided to take a stab at Pagnol's classic stories--not just starring in them but writing the new screenplays and directing them. I say that's not surprising because not only are these wonderful stories, but Auteuil also has previously been in a couple other Pagnol stories--"Jean de Florette" and "Manon Des Sources". His four new films consist of this film, "The Well-Digger's Daughter" as well as the wonderful trilogy consisting of "Marius", "Fanny" and "Cesar"--which just recently debuted and which are not yet available here in the States. I cannot wait to see these three most recent movies."The Well-Digger's Daughter" is a story with many similarities to the Fanny Trilogy Auteuil made following this film. All are set in Provence, concern ordinary folks and are about the complications that arise from an unplanned pregnancy.The story begins with the daughter, Patricia (Astrid Bergès-Frisbey) meeting a handsome young man, Jacques (Nicolas Duvauchelle) when she's on her way to bring her father, Pascal (Daniel Auteuil), his lunch. The audience KNOWS based on their meeting that the two are destined to be a number. However, there are some complications---such as Felipe (Kad Merad) wanting to marry Patricia. But, of course, much more serious complications arise--and I don't really want to get to them here--just see the film.I love films about ordinary people--and Pagnol's are about as ordinary as you can find! Some may not be quite so captivated by these folks-- they aren't exactly rich, cultured or the Hollywood types. But, I am pretty ordinary as are 99% of movie viewers! So why not enjoy the lives and loves of folks we can relate to?! Plus, the story is so nicely written, lovingly directed and enjoyable that I strongly recommend you give it a try.By the way, Pascal's grandson, who he treats as if it's HIS kid is actually Zachary Auteuil--the actor/director's real life son!
BJ Murphy Reverse the roles, sons instead of daughters - and men would loathe this film . As a female and a grandmother I certainly did. The father was a buffoon and had no RESPECT whatsoever for any of his 5 daughters.And inferring it was his wife who gave him a daughter, then another, then another daughter does not know simple biology. The MALE determines the sex of a child not the female . If men treated their females like this in the 1930's in Europe I shudderto think how many centuries it will take for Womens Human Rightsto take hold in countries like the Middle East and Asia .
writers_reign Writer-director Marcel Pagnol set the bar pretty high in terms of film-making, not least when he made La Fille du puisatier in 1940 with some heavy hitters in the shape of Raimu, Fernandel and Charpin as respectively the eponymous well-digger, his friend and colleague Felipe, and Monsiour Mazel, the father of Jacques, who leaves the eponymous daughter pregnant and goes to war. Luckily Danile Auteuil is lion-hearted and makes a great fist of his affectionate remake plying the Raimu role himself with Kad Merad as the friend and Jean-Pierre Darrousin as Monsiour Mazel plus, for good measure, Sabine Azema as Madame Mazel. This is a film with charm to spare and wonderful shots of Province that tell us immediately why so many English people move there whilst inspiring others to follow suit. It's a film for all the family which chooses to avoid weightier issues - for example 'honor' marriages which, in the present day lead often to Asian girls choosing death or having death chosen for them by parents obsessed with honor - and concentrate on wholesome entertainment. Highly recommended.
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