StunnaKrypto
Self-important, over-dramatic, uninspired.
WillSushyMedia
This movie was so-so. It had it's moments, but wasn't the greatest.
Sharkflei
Your blood may run cold, but you now find yourself pinioned to the story.
Quiet Muffin
This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
richardhwilton
The great thing about this war flying film is that there's hardly any flying in it. It's all about the terrible toll war takes on normal people. What makes it so gripping to a modern audience is how the characteristic emotional restraint of people at that time is so faithfully portrayed. That's why it doesn't date. You just know that's how people really were back then.Above all, it's the Rattigan screenplay, with its wonderful trilogical structure that speaks out.If you want to see how people really felt and acted in England in WW2, in a beautiful, tragic film, then you must see it.
Robert J. Maxwell
No battle scenes, no fist fights, no arguments, no car chases, no tears -- just a modest and nicely written script by Terence Rattigan directed with skill and restraint by Anthony Asquith and smoothly performed by seasoned British actors and some American performers you've never heard of.John Mills is a newly minted RAF pilot posted to Halfpenny Field in 1940. It's the Battle of Britain but they don't just throw him into the obsolete Blenheim bombers at the field. They first assign him to a desk because his flying talents are less than minimal.Mills becomes friends with one of his superiors, Michael Redgrave, and attends Redgrave's wedding party. Redgrave disappears a year later on a mission, leaving behind his widow, Rosamund John, and their child. Everyone takes Redgrave's death with polite matter-of-factness but the fact is wrenching and leaves Mills firmly convinced that marriage has no place in war. This, naturally, aborts his courtship of the cute snub-nosed Renee Asherson.Next, a horde of American B-17 crews descend upon Halfpenny Field and their brusque manner contrasts with the decorous English politesse. A good chance for the script to go wrong here. Make the Yanks a mob of bragging, drunken, womanizing jackasses who shout when they speak. At first it seems this is the way the story may go. Lieutenant Joe Friselli, Bonar Colleano, appears to fit the template -- but, no. His expansiveness has shrunk to acceptable proportions by the end and he has been thoroughly humanized by the stress and the associated grief of combat.The American we get to know best is Douglass Montgomery, a bomber pilot who first thrusts his face into Mills' dual-occupant room and looks like the kind of guy who could be a vampire or robot. But he turns out to be quiet, married, and sensitive -- enough so that Redgrave's widow is attracted to him and he to her, though nothing comes of it.I don't suppose we really need those familiar shots of soaring Spitfires and turret gunners chattering away at the nettlesome enemy fighters. What we witness is the results of those battles on the ground.And it's a pretty good story, about those results, an ensemble effort that succeeds.
colin-cooper
I was in the British armed forces from 1944 to 1947, and I can confirm that this movie gets the feel of the period exactly right.. Anthony Asquith and the actors breathed life into the cardboard of Rattigan's characters. I didn't like it when I saw it all those decades ago - too sentimental - but now that I can see it more objectively I rate it very highly indeed. One piece of plotting puzzled me: why does Johnny Hollis agonise about the mail from home he never receives? Was it intended that his wife should die or leave him, thus freeing him to court the widowed Iris? This in fact does not happen, and the film ends in a rather downbeat way.
ella-48
One of my all-time favourites, and always will be. Made in the months immediately after WW2, it charts the history of a typical RAF airfield, with particular emphasis on the 1942 arrival of US bomber crews. Their huge social impact on a rural English community is treated with warmth and much wry humour.Those looking for an exercise in gritty documentary realism, though, should look elsewhere! This is essentially a 'relationships' movie, deliberately and finely calculated to tug at the heart strings. A very fine script (by Terence Rattigan, no less) is brought to vivid life by lovely performances from all concerned.Sentimental? Undeniably, but in the best possible way: I defy even the hardest-bitten cynic to remain unmoved.
